Oslo Opera House tickets 26 October 2025 - Aigul Akhmetshina | GoComGo.com

Aigul Akhmetshina

Oslo Opera House, Main Stage, Oslo, Norway
All photos (1)
Select date and time
6 PM
From
US$ 90

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Classical Concert
City: Oslo, Norway
Starts at: 18:00
Duration: 2h

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Mezzo-Soprano: Aigul Akhmetshina
Programme
Overview

An opera sensation against all odds. From a small village in Russia to the world's grandest opera houses: Aigul Akhmetshina is the mezzo-soprano we didn't know we were waiting for.

Programme:

1.⁠ Rossini: ‘Cruda Sorte’ from L'italiana in Algeria  
2.⁠ Donizetti: ‘Oh, Mio Fernando’ from La Favorita  
3.⁠ ⁠Borodin: ‘Konchakovna's Aria’ from Prince Igor 
4.⁠ Rimsky-Korsakov: ‘Lubasha's scene’ from The Tsar's Bride  
5.⁠ ⁠Saint-Saens: ‘Mon Coeur S'ouvre a ta Voix’ from Samson and Delilah 
6.⁠ Massenet: ‘Va! Laisse couler mes Larmes’ from Werther  
7.⁠ Bizet: ‘Habanera’ from Carmen  
8.⁠ Bizet: ‘Seguidilla’ from Carmen  
 
Intermission 
 
 1.⁠ Rossini: ‘Belta Crudele’  
 2.⁠ Verdi: ‘La Seduzione’  
 3.⁠ Balakirev: ‘I loved him’  
 4.⁠ Rimsky-Korsakov: ‘Captivated by the Rose’  
 5.⁠ ⁠Guastavino: ‘La Rosa y el Sauce’ 
 6.⁠ ⁠Elena Roussanova: ‘Mujer Fatal’ (world premier) 
 7.⁠ ⁠Gardel: ‘El Dia Que me quieras’  
 8.⁠ ⁠Britten: ‘Tell me the truth about love’  
 9.⁠ ⁠Gershwin: ‘The man I love’ 
10.⁠ ⁠Weill: ‘Speak Low’  

The world's leading Carmen 
Russian mezzo-soprano Aigul Akhmetshina is one of our time's most exciting young voices. She made her debut at the Royal Opera House at the age of 21.  Stepping in at short notice, she gave a performance that established her as the opera world's undisputed 'go-to Carmen' (The Observer).   

Her interpretation of the iconic role has been praised worldwide. When she performed it at The Metropolitan Opera as the youngest ever, the New York Times lauded her ‘molten yet agile tone’—like a thick stream of lava that can also move quickly.  

Now she's coming to the Oslo Opera House with a concert that's both grand and intimate. 

Meteoric rise through adversity  
At the age of 14, Akhmetshina left her childhood home in the small Russian village of Bashkortostan to pursue a singing career, supporting herself with jobs as diverse as waitressing and stilt dancing.  

The path to success was anything but easy. After being rejected from a music conservatory and suffering a car accident that robbed her of her voice, she came close to giving up. But relentless training to rebuild her voice would prove to be worth the effort. 

When the Royal Opera House invited her to audition for its prestigious talent programme, she spoke no English and knew nothing about the programme. Yet she was awarded one of five places among 365 applicants – as the youngest participant ever. 

A free spirit on the main stage   
Akhmetshina is signed to Decca Classics as their first mezzo-soprano for decades. In 2023, she won the International Opera Awards' Female Singer of the Year. Her debut album Aigul was awarded Best Solo Album at the OPER! Awards 2025 and received glowing reviews.   

For her concert at the Oslo Opera House, she brings a diverse programme that revolves around love itself. Grand emotions of the opera stage, including Habanera and Seguidilla from Carmen, are combined with love songs from Latin American rhythms, jazz and cabaret – the world premiere of Mujer Fatal, a piece written especially for her by Elena Roussanova.

