Royal Opera of Versailles (Palace of Versailles) tickets 14 February 2026 - Rameau: Pigmalion | GoComGo.com

Rameau: Pigmalion

Royal Opera of Versailles (Palace of Versailles), Hercules Room, Paris, France
All photos (1)
Select date and time
9 PM
From
US$ 108

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Classical Concert
City: Paris, France
Starts at: 21:00
Duration: 1h 15min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Conductor: Camille Delaforge
Soprano: Apolline Raï-Westphal
Mezzo-Soprano: Catherine Trottmann
Ensemble: Ensemble Il Caravaggio
Soprano: Laura Jarrell
Tenor: Mathias Vidal
Creators
Composer: Antoine de Bailleux
Composer: Jean-Baptiste Lully
Composer: Jean-Philippe Rameau
Programme
Jean-Philippe Rameau: Pigmalion
Jean-Philippe Rameau: Les Fêtes de Polymnie: Overture
Jean-Philippe Rameau: Les Boréades: Entrée de Polymnie
Jean-Baptiste Lully: Le mariage forcé : Récit de la beauté "Si l’amour vous soumet"
Antoine de Bailleux: Pigmalion (Cantatille in Italian style)
Overview

"This program is above all a personal and artistic reflection on the myth of Pigmalion. By exploring two versions of this story (Rameau, Bailleux), I sought to reveal not only the different facets of this legend, but also to question the place of art in our lives as artists. The myth of Pigmalion, beyond its first degree which could reduce the woman to a creation, is a pretext to probe what it means to create, what it means to give life to the inanimate – a reflection which, as artists, resonates deeply within us.

I wanted to pay homage to this ballet act, Pigmalion , which I consider to be a distillation of everything that makes Jean-Philippe Rameau a great master. In his mastery of orchestral writing, we find a true symbiosis between the instrumentalists and the singers. The instrumental writing does not simply accompany the text: it magnifies it, extends it, and fully participates in the expression of the drama. Rameau also entrusts the tenor with a rare virtuosity, creating a heroic role tailor-made for the high countertenors who are known to be incredibly agile like Jéliote. This writing, full of technical challenges but also lyricism, demands total commitment from the performer. By linking dramatic arias, complaints, perilous arias and vocalizing, Rameau here signs a work that pays homage to the "stars" of the Paris Opera troupe, to their incredible abilities and to the passion we have for them.

Added to this is the rediscovery of Antoine Bailleux's Pigmalion , which was a unique and captivating adventure for me. Performing a forgotten repertoire is an act of rediscovery of musical heritage, but also a creative adventure. This intense work is similar to that encountered in a contemporary creation, or simply in live performance: you shape a work by putting an intimate part of yourself into it.

Finally, Lully was an obvious choice for me, as this homage to unconditional love, beyond social conventions, seems to be the ideal culmination of this journey around the myth of Pigmalion.

Thus, this program is designed as a journey where each note, each inflection is thought to pay homage to the creative artist, to the one who shapes his ideal by giving it life. As a musician, this quest takes on its full meaning in the work of Pigmalion , in this exaltation of dreamed beauty, of artistic passion. May this music, by plunging us into these suspended moments, be an invitation to question our own relationship to art, to the creative gesture, and to what drives us, like Pigmalion, to give life to our dreams."

Camille Delaforge

Venue Info

Royal Opera of Versailles (Palace of Versailles) - Paris
Location   3 Place Léon Gambetta, Versailles

The Royal Opera of Versailles is the main theatre and opera house of the Palace of Versailles. The Royal Opera is one of the greatest works by the architect Ange-Jacques Gabriel. Inaugurated in 1770 during the reign of Louis XV, it was at the time the largest concert hall in Europe, and was also a great technical achievement and an impressive feat of decorative refinement. A theatre for monarchic and then republican life, it has hosted celebrations, shows and parliamentary debates.

Designed by Ange-Jacques Gabriel, it is also known as the Théâtre Gabriel. The interior decoration by Augustin Pajou is constructed almost entirely of wood, painted to resemble marble in a technique known as faux marble. The excellent acoustics of the opera house is at least partly due to its wooden interior.

The house is located at the northern extremity of the north wing of the palace. General public access to the theater is gained through the two-story vestibule. Some parts of the Opéra, such as the King's Loge and the King's Boudoir represent some of the earliest expressions of what would become known as the Louis XVI style.

Lully’s Persée — written in 1682, the year Louis XIV moved into the palace — inaugurated the Opéra on 16 May 1770 in celebration of the marriage of the dauphin — the future Louis XVI — to Marie Antoinette.

The Opéra Royal can serve either as a theater for opera, stage plays, or orchestral events, when it can accommodate an audience of 712 or as a ballroom when the floor of the orchestra level of the auditorium can be raised to the level of the stage. On these occasions, the Opéra can accommodate 1,200.

Important Info
Type: Classical Concert
City: Paris, France
Starts at: 21:00
Duration: 1h 15min
Top of page