Opernhaus Düsseldorf tickets 19 March 2025 - La Cenerentola | GoComGo.com

La Cenerentola

Opernhaus Düsseldorf, Düsseldorf, Germany
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7:30 PM

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If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Düsseldorf, Germany
Starts at: 19:30
Acts: 2
Intervals: 1
Duration: 3h
Sung in: Italian
Titles in: German

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Tenor: César Cortés (Don Ramiro)
Choir: Chor der Deutschen Oper am Rhein
Orchestra: Düsseldorfer Symphoniker
Soprano: Elena Sancho Pereg (Clorinda)
Conductor: Katharina Müllner
Mezzo-Soprano: Kimberley Boettger-Soller (Tisbe)
Mezzo-Soprano: Maria Kataeva (Angelina)
Creators
Composer: Gioachino Rossini
Author: Charles Perrault
Librettist: Jacopo Ferretti
Director: Jean-Pierre Ponnelle
Overview

The fairy tale of Cinderella on the opera stage - nasty stepsisters included.

Cenerentola is poor: the ill will of her stepfamily makes her life difficult. But unlike in fairy tales, her transformation from Cinderella to a beautiful lady whom Prince Ramiro chooses as his wife is part of a turbulent comedy in which wit and disguise play a major role. For the prince also disguises himself in his search for a bride in order to win over the lady of his heart without being recognised. "La Cenerentola" is considered a masterpiece in the field of opera buffa, and to this day its scenic elegance and humour shine in splendid beauty, carried by spiritedly dazzling music.

History
Premiere of this production: 25 January 1817, Teatro Valle, Rome

La Cenerentola, ossia La bontà in trionfo (Cinderella, or Goodness Triumphant) is an operatic dramma giocoso in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the fairy tale Cendrillon by Charles Perrault. The opera was first performed in Rome's Teatro Valle on 25 January 1817.

Synopsis

In this variation of the fairy tale, the wicked stepmother is replaced by a stepfather, Don Magnifico. The Fairy Godmother is replaced by Alidoro, a philosopher and tutor to the Prince. Cinderella is identified not by a glass slipper but by her bracelet. The supernatural elements that traditionally characterize the Cinderella story were removed from the libretto, simply for ease of staging.

Time: Late 18th century – early 19th century
Place: Salerno (Italy)

Act 1

Angelina, known to her stepfather and stepsisters as "Cenerentola", is forced to serve as the maid in her own home. She sings of a king who married a common girl ("Una volta c’era un rè"). A beggar arrives; her stepsisters, Clorinda and Tisbe, want to send him away, but Cenerentola gives him bread and coffee. Courtiers follow, announcing that Prince Ramiro will come to visit while he searches for the most beautiful girl in the land to wed. Cenerentola's stepfather, Don Magnifico, hopes to use this as an opportunity to save his own failing fortune.

When the room is empty, Ramiro enters alone, disguised as a valet. The "beggar" - in fact, his tutor, Alidoro - has informed him of a goodhearted young woman spotted here. Ramiro intends to find her incognito. Cenerentola returns, and she and Ramiro are attracted to each other (duet: "Un soave non-so che"), but when he asks who she is, she's overwhelmed and flees.

Finally, the "prince" arrives – the real valet, Dandini, who has taken his master's place - and Magnifico, Clorinda, and Tisbe fall over themselves to flatter him. He invites the family to a ball that evening, where he plans to find his bride; Cenerentola asks to join them, but Magnifico refuses (quintet: "Signor, una parola"). This callousness isn't lost on Ramiro. Alidoro, still in his rags, returns to inquire after a third daughter in the house; Magnifico claims she has died. Left alone with Cenerentola, Alidoro promises to take her to the ball himself, and that God will reward her kindness ("Là del ciel nell’arcano profondo").

The prince and his valet have retired to Ramiro's country house in some confusion, as neither of Magnifico's daughters resembled the worthy bride Alidoro had described. When Clorinda and Tisbe arrive, Dandini gives them a little test: he offers his "valet" to whichever sister the "prince" does not marry. The ladies are outraged at the idea of marrying a servant. Alidoro then arrives with a beautiful, unknown lady who strangely resembles Cenerentola. Unable to make sense of the situation, they all sit down to supper, feeling as if they are in a dream.

Act 2

Magnifico frets over the competition his daughters now face from the strange lady ("Sia qualunque delle figlie"), but Cenerentola isn't interested in the "prince," saying she's fallen in love with his servant. An overjoyed Ramiro steps forward; however, Cenerentola tells him that she's going home and doesn't want him to follow her. If he really cares for her, she says, he will find her, giving him one of a matching pair of bracelets. The prince determines to do exactly that ("Sì, ritrovarla io giuro").

Meanwhile, Magnifico confronts the disguised Dandini, insisting that he choose one of his daughters to marry. Dandini tries to stall, but is forced to admit that he's actually the valet and not the prince at all (duet: "Un segreto d’importanza").

