Opera de Monte-Carlo 22 November 2019 - Lucia di Lammermoor | GoComGo.com

Lucia di Lammermoor

Opera de Monte-Carlo, Monaco, Monaco
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8 PM
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Important Info
Type: Opera
City: Monaco, Monaco
Starts at: 20:00

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Overview

On the occasion of Monegasque National Day

New production, in co-production with the New National Theater Foundation of Tokyo

The creation of Lucia di Lammermoor in 1835 is a triumph. Four days after the first, Gaetano Donizetti writes: "Lucia [...] has been represented and allow me to say so warmly that I am embarrassed and yet it is the truth. [...] To tell the truth, in the finale, after great cheers at the stop of the adagio, Duprez was furiously applauded in the curse before the stretcher. Each piece was listened to in a religious silence and greeted with the most spontaneous cheers. So Lucia immediately set out to conquer Europe and then the world.

The premium of the nineteenth century was at the peak of their influence and the cuts and alterations had quickly transformed Lucia into a spectacular demonstration of singing centered on heroin. Donizetti's only tragic opera that has gone through the centuries without experiencing eclipse is much more than that. It is also its dramatic grandeur that makes it one of the most beloved Italian operas. Donizetti's letter, but also the sublime pages of Flaubert where Emma Bovary attends a performance of Lucia at the Rouen Opera, remind us that the public of the day had understood the essence of this masterpiece .

History
Premiere of this production: 26 September 1835, Teatro di San Carlo, Naples

Lucia di Lammermoor is a dramma tragico (tragic opera) in three acts by Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's historical novel The Bride of Lammermoor.

Synopsis

Time: Early 18th century
Place: Scotland

Act 1

Scene 1: The gardens of Ravenswood Castle

Normanno, captain of the castle guard, and other retainers are searching for an intruder. He tells Enrico that he believes that the man is Edgardo of Ravenswood, and that he comes to the castle to meet Enrico's sister, Lucia. It is confirmed that Edgardo is indeed the intruder. Enrico reaffirms his hatred for the Ravenswood family and his determination to end the relationship.

Scene 2: By a fountain at the entrance to the park, beside the castle

Lucia waits for Edgardo. In her famous aria "Regnava nel silenzio", Lucia tells her maid Alisa that she has seen the ghost of a girl killed on the very same spot by a jealous Ravenswood ancestor. Alisa tells Lucia that the apparition is a warning and that she must give up her love for Edgardo. Edgardo enters; for political reasons, he must leave immediately for France. He hopes to make his peace with Enrico and marry Lucia. Lucia tells him this is impossible, and instead they take a sworn vow of marriage and exchange rings. Edgardo leaves.

Act 2

Scene 1: Lord Ashton's apartments

Preparations have been made for the imminent wedding of Lucia to Arturo. Enrico worries about whether Lucia will really submit to the wedding. He shows his sister a forged letter seemingly proving that Edgardo has forgotten her and taken a new lover. Enrico leaves Lucia to further persuasion, this time by Raimondo, Lucia's chaplain and tutor, that she should renounce her vow to Edgardo, for the good of the family, and marry Arturo.

Scene 2: A hall in the castle

Arturo arrives for the marriage. Lucia acts strangely, but Enrico explains that this is due to the death of her mother. Arturo signs the marriage contract, followed reluctantly by Lucia. At that point Edgardo suddenly appears in the hall. Raimondo prevents a fight, but he shows Edgardo Lucia's signature on the marriage contract. Edgardo curses her, demanding that they return their rings to each other. He tramples his ring on the ground, before being forced out of the castle.

Act 3

Scene 1: Wolfcrag

Enrico visits Edgardo to challenge him to a duel. He tells him that Lucia is already enjoying her bridal bed. Edgardo agrees to fight him. They will meet later by the graveyard of the Ravenswoods, near the Wolf's Crag.

Scene 2: A Hall

Raimondo interrupts the marriage celebrations to tell the guests that Lucia has gone mad and killed her bridegroom Arturo. Lucia enters. In the aria "Il dolce suono" she imagines being with Edgardo, soon to be happily married. Enrico enters and at first threatens Lucia but later softens when he realizes her condition. Lucia collapses. Raimondo blames Normanno for precipitating the whole tragedy.

