Opéra-Comique tickets 8 May 2026 - Lucia di Lammermoor | GoComGo.com

Lucia di Lammermoor

Opéra-Comique, Salle Favart, Paris, France
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8 PM
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Important Info
Type: Opera
City: Paris, France
Starts at: 20:00
Acts: 4
Intervals: 1
Duration: 2h 40min
Sung in: French
Titles in: French,English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Baritone: Étienne Dupuis (Lord Enrico Ashton)
Soprano: Sabine Devieilhe (Lucia Ashton)
Conductor: Speranza Scappucci
Choir: Chamber Choir Accentus
Orchestra: Insula Orchestra
Tenor: Léo Vermot-Desroches (Sir Edgardo di Ravenswood)
Creators
Composer: Gaetano Donizetti
Director: Evgeny Titov
Librettist: Salvadore Cammarano
Poet: Walter Scott
Overview

In a destitute Scotland, torn by clan rivalries, Lucie must marry a Lord who would save her family’s name from disgrace. But a secret love unites her with Edgard, the last survivor of a rival lineage... What can a woman do when strength and violence reign supreme? 

The most widely read author in 19th-century Europe, Walter Scott, drew inspiration from a real event for his darkest novel. At the height of his career, Donizetti created a remarkable theatrical adaptation of it. After a triumph in Naples, Lucia di Lammermoor took over the stages of the continent, as Emma Bovary and Anna Karenina will testify. We are presenting the French version that Donizetti supervised for Paris, when it was the lyrical capital of the continent. 

Speranza Scappucci conducts this pinnacle of Romantic lyricism. After her legendary Lakmé and Ophelia performances, Sabine Devieilhe returns to the Opéra-Comique for a new role, one she will embody perfectly, as virtuosic as she is sensitive. The director Evgeny Titov lays bare the cruel mechanisms of this unforgiving drama. 

French adaptation in four acts of the opera Lucia di Lammermoor | Translation by Alphonse Royer and Gustave Vaëz of the original libretto by Salvatore Cammarano, based on the novel The Bride of Lammermoor by Sir Walter Scott | Premiered on 6th August 1839 at the Théâtre de la Renaissance, Paris.

Production: Opéra-Comique
Co-production: Opéra national du Rhin, Grand Théâtre de Genève, Palazzetto Bru Zane - Centre de musique romantique française

History
Premiere of this production: 26 September 1835, Teatro di San Carlo, Naples

Lucia di Lammermoor is a dramma tragico (tragic opera) in three acts by Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's historical novel The Bride of Lammermoor.

Synopsis

Time: Early 18th century
Place: Scotland

Act 1

Scene 1: The gardens of Ravenswood Castle

Normanno, captain of the castle guard, and other retainers are searching for an intruder. He tells Enrico that he believes that the man is Edgardo of Ravenswood, and that he comes to the castle to meet Enrico's sister, Lucia. It is confirmed that Edgardo is indeed the intruder. Enrico reaffirms his hatred for the Ravenswood family and his determination to end the relationship.

Scene 2: By a fountain at the entrance to the park, beside the castle

Lucia waits for Edgardo. In her famous aria "Regnava nel silenzio", Lucia tells her maid Alisa that she has seen the ghost of a girl killed on the very same spot by a jealous Ravenswood ancestor. Alisa tells Lucia that the apparition is a warning and that she must give up her love for Edgardo. Edgardo enters; for political reasons, he must leave immediately for France. He hopes to make his peace with Enrico and marry Lucia. Lucia tells him this is impossible, and instead they take a sworn vow of marriage and exchange rings. Edgardo leaves.

Act 2

Scene 1: Lord Ashton's apartments

Preparations have been made for the imminent wedding of Lucia to Arturo. Enrico worries about whether Lucia will really submit to the wedding. He shows his sister a forged letter seemingly proving that Edgardo has forgotten her and taken a new lover. Enrico leaves Lucia to further persuasion, this time by Raimondo, Lucia's chaplain and tutor, that she should renounce her vow to Edgardo, for the good of the family, and marry Arturo.

Scene 2: A hall in the castle

Arturo arrives for the marriage. Lucia acts strangely, but Enrico explains that this is due to the death of her mother. Arturo signs the marriage contract, followed reluctantly by Lucia. At that point Edgardo suddenly appears in the hall. Raimondo prevents a fight, but he shows Edgardo Lucia's signature on the marriage contract. Edgardo curses her, demanding that they return their rings to each other. He tramples his ring on the ground, before being forced out of the castle.

Act 3

Scene 1: Wolfcrag

Enrico visits Edgardo to challenge him to a duel. He tells him that Lucia is already enjoying her bridal bed. Edgardo agrees to fight him. They will meet later by the graveyard of the Ravenswoods, near the Wolf's Crag.

Scene 2: A Hall

Raimondo interrupts the marriage celebrations to tell the guests that Lucia has gone mad and killed her bridegroom Arturo. Lucia enters. In the aria "Il dolce suono" she imagines being with Edgardo, soon to be happily married. Enrico enters and at first threatens Lucia but later softens when he realizes her condition. Lucia collapses. Raimondo blames Normanno for precipitating the whole tragedy.

Scene 3: The graveyard of the Ravenswood family

Edgardo is resolved to kill himself on Enrico's sword. He learns that Lucia is dying and then Raimondo comes to tell him that she has already died. Edgardo stabs himself with a dagger, hoping to be reunited with Lucia in heaven.

Venue Info

Opéra-Comique - Paris
Location   1 Place Boieldieu

The Opéra Comique was founded in 1714 under the reign of Louis XIV. It is one of the oldest French dramatic and musical institutions along with the Opéra de Paris and the Comédie-Française.

Its history was alternately turbulent and prestigious until it was listed on the register of national theaters in 2005. In 2015 the Opéra Comique is celebrating its tricentennial.

From 1783 onward, the seasons of the company were presented in a theater named after the famous librettist Charles-Simon Favart. The Salle Favart burnt down twice and was rebuilt on the same site.
Opéra comique as a genre is represented by the Opéra Comique company. The term "comique" does not mean that laughter is compulsory. Rather, sung lines are interspersed with spoken drama. Opéra comique stands in contrast with opera, which is sung throughout, and its specificities were taught until 1991.

The third oldest French dramatic institution after the Opéra de Paris and the Comédie-Française, the Opéra Comique produced a repertoire that spread throughout France and abroad in the Age of Enlightenment. However, unlike the other two institutions it has never been able to either centralize or process its archives. Today they are scattered in various places.
Jérôme Deschamps has been the director of the institution since 2007 with the purpose of inviting the public to recapture the Opéra Comique in a historical perspective. 

Important Info
Type: Opera
City: Paris, France
Starts at: 20:00
Acts: 4
Intervals: 1
Duration: 2h 40min
Sung in: French
Titles in: French,English
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