A furious Magnifico and his daughters return home, where they order Cenerentola, back in rags, to serve them. A storm is thundering outside. Alidoro sabotages Ramiro's carriage so that it breaks down in front of Magnifico's manor, forcing the prince to take refuge within. Cenerentola and Ramiro recognize each other's bracelets; the others comment on the situation (sextet: "Siete voi?"). When Ramiro threatens Cenerentola's recalcitrant family, she asks him to forgive them.

Ramiro and Cenerentola are married, and celebrate their wedding at the palace. Magnifico tries to win the favor of the new princess, but she asks only to be acknowledged, at last, as his daughter. She reflects on the misfortune to which she was born and the sudden reversal of her fate, then forgives her family for all her past unhappiness, adding that her days of sitting sadly by the fire are over ("Nacqui all'affanno... Non più mesta"). Everyone present acknowledges that she truly is worthy of the throne.

Venue Info

Opernhaus Düsseldorf - Düsseldorf
Location   Heinrich-Heine-Allee 16a, 40213

With its ensemble of top-quality soloists, its chorus and the nationally and internationally acclaimed company of the Ballett am Rhein, Opernhaus Düsseldorf has established itself as a leading European venue for opera and dance.

The Deutsche Oper am Rhein Düsseldorf Duisburg gGmbH is a theatre partnership between the cities of Düsseldorf and Duisburg which can look back on a long tradition of collaboration between the two cities. Since it was founded in 1956, it has consistently been one of Germany’s largest opera houses.

It is located in one of the most extensive and densely-populated cultural regions in Germany. The cities of Düsseldorf and Duisburg alone possess almost 1.1 million inhabitants and both the adjacent regions and a large number of guests from further afield benefit from the artistic excellence offered by the Deutsche Oper am Rhein.

At its two venues, Opernhaus Düsseldorf and Theater Duisburg, whose combined audience capacity is around 2,400 people, it presents more than 280 events each year. These include opera and operetta, ballet, contemporary music theatre productions and a programme for young audiences, as well as gala concerts and numerous special events together with a contextual programme.

As a consequence, the great classics of the operatic canon – the works of Mozart, Verdi, Puccini and Strauss – are as much part of the repertoire on stage in Düsseldorf and Duisburg as rare pieces of baroque opera, significant works of the modern age and commissions from composers of our own time such as Helmut Oehring, Anno Schreier, Marius Felix Lange, Jörn Arnecke and Lucia Ronchetti.

A sense of the variety of staging vocabulary represented in recent years is evident from names such as Lotte de Beer, Johannes Erath, Tatjana Gürbaca, Claus Guth, Stefan Herheim, David Herman, Dietrich W. Hilsdorf, Immo Karaman, Barrie Kosky, Ilaria Lanzino, Lydia Steier, Elisabeth Stöppler, Michael Thalheimer and Rolando Villazón.

This many-sided repertoire is sustained by the artistic ensembles that the Deutsche Oper am Rhein is able to bring together. The largest ensemble of soloists in the world includes both experienced and internationally acclaimed singers in addition to many young artists launching their careers from Düsseldorf and Duisburg. The current full-time ensemble consists of 47 soloists and six members of the Opera Studio. This is supplemented by a series of guest artists, many of whom enjoy a close and long-standing association with the Deutsche Oper am Rhein.

The dancers of the Ballett am Rhein are at the heart of their work. Because the beginning of every work of art lies in the dancer's body itself and in its ability to tell stories and convey feelings and states. Their vision of dance is always based on the diverse use of ballet technique: the dancer's body becomes the instrument of the idea behind the choreography and releases the creative energy of each individual. This opens up new dimensions of movement diversity, combining technical brilliance with a strong inwardness and desire for movement.

Düsseldorf’s opera house on Heinrich-Heine-Allee is located at the edge of the historic city centre, directly between the Hofgarten and Königsallee, and is within walking distance of the promenade on the bank of the Rhine.

The new City Theatre opened in 1875 in a design by the architect Ernst Giese. The building, which recreated the style of the Italian Renaissance with its round frontage and 1,260 seats, bore a resemblance to other representative theatre buildings such as the Semperoper in Dresden.

Two air raids in 1943 left the theatre severely damaged. After the war, a period of temporary arrangements followed until the opera house was rebuilt in its present form in the mid-1950s. Extensive rebuilding work based on plans drawn up by the architects Julius Schulte Frohlinde, Paul Bonatz and Ernst Huhn were intended to correct the hasty repairs of the war years and redefine the opera house’s profile. The front of the building with its simple façade, the elegantly curved stairs of the foyer and numerous stylistic elements from the 1950s now enjoy protected monument status.

Between 2006 and 2007, the City of Düsseldorf commissioned extensive renovations to the opera house. The building was visibly extended by a rehearsal studio for the ballet and orchestra that is flooded with light. This opens onto the Hofgarten and Königsallee with a ten-metre wide and eight-metre high glass façade. The auditorium now has capacity for a maximum of 1,296 visitors. Downstairs in the basement lies the costume store, which holds some 50,000 different costumes – a major attraction on every guided tour of the opera house.

Important Info
Type: Opera
City: Düsseldorf, Germany
Starts at: 19:30
Acts: 2
Intervals: 1
Duration: 3h
Sung in: Italian
Titles in: German
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