Venue Info

Oslo Opera House - Oslo
Location   Kirsten Flagstads Plass 1

The Oslo Opera House is the home of The Norwegian National Opera and Ballet, and the national opera theatre in Norway. The building is situated in the Bjørvika neighbourhood of central Oslo, at the head of the Oslofjord. It is operated by Statsbygg, the government agency which manages property for the Norwegian government. The structure contains 1,100 rooms in a total area of 38,500 m2 (414,000 sq ft). The main auditorium seats 1,364 and two other performance spaces can seat 200 and 400. The main stage is 16 m (52 ft) wide and 40 m (130 ft) deep. The angled exterior surfaces of the building are covered with marble from Carrara, Italy and white granite and make it appear to rise from the water. It is the largest cultural building constructed in Norway since Nidarosdomen was completed circa 1300.

In 1999, after a long national debate, the Norwegian legislature decided to construct a new opera house in the city. A design competition was held and, of the 350 entries received, the judges chose that of Snøhetta. Construction started in 2003 and was completed in 2007, ahead of schedule and 300 million NOK (~US$52 million) under its budget of 4.4 billion NOK (~US$760 million). The gala opening on 12 April 2008 was attended by His Majesty King Harald, Queen Margrethe II of Denmark and President Tarja Halonen of Finland and other leaders. During the first year of operation, 1.3 million people passed through the building's doors.

The Opera House won the culture award at the World Architecture Festival in Barcelona in October 2008 and the 2009 European Union Prize for Contemporary Architecture.

The roof of the building angles to ground level, creating a large plaza that invites pedestrians to walk up and enjoy the panoramic views of Oslo. While much of the building is covered in white granite and La Facciata, a white Italian carrara marble, the stage tower is clad in white aluminium, in a design by Løvaas & Wagle that evokes old weaving patterns.

The lobby is surrounded by 15 m (49 ft) tall windows with minimal framing and special glass that allows maximum views of the water. The roof is supported by thin angled columns also designed not to interfere with views.

Interior surfaces are covered in oak to bring warmth to spaces in contrast to the coolness of the white exterior. The main auditorium is a horseshoe shape and illuminated by an oval chandelier containing 5,800 handmade crystals. Seats include monitors for the electronic libretto system, allowing audiences to follow opera libretti in Norwegian and English in addition to the original language.

Several art projects were commissioned for the interior and exterior of the Opera House. The most notable is She Lies, a sculpture constructed of stainless steel and glass panels by Monica Bonvicini. It is permanently installed on a concrete platform in the fjord adjacent to Opera House and floats on the water moving in response to tides and wind to create an ever-changing face to viewers. The work was unveiled by Her Majesty Queen Sonja on 11 May 2010.

A perforated wall panel which covers roof supports in the lobby was designed by Olafur Eliasson. It features hexagonal opening and is illuminated from below and behind to create the illusion of melting ice. Other artists involved in the construction include Kristian Blystad, Jorunn Sannes and Kalle Grude, who designed the shape of the pavers on the forecourt and roof; Bodil Furu and Trine Lise Nedreaas, who created a film and video project; Marte Aas, Talleiv Taro Manum, Tom Sandberg, Gerd Tinglum and Nina Witoszek Fitzpatrick, who created the art book Site Seeing; and Linus Elmes and Ludvig Löfgren, who created the foundation stone.

The main stage curtain is the work of Pae White who designed it to look like crumpled aluminum foil. White scanned a crumpled piece of foil into a computer which translated the information to a loom that wove the curtain from wool, cotton and polyester to create a three-dimensional effect. The curtain was manufactured by the German-based theatrical equipment company Gerriets GmbH. The finished curtain measures 74 ft (23 m) wide and 36 ft (11 m) and weighs 1,100 lb (500 kg).

Important Info
Type: Classical Concert
City: Oslo, Norway
Starts at: 18:00
Duration: 2h
Top of page