Raimund Theater 4 January 2022 - Miss Saigon | GoComGo.com

Miss Saigon

Raimund Theater, Vienna, Austria
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6:30 PM
Important Info
Type: Musical
City: Vienna, Austria
Starts at: 18:30

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Overview

The most moving love story of our time. The global smash hit musical as the opening production at the newly renovated Raimund Theater. The moving love story of Kim, the Vietnamese girl, and Chris, the American GI, and their fateful encounter in Vietnam is brought to life in a lavish staging with haunting music, extravagant choreography, a striking set and breath-taking technical effects. 

VBW Director of Musicals Christian Struppeck: “MISS SAIGON is one of the biggest hit musicals of our time. A moving love story, it has won countless awards internationally and attracted audiences of over 36 million all over the world. Vanessa Heinz and Oedo Kuipers are perfectly cast in the two main roles. Together with our first-class ensemble, who will be announced in the spring, they will make MISS SAIGON into an outstanding and exceptionally moving musical experience for our audiences.”

This acclaimed production by the world’s most successful musical theatre producer, Cameron Mackintosh (LES MISÉRABLES, MARY POPPINS, CATS, PHANTOM OF THE OPERA) and written by Alain Boublil & Claude-Michel Schönberg (the writers of LES MISÉRABLES) is an extraordinary masterpiece of a musical that has touched people all over the world for three decades.

Haunting music, impressive scenes, breath-taking technical effects.
The moving love story of Kim, the Vietnamese girl, and Chris, the American GI, and their fateful encounter in Vietnam is brought to life in a lavish staging with haunting music, extravagant choreography, a striking set and breath-taking technical effects.  Not for nothing is the dramatic moment when a helicopter lands on stage considered one of the most unforgettable moments in the history of musicals. A superb show with a superb cast, superb effects – emotional, gripping and disturbing all at once.

History
Premiere of this production: 20 September 1989, Theatre Royal, Drury Lane, West End

Miss Saigon is a musical by Claude-Michel Schönberg and Alain Boublil, with lyrics by Boublil and Richard Maltby Jr. It is based on Giacomo Puccini's 1904 opera Madame Butterfly, and similarly tells the tragic tale of a doomed romance involving an Asian woman abandoned by her American lover.

Synopsis

Act 1
In April 1975 at "Dreamland," a Saigon bar and brothel, shortly before the end of the Vietnam War, it is Kim's first day as a bargirl. The seventeen-year-old peasant girl is hauled in by the Engineer, a French-Vietnamese hustler who owns the joint. Backstage, the girls ready themselves for the night's show, jeering at Kim's inexperience ("Overture / Backstage Dreamland"). The U.S. Marines, aware that they will soon be leaving Vietnam, party with the Vietnamese sex workers ("The Heat Is on in Saigon"). Chris Scott, a sergeant disenchanted by the club scene, is encouraged by his friend John Thomas to go with a girl. The girls compete for the title of "Miss Saigon," and the winner is raffled to a Marine. Kim's guilelessness strikes Chris. Gigi Van Tranh wins the crown for the evening and begs the marine who won the raffle to take her back to America, annoying him. The showgirls reflect on their dreams of a better life ("Movie in My Mind"). John buys a room for Chris and the virgin Kim ("The Transaction"). Kim is reluctant and shy, but dances with Chris. Chris tries to pay her to leave the nightclub. When the Engineer interferes, thinking that Chris does not like Kim, Chris allows himself to be led to her room ("The Dance").

Chris, watching Kim sleep, asks God why he met her just as he was about to leave Vietnam ("Why, God, Why?"). When Kim wakes up, Chris tries to give her money, but she refuses, saying that it is her first time sleeping with a man ("This Money's Yours"). Touched to learn that Kim is an orphan, Chris offers to take her to America with him. The two fall in love ("Sun and Moon"). Chris tells John that he is taking leave to spend time with Kim. John warns him that the Viet Cong will soon take Saigon, but then reluctantly agrees to cover for Chris ("The Telephone Song"). Chris meets with the Engineer to trade for Kim, but the Engineer tries to include an American visa in the deal. Chris forces the Engineer at gunpoint to honour the original arrangement for Kim ("The Deal").

The bargirls hold a "wedding ceremony" for Chris and Kim ("Dju Vui Vai"), with Gigi toasting Kim as the "real" Miss Saigon. Thuy, Kim's cousin, to whom she was betrothed at thirteen, arrives to take her home. He has since become an officer in the North Vietnamese Army and is disgusted to find her with a white man ("Thuy's Arrival"). The two men confront each other, drawing their guns. Kim tells Thuy that their arranged marriage is now nullified because her parents are dead, and she no longer harbours any feelings for him because of his betrayal. Thuy curses them all and storms out ("What's This I Find"). Chris promises to take Kim with him when he leaves Vietnam. Chris and Kim dance to the same song as on their first night ("Last Night of The World").