Scene 3: The graveyard of the Ravenswood family

Edgardo is resolved to kill himself on Enrico's sword. He learns that Lucia is dying and then Raimondo comes to tell him that she has already died. Edgardo stabs himself with a dagger, hoping to be reunited with Lucia in heaven.

Venue Info

Opera de Monte-Carlo - Monaco
Location   Place du Casino

The Opéra de Monte-Carlo is an opera house, which is part of the Monte Carlo Casino located in the Principality of Monaco. With the lack of cultural diversions available in Monaco in the 1870s, Prince Charles III, along with the Société des Bains de mer, decided to include a concert hall as part of the casino. The main public entrance to the hall was from the casino, while Charles III's private entrance was on the western side. It opened in 1879 and became known as the Salle Garnier, after the architect Charles Garnier, who designed it During the renovation of the Salle Garnier in 2004–05, the company presented operas at the Salle des Princes in the local Grimaldi Forum, a modern conference and performance facility where Les Ballets de Monte Carlo and the Monte-Carlo Philharmonic Orchestra regularly perform.

Salle Garnier

The architect Charles Garnier also designed the Paris opera house now known as the Palais Garnier. The Salle Garnier is much smaller, seating 524, compared to about 2,000 for the Palais Garnier, and unlike the Paris theatre, which was started in 1861 and only completed in 1875, the Salle Garnier was constructed in only eight and a half months. Nevertheless, its ornate style was heavily influenced by that of the Palais Garnier, and many of the same artists worked on both theatres. Although the Monte Carlo theatre was not originally intended for opera, it was soon used frequently for that purpose and was remodeled in 1898–99 by Henri Schmit, primarily in the stage area, to make it more suitable for opera.

The hall was inaugurated on 25 January 1879 with a performance by Sarah Bernhardt dressed as a nymph. The first opera performed there was Robert Planquette's Le Chevalier Gaston on 8 February 1879, followed by three additional operas in the first season.

With the influence of the first director, Jules Cohen (who was instrumental in bringing Adelina Patti) and the fortunate combination of Raoul Gunsbourg, the new director from 1892, and Princess Alice, the opera-loving American wife of Charles III's successor, Albert I, the company was thrust onto the world's opera community stage. Gunsbourg remained for sixty years, overseeing such premiere productions as Hector Berlioz's La damnation de Faust in 1893, and the first appearances in January 1894 of the heroic Italian tenor Francesco Tamagno in Verdi's Otello, whose title role he had created for the opera's premiere in Italy. Conductor Arturo Vigna served as music director of the Monte Carlo Opera from 1895-1903.

By the early years of the twentieth century, the Salle Garnier was to see such great performers as Nellie Melba and Enrico Caruso in La bohème and Rigoletto (in 1902), and Feodor Chaliapin in the premiere of Jules Massenet's Don Quichotte (1910). This production formed part of a long association between the company and Massenet and his operas, two of which were presented there posthumously.

Other famous twentieth-century singers to appear at Monte Carlo included Titta Ruffo, Geraldine Farrar, Mary Garden, Tito Schipa, Beniamino Gigli, Claudia Muzio, Georges Thill, Lily Pons, and Mary McCormic.

Apart from Massenet, composers whose works had their first performances at Monte Carlo included: Saint-Saëns (Hélène, 1904); Mascagni (Amica, 1905); and Puccini (La rondine, 1917). Indeed, since its inauguration, the theatre has hosted 45 world premiere productions of operas. René Blum was retained to found the Ballet de l'Opéra. The "Golden Age" of the Salle Garnier has passed, since small companies with small houses are not able to mount highly expensive productions. Nonetheless, the present day company still presents a season containing five or six operas.

Gala Events in Salle Garnier

Twice in its 130-year history the Opéra was transformed into a spectacular venue to host gala-dinners. The first occasion was in 1966 for the celebration of centenary of Monte-Carlo hosted by Grace Kelly and Rainier III; the second was for the royal wedding of Prince Albert II and Princess Charlene. The Opéra was transformed for the third time on 27 July 2013 to host the Love Ball, a fundraising gala event organised by the Naked Heart Foundation.

Important Info
Type: Opera
City: Monaco, Monaco
Starts at: 20:00
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