Opernhaus Düsseldorf tickets 16 March 2025 - Der flie­gen­de Hol­län­der | GoComGo.com

Der flie­gen­de Hol­län­der

Opernhaus Düsseldorf, Düsseldorf, Germany
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6:30 PM
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US$ 94

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If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Düsseldorf, Germany
Starts at: 18:30
Acts: 3
Duration: 2h 15min
Sung in: German
Titles in: German

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Choir: Chor der Deutschen Oper am Rhein
Orchestra: Düsseldorfer Symphoniker
Soprano: Gabriela Scherer (Senta)
Bass: Hans-Peter König (Daland)
Conductor: Harry Ogg
Bass-Baritone: James Rutherford (The Dutchman)
Creators
Composer: Richard Wagner
Librettist: Richard Wagner
Director: Vasily Barkhatov
Overview

Drama of longing and soul in a rushing sea of sound.

The "Flying Dutchman" is different from the men who populate Senta's provincial world. An outsider like them, he is also shrouded in a dark doom. The Dutchman once cursed God; as punishment, he must sail the oceans in his ghost ship until a loving woman redeems him from his curse. Senta is destined to turn the legendary sailor's fate around... Director Vasily Barkhatov tells the story of Senta's quest for romantic self-assertion with cinematic intensity.

History
Premiere of this production: 02 January 1843, Königliches Hoftheater, Dresden

The Flying Dutchman (German: Der fliegende Holländer) is a German-language opera, with libretto and music by Richard Wagner. The central theme is redemption through love. Wagner conducted the premiere at the Königliches Hoftheater in Dresden in 1843. Wagner claimed in his 1870 autobiography Mein Leben that he had been inspired to write the opera following a stormy sea crossing he made from Riga to London in July and August 1839. However, in his 1843 Autobiographic Sketch, Wagner acknowledged he had taken the story from Heinrich Heine's retelling of the legend in his 1833 satirical novel The Memoirs of Mister von Schnabelewopski (Aus den Memoiren des Herrn von Schnabelewopski).

Synopsis

Place: On the coast of Norway

Act 1

On his homeward journey, the sea captain Daland is compelled by stormy weather to seek a port of refuge near Sandwike in southern Norway. He leaves the helmsman on watch and he and the sailors retire. (Song of the helmsman: "Mit Gewitter und Sturm aus fernem Meer" — "With tempest and storm on distant seas.") The helmsman falls asleep. A ghostly vessel appearing astern is dashed against Daland's vessel by the sea and the grappling irons hold the two ships together. Invisible hands furl the sails. A man of pale aspect, dressed in black, his face framed by a thick black beard, steps ashore. He laments his fate. (Aria: "Die Frist ist um, und abermals verstrichen sind sieben Jahr" — "The time has come and seven years have again elapsed") Because he once invoked Satan, the ghost captain is cursed to roam the sea forever without rest. An angel brought to him the terms of his redemption: Every seven years the waves will cast him upon the shore; if he can find a wife who will be true to him he will be released from his curse.

Daland wakes up and meets the stranger. The stranger hears that Daland has an unmarried daughter named Senta, and he asks for her hand in marriage, offering a chest of treasure as a gift. Tempted by gold, Daland agrees to the marriage. The southwind blows and both vessels set sail for Daland's home.

Act 2

A group of local girls are singing and spinning in Daland's house. (Spinning chorus: "Summ und brumm, du gutes Rädchen" — "Whir and whirl, good wheel") Senta, Daland's daughter, dreamily gazes upon a gorgeous picture of the legendary Dutchman that hangs from the wall; she desires to save him. Against the will of her nurse, she sings to her friends the story of the Dutchman (Ballad with the Leitmotiv), how Satan heard him swear and took him at his word. She vows to save him by her fidelity.

The huntsman Erik, Senta's former boyfriend, arrives and hears her; the girls depart, and the huntsman, who loves the maiden, warns her, telling her of his dream, in which Daland returned with a mysterious stranger, who carried her off to sea. She listens with delight, and Erik leaves in despair.

Daland arrives with the stranger; he and Senta stand gazing at each other in silence. Daland is scarcely noticed by his daughter, even when he presents his guest as her betrothed. In the following duet, which closes the act, Senta swears to be true till death.

Act 3

Later in the evening, the local girls bring Daland's men food and drink. They invite the crew of the strange vessel to join in the merry-making, but in vain. The girls retire in wonder; ghostly forms appear at work upon the vessel The Flying Dutchman, and Daland's men retreat in fear.

Senta arrives, followed by Erik, who reproves her for deserting him, as she had formerly loved him and vowed constancy. When the stranger, who has been listening, hears these words, he is overwhelmed with despair, as he thinks he is now forever lost. He summons his men, tells Senta of the curse, and to the consternation of Daland and his crew declares that he is the "Flying Dutchman".