Three years later, in 1978, a street parade is taking place in Saigon (since renamed Ho Chi Minh City) to celebrate the third anniversary of the reunification of Vietnam and the defeat of the Americans ("The Morning of The Dragon"). Thuy, now a commissar in the new Communist government, has ordered his soldiers to look for the still-corrupt Engineer. Thuy orders the Engineer to find Kim and bring her to him. Although the intervening period is not shown, it is apparent that Kim and Chris have become separated in the three years separating the two acts. Kim has been hiding in an impoverished area, still in love with Chris and steadfastly believing that Chris will return to Vietnam and rescue her. Meanwhile, Chris is in bed with his new American wife, Ellen, when he wakes from a dream shouting Kim's name. Ellen and Kim both swear their devotion to Chris from opposite ends of the world ("I Still Believe").

A week later, Thuy's soldiers find the Engineer somewhere up north. For the Communist Party, he goes by the name "Tran Van Dinh" and has spent the past three years working in the rice fields as part of a re-education program. The Engineer takes Thuy to where Kim has been hiding. Kim refuses Thuy's renewed offer of marriage, unaware that his men are waiting outside the door. Furious, Thuy calls them in and they begin tying up Kim and the Engineer, threatening to put them into a re-education camp. Kim introduces him to Tam, her three-year-old son from Chris ("Coo-Coo Princess"). Thuy calls Kim a traitor and Tam an enemy, and tries to kill Tam with a knife, but Kim shoots Thuy dead ("You Will Not Touch Him"). She flees with Tam ("This Is the Hour") and the Engineer laments being born Vietnamese and wishes to go to the USA ("If You Want to Die in Bed"). She tells the Engineer what she has done but he refuses to help her until he learns that Tam's father is American ("Let Me See His Western Nose") – thinking the boy is his chance to emigrate to the United States. He tells Kim that now he is the boy's uncle, and he will lead them to Bangkok. The three set out on a ship with other refugees ("I'd Give My Life for You").

Act 2
In Atlanta, Georgia, John now works for an aid organization whose mission is to connect Bui-Doi (from Vietnamese trẻ bụi đời "street children," meaning children conceived during the war) with their American fathers ("Bui Doi"). John tells Chris that Kim is still alive, which Chris is relieved to hear after years of having nightmares of her dying. He also tells Chris about Tam and urges Chris to go to Bangkok with Ellen. Chris finally tells Ellen about Kim and Tam ("The Revelation"). In Bangkok, the Engineer is hawking a sleazy club where Kim works as a dancer ("What A Waste"). Chris, Ellen, and John arrive in search of Kim. John finds Kim dancing at the club, and tells her that Chris is also in Bangkok. He then tries to tell her that Chris is remarried, but Kim interrupts. She is thrilled about the news and tells Tam that his father has arrived, believing that they are to go to America with Chris. Seeing Kim happy, John cannot bring himself to break the news to her, but promises to bring Chris to her ("Please", replaced with "Too Much for One Heart" [same melody] in 2014 London revival).

The Engineer tells Kim to find Chris herself, because he doubts that Chris will come ("Chris Is Here"). Kim is haunted by the ghost of Thuy, who taunts Kim, claiming that Chris will betray her as he did the night Saigon fell. Kim suffers a horrible flashback to that night ("Kim's Nightmare").

In the nightmare/flashback to 1975, Kim remembers the Viet Cong approaching Saigon. As the city becomes increasingly chaotic, Chris is called to the embassy and leaves his gun with Kim, telling her to pack. When Chris enters the embassy, the gates close, as orders arrive from Washington for an immediate evacuation of the remaining Americans. The Ambassador orders that no more Vietnamese be allowed into the Embassy. Kim reaches the gates of the Embassy, one of a mob of terrified Vietnamese trying to enter. Chris calls to Kim and is about to go into the crowd to look for her. John is eventually forced to punch Chris in the face to stop him from leaving. Chris is put into the last helicopter leaving Saigon as Kim watches from outside, still pledging her love to him ("The Fall of Saigon").

Back in 1978 Bangkok, Kim joyfully dresses in her wedding clothes ("Sun and Moon [Reprise]") and leaves the Engineer to watch Tam while she is gone. She goes to Chris's hotel room, where she finds Ellen. Ellen reveals that she is Chris's wife. Kim is heartbroken and refuses to believe Ellen. Ellen asks Kim if Chris is the father of Tam, and Kim confirms that he is. Kim says that she does not want her son to continue living on the streets and pleads that they take Tam with them back to America, but Ellen refuses, saying that Tam needs his real mother, and Ellen wants her own children with Chris. Kim angrily demands that Chris tell her these things in person, and runs out of the room ("Room 317"). Ellen feels bad for Kim, but is determined to keep Chris ("Now That I've Seen Her", originally "Her or Me", replaced with "Maybe" [completely new lyrics and melody] for the 2011 Dutch revival).

