Oslo Opera House tickets 1 October 2025 - Jocasta’s Line: Oedipus Rex. Antigone | GoComGo.com

Jocasta’s Line: Oedipus Rex. Antigone

Oslo Opera House, Main Stage, Oslo, Norway
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7 PM
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US$ 91

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Modern Ballet
City: Oslo, Norway
Starts at: 19:00
Intervals: 1
Duration: 2h 10min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Ballet company: Norwegian National Ballet
Conductor: Koen Kessels
Mezzo-Soprano: Dame Sarah Connolly (Jocasta)
Bass: Jens-Erik Aasbø (Messenger)
Tenor: Magnus Staveland (Shepherd)
Bass-Baritone: Michael Mofidian (Creon)
Chorus: Norwegian National Opera Chorus
Orchestra: Norwegian National Opera Orchestra
Tenor: Paul Appleby (Oedipus)
Bass: Rafal Siwek (Tiresias)
Creators
Composer: Igor Stravinsky
Composer: Samy Moussa
Choreographer: Wayne McGregor
Librettist: Jean Cocteau
Translator: Jean Daniélou
Overview

An ill-fated bloodline. The pioneering choreographer Sir Wayne McGregor unites classical tragedy, contemporary ballet and modern music in a grand theatrical installation – a world premiere in which the Norwegian National Ballet joins forces with the Norwegian National Opera Chorus.

Mythological and magnificent 
It is an event in itself when the renowned choreographer and director Sir Wayne McGregor is premiering a new work at the Norwegian National Opera & Ballet. When his brand-new major production takes to the Main Stage, it requires the full efforts of the Norwegian National Ballet, the Norwegian National Opera and the Norwegian National Opera Orchestra. 

Jocasta's Line intertwines two Greek tragedies: Oedipus Rex and Antigone. Samy Moussa is composing brand new music for Antigone, while Oedipus Rex will be set to Igor Stravinsky's original score from 1927. 

Who is Jocasta? 
In Greek mythology, Jocasta is the daughter of Menoeceus and queen of Thebes in ancient Greece. When she unwittingly marries the man who turns out to be her son Oedipus, an irreversible misfortune is passed on to the next generation. 

Wayne McGregor brings a poignant, modern language of movement to the classic tragedies of Jocasta, Oedipus and their daughter Antigone. This is storytelling through ballet – not as a linear narrative from A to Z, but as a scenic experience in which the singers and dancers reveal their own versions of the truth. 

Powerful with male and female choruses 
In Oedipus Rex (1927), Stravinsky's monumental opera-oratorio in Latin, the ancient city of Thebes is plagued by disease. The only way to end the suffering is to find and punish the person who murdered the former king. 

Under pressure from his desperate subjects, King Oedipus sets out to find the killer. Soon he discovers the horrifying truth: he is guilty of the murder himself and is also married to his own mother. 

While Stravinsky's oratorio assigns a key role to the men’s chorus, Canadian composer Samy Moussa favours the women’s chorus in his new composition. His Antigone, sung in ancient Greek, centres on the tragedy of Oedipus' daughter. 

Timeless themes in a modern light 
With his unique style and collaborations with artists from different fields, Sir Wayne McGregor has pushed the boundaries of contemporary dance and taken it to new heights. 

‘The incredible austerity, the unsettling beauty and the explosive energy of Stravinsky's Oedipus Rex open up for interpretation through dance,’ says the world-renowned choreographer and director – who has won many prestigious awards for his work. 

‘By combining this piece with Samy Moussa's new Antigone for orchestra and female chorus, we are setting a new creative course of inspiration and innovation,’ McGregor adds – ‘a space between the familiar and the unfamiliar, between storytelling and experience, where timeless themes are presented in a modern light.’

History
Premiere of this production: 30 May 1927, Théâtre Sarah Bernhardt, Paris

Oedipus Rex is an "Opera-oratorio after Sophocles" by Igor Stravinsky, scored for orchestra, speaker, soloists, and male chorus. The libretto, based on Sophocles's tragedy, was written by Jean Cocteau in French and then translated by Abbé Jean Daniélou into Latin; the narration, however, is performed in the language of the audience.

Synopsis

Act 1

The Narrator greets the audience, explaining the nature of the drama they are about to see, and setting the scene: Thebes is suffering from a plague, and the men of the city lament it loudly. Oedipus, king of Thebes and conqueror of the Sphinx, promises to save the city. Creon, brother-in-law to Oedipus, returns from the oracle at Delphi and declaims the words of the gods: Thebes is harboring the murderer of Laius, the previous king. It is the murderer who has brought the plague upon the city. Oedipus promises to discover the murderer and cast him out. He questions Tiresias, the soothsayer, who at first refuses to speak. Angered at this silence, Oedipus accuses him of being the murderer himself. Provoked, Tiresias speaks at last, stating that the murderer of the king is a king. Terrified, Oedipus then accuses Tiresias of being in league with Creon, whom he believes covets the throne. With a flourish from the chorus, Jocasta appears.