As the Dutchman sets sail, Senta throws herself into the sea, claiming that she will be faithful to him unto death. This is his salvation. The spectral ship disappears, and Senta and the Dutchman are seen ascending to heaven.

Venue Info

Opernhaus Düsseldorf - Düsseldorf
Location   Heinrich-Heine-Allee 16a, 40213

With its ensemble of top-quality soloists, its chorus and the nationally and internationally acclaimed company of the Ballett am Rhein, Opernhaus Düsseldorf has established itself as a leading European venue for opera and dance.

The Deutsche Oper am Rhein Düsseldorf Duisburg gGmbH is a theatre partnership between the cities of Düsseldorf and Duisburg which can look back on a long tradition of collaboration between the two cities. Since it was founded in 1956, it has consistently been one of Germany’s largest opera houses.

It is located in one of the most extensive and densely-populated cultural regions in Germany. The cities of Düsseldorf and Duisburg alone possess almost 1.1 million inhabitants and both the adjacent regions and a large number of guests from further afield benefit from the artistic excellence offered by the Deutsche Oper am Rhein.

At its two venues, Opernhaus Düsseldorf and Theater Duisburg, whose combined audience capacity is around 2,400 people, it presents more than 280 events each year. These include opera and operetta, ballet, contemporary music theatre productions and a programme for young audiences, as well as gala concerts and numerous special events together with a contextual programme.

As a consequence, the great classics of the operatic canon – the works of Mozart, Verdi, Puccini and Strauss – are as much part of the repertoire on stage in Düsseldorf and Duisburg as rare pieces of baroque opera, significant works of the modern age and commissions from composers of our own time such as Helmut Oehring, Anno Schreier, Marius Felix Lange, Jörn Arnecke and Lucia Ronchetti.

A sense of the variety of staging vocabulary represented in recent years is evident from names such as Lotte de Beer, Johannes Erath, Tatjana Gürbaca, Claus Guth, Stefan Herheim, David Herman, Dietrich W. Hilsdorf, Immo Karaman, Barrie Kosky, Ilaria Lanzino, Lydia Steier, Elisabeth Stöppler, Michael Thalheimer and Rolando Villazón.

This many-sided repertoire is sustained by the artistic ensembles that the Deutsche Oper am Rhein is able to bring together. The largest ensemble of soloists in the world includes both experienced and internationally acclaimed singers in addition to many young artists launching their careers from Düsseldorf and Duisburg. The current full-time ensemble consists of 47 soloists and six members of the Opera Studio. This is supplemented by a series of guest artists, many of whom enjoy a close and long-standing association with the Deutsche Oper am Rhein.

The dancers of the Ballett am Rhein are at the heart of their work. Because the beginning of every work of art lies in the dancer's body itself and in its ability to tell stories and convey feelings and states. Their vision of dance is always based on the diverse use of ballet technique: the dancer's body becomes the instrument of the idea behind the choreography and releases the creative energy of each individual. This opens up new dimensions of movement diversity, combining technical brilliance with a strong inwardness and desire for movement.

Düsseldorf’s opera house on Heinrich-Heine-Allee is located at the edge of the historic city centre, directly between the Hofgarten and Königsallee, and is within walking distance of the promenade on the bank of the Rhine.

The new City Theatre opened in 1875 in a design by the architect Ernst Giese. The building, which recreated the style of the Italian Renaissance with its round frontage and 1,260 seats, bore a resemblance to other representative theatre buildings such as the Semperoper in Dresden.

Two air raids in 1943 left the theatre severely damaged. After the war, a period of temporary arrangements followed until the opera house was rebuilt in its present form in the mid-1950s. Extensive rebuilding work based on plans drawn up by the architects Julius Schulte Frohlinde, Paul Bonatz and Ernst Huhn were intended to correct the hasty repairs of the war years and redefine the opera house’s profile. The front of the building with its simple façade, the elegantly curved stairs of the foyer and numerous stylistic elements from the 1950s now enjoy protected monument status.

Between 2006 and 2007, the City of Düsseldorf commissioned extensive renovations to the opera house. The building was visibly extended by a rehearsal studio for the ballet and orchestra that is flooded with light. This opens onto the Hofgarten and Königsallee with a ten-metre wide and eight-metre high glass façade. The auditorium now has capacity for a maximum of 1,296 visitors. Downstairs in the basement lies the costume store, which holds some 50,000 different costumes – a major attraction on every guided tour of the opera house.

Important Info
Type: Opera
City: Düsseldorf, Germany
Starts at: 18:30
Acts: 3
Duration: 2h 15min
Sung in: German
Titles in: German
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