Chris and John return, having failed to find Kim. Ellen tells them both that Kim arrived and that she had to tell Kim everything. Chris and John blame themselves, realising that they were gone too long. Ellen also tells them that Kim wants to see Chris at her place, and that she tried to give away her son to them. John realises that Kim wants Tam to be "an American boy." Ellen then issues an ultimatum to Chris: Kim or her. Chris reassures Ellen, and they pledge their love for each other. Chris and Ellen agree to leave Tam and Kim in Bangkok but offer them monetary support from America, while John decries their decision as selfish ("The Confrontation"). Back at the club, Kim lies to the Engineer that they are still going to America ("Paper Dragons"). The Engineer imagines the extravagant new life that he will lead in America ("The American Dream"). Chris, John, and Ellen find the Engineer and he takes them to see Kim and Tam.

In her room, Kim tells Tam that he should be happy because he now has a father. She tells him that she cannot go with him but will be watching over him ("This Is the Hour [Reprise]", referred to as "Little God of My Heart" on the 2014 London revival recording, though those words are not contained in the lyrics). Chris, Ellen, John, and the Engineer arrive just outside her room. The Engineer comes in to take Tam outside to introduce Tam to his father. While this is happening, Kim steps behind a curtain and shoots herself. As she falls to the floor, Chris rushes into the room at the sound of the gunshot and finds Kim mortally wounded. He picks up Kim and asks what she has done. She asks him to hold her once more and repeats something that he said to her on the first night they met: "How in one night have we come so far?" and dies in his arms as he cries her name ("Finale").

Venue Info

Raimund Theater - Vienna
Location   Wallgasse 18-20

In the year of 1890, a group of Viennese joined together to create a "Viennese popular theatre club" outside the city centre. This was designed for a wide circle of visitors, especially from the "lower classes". At highly reduced, affordable prices one could view patriotic folk tales, both told and sung, join in singing games and experience relevant works all in the field of folk music.

The theater is named after the Austrian dramatist Ferdinand Raimund, it was built by an association of 500 residents of the municipality of Mariahilf. It is designed by Franz Roth and opened on 28 November 1893, fully lit by electricity. Raimund's play Die gefesselte Phantasie opened at the theater (Though its first performance was on 27 November 1893). The theatre mainly presented German folk dramas and plays.

In 1908 it turned to operetta, with Johann Strauss' The Gypsy Baron. Other premieres included Robert Stolz's Das Glücksmädel and Dreimäderlhaus, set to various pieces of music by Franz Schubert; this was performed more than 1200 times between 1916 and 1927.

As the theatre was spared bombing damage during World War II, the theatre re-opened promptly on 25 April 1945 with Dreimäderlhaus. In 1948, Rudolf Marik took over as director for almost 30 years, transforming it into an internationally recognised theatre of the German-speaking world exclusively staging operettas with stars such as Johannes Heesters, Marika Rökk, and others. Many well-known actors started their careers at the Raimund Theatre, including Hansi Niese, Paula Wessely, Attila Hörbiger, and Karl Skraup. After 1976 the theatre was occasionally used for musicals, such as Kurt Weill's Lady in the Dark.

In 1985 the theatre was renovated, re-opening with the gala Seinerzeit; since March 1987 it has formed part of the Vereinigte Bühnen Wien. A Chorus Line was followed by Les Misérables in 1988 and Phantom of the Opera in 1990, which transferred from the Theater an der Wien.

In 1993, on the anniversary of its opening, the German-language version of Kiss of the Spider Woman was premiered. This was followed by the Austrian premiere of Grease in 1994 and the European premiere of Disney's Beauty and the Beast in 1995. Autumn 1997 saw the world premiere of Dance of the Vampires in Roman Polanski's production. After Joseph and the Amazing Technicolor Dreamcoat and a new production of Hair in September 2002, Wake Up was premiered, being the first musical by Rainhard Fendrich and Harold Faltermeyer.

On 11 March 2004 Dave Stewart's rock musical Barbarella had its world premiere. This was followed in 2005 by the German-language version of Romeo & Julia, a musical by Gérard Presgurvic based on Shakespeare.

In September 2006, the new musical Rebecca, by Michael Kunze and Sylvester Levay, premiered at the theatre.

On 24 January 2008 the musical We Will Rock You featuring the music of Queen opened at the Raimund with its largest ever advance ticket sale of 90,000. Original Queen members Roger Taylor and Brian May joined the cast on stage for the finale.

After "We will rock You", The Musical "Rebecca" came back for a short season from September until the end of December 2008. On 26 February 2009, the theatre opened with a new production of the "VBW", the musical "Rudolf - Affaire Mayerling". This production was a "Try-out" at Budapest and then it moved to Vienna.

In March 2010 a musical with songs by Udo Jürgens, an Austrian songwriter and entertainer, called "Ich war noch niemals in New York" opened and is going to stay until the end of June 2012.

In September 2012 the musical Elisabeth will return for the third time to Vienna, but for the first time at Raimund Theatre. From 1992 until 1998 and from 2003 until 2005 the musical took place at the famous Theater an der Wien.

Important Info
Type: Musical
City: Vienna, Austria
Starts at: 18:30
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