Act 2

Jocasta calms the dispute by telling all that the oracles always lie. An oracle had predicted that Laius would die at his son's hand, when in fact he was murdered by bandits at the crossing of three roads. This frightens Oedipus further: he recalls killing an old man at a crossroads before coming to Thebes. A messenger arrives: King Polybus of Corinth, whom Oedipus believes to be his father, has died. However, it is now revealed that Polybus was only the foster-father of Oedipus, who had been, in fact, a foundling. An ancient shepherd arrives: it was he who had found the child Oedipus in the mountains. Jocasta, realizing the truth, flees. At last, the messenger and shepherd state the truth openly: Oedipus is the child of Laius and Jocasta, killer of his father, husband of his mother. Shattered, Oedipus leaves. The messenger reports the death of Jocasta: she has hanged herself in her chambers. Oedipus breaks into her room and puts out his eyes with her pin. He departs Thebes forever as the chorus at first vents their anger, and then mourns the loss of the king they loved.

Venue Info

Oslo Opera House - Oslo
Location   Kirsten Flagstads Plass 1

The Oslo Opera House is the home of The Norwegian National Opera and Ballet, and the national opera theatre in Norway. The building is situated in the Bjørvika neighbourhood of central Oslo, at the head of the Oslofjord. It is operated by Statsbygg, the government agency which manages property for the Norwegian government. The structure contains 1,100 rooms in a total area of 38,500 m2 (414,000 sq ft). The main auditorium seats 1,364 and two other performance spaces can seat 200 and 400. The main stage is 16 m (52 ft) wide and 40 m (130 ft) deep. The angled exterior surfaces of the building are covered with marble from Carrara, Italy and white granite and make it appear to rise from the water. It is the largest cultural building constructed in Norway since Nidarosdomen was completed circa 1300.

In 1999, after a long national debate, the Norwegian legislature decided to construct a new opera house in the city. A design competition was held and, of the 350 entries received, the judges chose that of Snøhetta. Construction started in 2003 and was completed in 2007, ahead of schedule and 300 million NOK (~US$52 million) under its budget of 4.4 billion NOK (~US$760 million). The gala opening on 12 April 2008 was attended by His Majesty King Harald, Queen Margrethe II of Denmark and President Tarja Halonen of Finland and other leaders. During the first year of operation, 1.3 million people passed through the building's doors.

The Opera House won the culture award at the World Architecture Festival in Barcelona in October 2008 and the 2009 European Union Prize for Contemporary Architecture.

The roof of the building angles to ground level, creating a large plaza that invites pedestrians to walk up and enjoy the panoramic views of Oslo. While much of the building is covered in white granite and La Facciata, a white Italian carrara marble, the stage tower is clad in white aluminium, in a design by Løvaas & Wagle that evokes old weaving patterns.

The lobby is surrounded by 15 m (49 ft) tall windows with minimal framing and special glass that allows maximum views of the water. The roof is supported by thin angled columns also designed not to interfere with views.

Interior surfaces are covered in oak to bring warmth to spaces in contrast to the coolness of the white exterior. The main auditorium is a horseshoe shape and illuminated by an oval chandelier containing 5,800 handmade crystals. Seats include monitors for the electronic libretto system, allowing audiences to follow opera libretti in Norwegian and English in addition to the original language.

Several art projects were commissioned for the interior and exterior of the Opera House. The most notable is She Lies, a sculpture constructed of stainless steel and glass panels by Monica Bonvicini. It is permanently installed on a concrete platform in the fjord adjacent to Opera House and floats on the water moving in response to tides and wind to create an ever-changing face to viewers. The work was unveiled by Her Majesty Queen Sonja on 11 May 2010.

A perforated wall panel which covers roof supports in the lobby was designed by Olafur Eliasson. It features hexagonal opening and is illuminated from below and behind to create the illusion of melting ice. Other artists involved in the construction include Kristian Blystad, Jorunn Sannes and Kalle Grude, who designed the shape of the pavers on the forecourt and roof; Bodil Furu and Trine Lise Nedreaas, who created a film and video project; Marte Aas, Talleiv Taro Manum, Tom Sandberg, Gerd Tinglum and Nina Witoszek Fitzpatrick, who created the art book Site Seeing; and Linus Elmes and Ludvig Löfgren, who created the foundation stone.

The main stage curtain is the work of Pae White who designed it to look like crumpled aluminum foil. White scanned a crumpled piece of foil into a computer which translated the information to a loom that wove the curtain from wool, cotton and polyester to create a three-dimensional effect. The curtain was manufactured by the German-based theatrical equipment company Gerriets GmbH. The finished curtain measures 74 ft (23 m) wide and 36 ft (11 m) and weighs 1,100 lb (500 kg).

Important Info
Type: Modern Ballet
City: Oslo, Norway
Starts at: 19:00
Intervals: 1
Duration: 2h 10min
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