Opéra-Comique 12 November 2020 - Hippolyte et Aricie | GoComGo.com

Hippolyte et Aricie

Opéra-Comique, Paris, France
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8 PM
Important Info
Type: Opera
City: Paris, France
Starts at: 20:00
Acts: 5
Duration:
Sung in: French
Titles in: French,English

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Overview

Rameau adjusted his work of art each time it was played. Here, it is the 1757s version, without prologue, that Raphaël Pichon directs at the head of the Pygmalion group, whose orchestra happens to play period instruments. Jeanne Candel, who always commits at making music a theatre play , couldn’t help but connect with the visionary Rameau.

The prince Hippolyte loves Aricie, a beautiful prisoner devoted to Diana’s cult. As King Theseus’ disappeared in Hell, Hippolyte asks his mother in law, Queen Phaedra, for help. Little does he know that Phaedra secretly loves him and wants to offer him her hand and throne in marriage. And who could imagine that Theseus would come back from Pluto’s kingdom?

On 1st October 1733 was created a lyrical tragedy of such extraordinary intensity it changed the course of French music. Hippolyte and Aricie was based on Euricide and Racine’s work. Rameau, organist and little-known theorist in his fifties, thus produced his first opera. He was from then on going to rule the music scene with his descriptive orchestra and inventive harmony, both always at the service of drama.

Lyrical tragedy in five acts, Libretto by the Abbé Pellegrin. Third version created at the Académie Royale de Musique in 1757.

History
Premiere of this production: 01 October 1733, Theatre in the Palais-Royal, Paris

Hippolyte et Aricie (Hippolytus and Aricia) was the first opera by Jean-Philippe Rameau. It was premiered to great controversy by the Académie Royale de Musique at its theatre in the Palais-Royal in Paris on October 1, 1733. The French libretto, by Abbé Simon-Joseph Pellegrin, is based on Racine's tragedy Phèdre. The opera takes the traditional form of a tragédie en musique with an allegorical prologue followed by five acts. Early audiences found little else conventional about the work.

Synopsis

Prologue

An overture in the typical Lullian style precedes the allegorical prologue set in the Forest of Erymanthus where Diane (Diana) and L'Amour (Cupid) are arguing who will rule over the forest dwellers. The quarrel is settled by Jupiter who decrees that Love will reign over their hearts for one day every year. Diane vows to look after Hippolyte and Aricie.

Act 1
The temple of Diana in Troezen

The story concerns the Greek hero Theseus, King of Athens (Thésée in the opera), his wife Phaedra (Phèdre) and Theseus' son by another woman, Hippolytus (Hippolyte). Hippolytus is in love with a young woman, Aricia (Aricie), but she is the daughter of Theseus' enemy, Pallas. Aricia is the last of the Pallantids, and as such is held captive by and he has sentenced her to take a vow of chastity to Diane. Before she does so, Aricia reveals her love for Hippolytus and the priestesses of Diana say that it is unlawful to force her to dedicate her heart to the goddess when it already belongs to another. Phaedra, incensed by the disobedience of the priestesses, threatens to destroy the temple. The high priestess appeals to the gods, and the goddess Diana descends and rebukes Phaedra, forcing her to leave the temple. Phaedre leaves with her only confidant, Oenone, and vents her frustration at the situation. Phaedra, Theseus second wife, has been nursing an illicit desire for her stepson. Arcas brings news that Theseus has made a journey to the Underworld and is likely dead. This means Phaedre may pursue Hippolytus and offer him the marriage and the crown of Athens.

Act 2
Hades, the Underworld

Theseus descends to Hades to rescue his friend Pirithous, who has been captured when he tried to seduce Pluto (Pluton)'s wife, Proserpina(Proserpine). Theseus has a special advantage: his father, the god Neptune, has promised to answer his prayers on three occasions during his life. The first prayer Theseus makes is to be allowed to reach Hades. At the entrance, he fights with the Fury Tisiphone, but makes it through to Pluto's court. Pluto denies Theseus' request to trade or share the fate of his friend, but allows a trial. When Theseus again loses, he calls on Neptune to free him (his second prayer), and Pluton is powerless to hold him back. As Theseus leaves, however, the Fates (Les Parques) foretell that Theseus may leave Hades but he will find Hell in his own household.

Act 3
Theseus' palace by the sea

Phaedre is living a life cursed by Venus for the mistakes of her mother, Pasiphae, who had an affair with the Minotaur; Phaedra is the product of this bestial affair. She meets with Hippolytus, who offers his condolences on her bereavement and swears fidelity to her as a queen as well as abdicating the throne to the son of Theseus and Phaedra, his half brother. He is prioritizing being with Aricia above all else. As she witnesses her dreams crumbling, Phaedra confesses her passion. Hippolyte is shocked and curses her. Phaedre tries to kill herself with a sword but Hippolytus snatches it from her. At this moment, Theseus arrives unexpectedly. He is unsure what to make of the scene, but fears Hippolytus was trying to rape his wife. Phaedre rushes off and Hippolytus nobly refuses to denounce his stepmother. But this only serves to increase his father's suspicions, now reinforced by Phaedra's confidante, Oenone. Theseus finally decides to use his last prayer to Neptune to punish Hippolytus.

Act 4
A grove sacred to Diana by the sea

Hippolytus realizes he must go into exile and Aricia vows to go with him as his wife with the goddess Diana as their witness. The forest people celebrate Diana. A monster suddenly emerges from the sea – the instrument of Theseus' punishment. Hippolytus tries to fight it but disappears in a cloud of flames. Phaedre arrives, distraught, and admits she is the cause of Hippolytus' death.

Act 5
A grove sacred to Diana by the sea

Theseus has learnt the truth from Phaedre, just before she poisoned herself. Full of remorse, he too threatens suicide but Neptune reveals that his son is still alive, thanks to Diana's protection. However, Theseus will never see him again.

The forest of Aricia, Italy

Aricia wakes up, still mourning Hippolytus. Diane tells her she has found a husband for the girl, but Aricia is inconsolable until the goddess reveals Hippolytus, alive and well. Diana appoints Hippolytus to be the king of her people in this land, and the opera ends with general rejoicing.

Venue Info

Opéra-Comique - Paris
Location   1 Place Boieldieu

The Opéra Comique was founded in 1714 under the reign of Louis XIV. It is one of the oldest French dramatic and musical institutions along with the Opéra de Paris and the Comédie-Française.

Its history was alternately turbulent and prestigious until it was listed on the register of national theaters in 2005. In 2015 the Opéra Comique is celebrating its tricentennial.

From 1783 onward, the seasons of the company were presented in a theater named after the famous librettist Charles-Simon Favart. The Salle Favart burnt down twice and was rebuilt on the same site.
Opéra comique as a genre is represented by the Opéra Comique company. The term "comique" does not mean that laughter is compulsory. Rather, sung lines are interspersed with spoken drama. Opéra comique stands in contrast with opera, which is sung throughout, and its specificities were taught until 1991.

The third oldest French dramatic institution after the Opéra de Paris and the Comédie-Française, the Opéra Comique produced a repertoire that spread throughout France and abroad in the Age of Enlightenment. However, unlike the other two institutions it has never been able to either centralize or process its archives. Today they are scattered in various places.
Jérôme Deschamps has been the director of the institution since 2007 with the purpose of inviting the public to recapture the Opéra Comique in a historical perspective. 

Important Info
Type: Opera
City: Paris, France
Starts at: 20:00
Acts: 5
Duration:
Sung in: French
Titles in: French,English
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