Carmen Tickets

Opera de Monte-Carlo, Monaco, Monaco

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Important Info

Type: Ballet

City: Monaco, Monaco

Duration: 1h 30min

Ticket delivery: E-Tickets

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

Can I choose my seats?

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast

Performers

Choose the date to see the peformers

Overview

This passionate and feisty Carmen, reinvented by Johan Inger has received standing ovations throughout the world and earned the Swedish choreographer a “Benois de la Danse” in 2016.

To meet the challenge of taking on a legend so rooted in Spanish culture, Johan Inger chose to reveal his heroine through the eyes of a child, enveloping the obscure swirls of seduction and violence in mystery.

“That child could be any of us, experiencing violence which, however brief, would have a permanent negative influence on our lives and on our capacity to bond with others.” Johan Inger

With the Monte-Carlo Philharmonic Orchestra, direction Manuel COVES

Choreography: Johan Inger | Assistant: Urtzi Aranburu | Dramaturgy: Gregor Acuña Pohl | Music: Rodion Shchedrin, Georges Bizet | Re-orchestration Bizet: Alvaro Dominguez | Original composition: Marc Alvarez | Lighting: Tom Visser | Sets: Curt Allen Wilmer, Leticia Gañan (aapee) with estudiodeDos| Costumes: David Delfin
Premiere held on April 9th 2015, Teatro de la Zarzuela, Madrid, Espagne, by the Compaňia Nacional de Danza Madrid

History

Premiere of this production: 21 February 1949, Shaftesbury Theatre, London

Carmen is a ballet created by Roland Petit and his company 'Les Ballets de Paris' at the Prince's Theatre in London on 21 February 1949, which has entered the repertory of ballet companies in France and around the world. This version is in five scenes and represents a striking admixture of classical ballet, Spanish-style movement, mime, and freshly invented dramatic dance action. It opened "scandalously and brilliantly, with the fabulously sexy Zizi Jeanmaire in the title role" in London and has been regularly performed ever since.

Synopsis

The first scene is set in a street in Seville, where the dancing of a crowd is interrupted by a girl being chased by Carmen. Their fight is only stopped by the arrival of Don José, who assists Carmen's defeated opponent. As he is about to arrest Carmen he is struck by her allure and arranges an assignation for later. That evening in the tavern Don José enters and dances a zapateado to the music of the habanera. Carmen next appears and dances, ending at Don José's feet; he lifts her up and they go up to the bedroom. The customers dance and when Carmen and Don José return they join in before José wraps Carmen in his cape and they go off.

The third scene is in Carmen's bedroom. After a passionate duet, three of Carmen's friends come in and invite her to go outside. At night in the street, Carmen, Don José and the friends prepare to rob a passer-by. Using a dagger Carmen has given him, Don José stabs a man, and after the women have taken his purse, they all flee.

The final scene is set outside the bull-ring where girls await the arrival of their hero, the toreador. He enters and greets them but is fascinated by the indifference shown by Carmen. José enters and notices their looks. The toreador moves into the arena whereupon Don José threatens Carmen, and in a fight to the death he overcomes her. As she dies, hats are tossed from the bull-ring to land at his feet.

Venue Info

Opera de Monte-Carlo - Monaco
Place du Casino

The Opéra de Monte-Carlo is an opera house, which is part of the Monte Carlo Casino located in the Principality of Monaco. With the lack of cultural diversions available in Monaco in the 1870s, Prince Charles III, along with the Société des Bains de mer, decided to include a concert hall as part of the casino. The main public entrance to the hall was from the casino, while Charles III's private entrance was on the western side. It opened in 1879 and became known as the Salle Garnier, after the architect Charles Garnier, who designed it During the renovation of the Salle Garnier in 2004–05, the company presented operas at the Salle des Princes in the local Grimaldi Forum, a modern conference and performance facility where Les Ballets de Monte Carlo and the Monte-Carlo Philharmonic Orchestra regularly perform.

Salle Garnier

The architect Charles Garnier also designed the Paris opera house now known as the Palais Garnier. The Salle Garnier is much smaller, seating 524, compared to about 2,000 for the Palais Garnier, and unlike the Paris theatre, which was started in 1861 and only completed in 1875, the Salle Garnier was constructed in only eight and a half months. Nevertheless, its ornate style was heavily influenced by that of the Palais Garnier, and many of the same artists worked on both theatres. Although the Monte Carlo theatre was not originally intended for opera, it was soon used frequently for that purpose and was remodeled in 1898–99 by Henri Schmit, primarily in the stage area, to make it more suitable for opera.

The hall was inaugurated on 25 January 1879 with a performance by Sarah Bernhardt dressed as a nymph. The first opera performed there was Robert Planquette's Le Chevalier Gaston on 8 February 1879, followed by three additional operas in the first season.

With the influence of the first director, Jules Cohen (who was instrumental in bringing Adelina Patti) and the fortunate combination of Raoul Gunsbourg, the new director from 1892, and Princess Alice, the opera-loving American wife of Charles III's successor, Albert I, the company was thrust onto the world's opera community stage. Gunsbourg remained for sixty years, overseeing such premiere productions as Hector Berlioz's La damnation de Faust in 1893, and the first appearances in January 1894 of the heroic Italian tenor Francesco Tamagno in Verdi's Otello, whose title role he had created for the opera's premiere in Italy. Conductor Arturo Vigna served as music director of the Monte Carlo Opera from 1895-1903.

By the early years of the twentieth century, the Salle Garnier was to see such great performers as Nellie Melba and Enrico Caruso in La bohème and Rigoletto (in 1902), and Feodor Chaliapin in the premiere of Jules Massenet's Don Quichotte (1910). This production formed part of a long association between the company and Massenet and his operas, two of which were presented there posthumously.

Other famous twentieth-century singers to appear at Monte Carlo included Titta Ruffo, Geraldine Farrar, Mary Garden, Tito Schipa, Beniamino Gigli, Claudia Muzio, Georges Thill, Lily Pons, and Mary McCormic.

Apart from Massenet, composers whose works had their first performances at Monte Carlo included: Saint-Saëns (Hélène, 1904); Mascagni (Amica, 1905); and Puccini (La rondine, 1917). Indeed, since its inauguration, the theatre has hosted 45 world premiere productions of operas. René Blum was retained to found the Ballet de l'Opéra. The "Golden Age" of the Salle Garnier has passed, since small companies with small houses are not able to mount highly expensive productions. Nonetheless, the present day company still presents a season containing five or six operas.

Gala Events in Salle Garnier

Twice in its 130-year history the Opéra was transformed into a spectacular venue to host gala-dinners. The first occasion was in 1966 for the celebration of centenary of Monte-Carlo hosted by Grace Kelly and Rainier III; the second was for the royal wedding of Prince Albert II and Princess Charlene. The Opéra was transformed for the third time on 27 July 2013 to host the Love Ball, a fundraising gala event organised by the Naked Heart Foundation.