Metropolitan Opera tickets 10 November 2026 - Medea | GoComGo.com

Medea

Metropolitan Opera, Metropolitan Opera, New York, USA
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7:30 PM
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US$ 101

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: New York, USA
Starts at: 19:30
Acts: 3
Intervals: 1
Duration: 2h 50min
Sung in: Italian
Titles in: English,German,Spanish

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Conductor: Carlo Rizzi
Soprano: Sonya Yoncheva (Médée)
Bass: Alexandros Stavrakakis
Soprano: Elena Villalón
Mezzo-Soprano: Viktoria Karkacheva
Creators
Composer: Luigi Cherubini
Opera Company: Canadian Opera Company
Director: David McVicar
Librettist: François-Benoît Hoffman
Opera Company: Greek National Opera
Opera Company: Lyric Opera of Chicago
Overview

Cherubini’s rarely performed take on classic Greek tragedy stars leading diva Sonya Yoncheva as the ultimate woman scorned, the sorceress whose betrayal drives her to an unthinkable act of revenge. Clarion tenor Michael Spyres is Giasone, Medea’s unfaithful Argonaut husband, in David McVicar’s “impressive and enjoyable” (The New York Times) setting of the timeless myth.

A co-production of the Metropolitan Opera, Greek National Opera, Canadian Opera Company, and Lyric Opera of Chicago

Production a gift of Daisy M. Soros and the Rosalie J. Coe Weir Endowment Fund

Medea is one of the most intense and psychologically powerful operas in the classical repertoire. Composed by Luigi Cherubini, the opera is based on the ancient Greek myth of the sorceress Medea, whose tragic story of love, betrayal, and revenge has fascinated audiences for centuries.

Presented by the legendary Metropolitan Opera in New York, this dramatic masterpiece combines gripping theatrical storytelling with music of extraordinary emotional depth. Cherubini’s score blends elements of classical drama with powerful orchestral writing and demanding vocal roles, especially the central role of Medea, which is considered one of the most challenging and dramatic parts for a soprano.

The opera follows Medea, a powerful and passionate woman who sacrificed everything for her love of Jason. After helping him obtain the Golden Fleece and betraying her own homeland for his sake, Medea finds herself abandoned when Jason decides to marry another woman to secure political power. Consumed by grief, humiliation, and rage, Medea struggles between love and revenge.

Cherubini’s music vividly portrays Medea’s psychological turmoil, moving from moments of haunting lyricism to explosive dramatic intensity. The opera’s powerful climaxes and emotionally charged scenes reveal the depth of Medea’s despair and the destructive consequences of betrayal.

At the Metropolitan Opera, Medea is brought to life through striking staging, powerful orchestral performance, and extraordinary vocal artistry. The production emphasizes the timeless themes of passion, betrayal, and human tragedy, making the ancient myth feel profoundly modern and emotionally immediate.

With its dramatic force, complex heroine, and unforgettable music, Medea remains one of the most compelling operatic portrayals of a tragic figure in all of classical music.

History
Premiere of this production: 13 March 1797, Théâtre Feydeau, Paris

Médée - French language opéra-comique by Luigi Cherubini. Libretto by François-Benoît Hoffman (Nicolas Étienne Framéry) was based on Euripides' tragedy of Medea and Pierre Corneille"Médée". It is set in the ancient city of Corinth.

Synopsis

Place: Corinth
Time: Antiquity

Act 1
Outside the palace of King Créon

Dircé is preparing for her wedding to Jason. Years ago, Jason had stolen the golden fleece with the help of Médée, who had betrayed her family and established a relationship with Jason, the result of which was two children. Although Jason has since abandoned Médée, she reappears and demands that he return to her. Jason refuses and Médée curses him, swearing vengeance.

Act 2
Inside the palace

In despair, Médée is encouraged by her slave, Néris, to leave the city. Créon then appears and orders that Médée leave. She asks for one more day with her children and, after the king agrees, she appears to be calmer and gives Néris two wedding presents to take to her rival.

Act 3
Between the palace and the temple

Néris brings the two children out to where Médée is waiting. Sounds of lamentation are heard from within the palace and it is discovered that one of Médée's wedding presents has poisoned Dircé. An angry crowd gathers and Néris, Médée, and the children take refuge in the temple. From the temple, the two women reappear with Médée grasping a blood-stained knife with which she has killed her two children. Médée curses Jason and disappears into the air. The temple goes up in flames and the crowd flees in terror.

Venue Info

Metropolitan Opera - New York
Location   30 Lincoln Center

The Metropolitan Opera is an opera company based in New York City, resident at the Metropolitan Opera House at the Lincoln Center for the Performing Arts. The Metropolitan Opera is the largest classical music theatre in North America. It presents about 27 different operas each year from late September through May. As of 2018, the company's current music director is Yannick Nézet-Séguin.

The Metropolitan Opera Company was founded in 1883 as an alternative to New York's old established Academy of Music opera house. The subscribers to the Academy's limited number of private boxes represented the highest stratum in New York society. By 1880, these "old money" families were loath to admit New York's newly wealthy industrialists into their long-established social circle. Frustrated with being excluded, the Metropolitan Opera's founding subscribers determined to build a new opera house that would outshine the old Academy in every way. A group of 22 men assembled at Delmonico's restaurant on April 28, 1880. They elected officers and established subscriptions for ownership in the new company. The new theater, built at 39th and Broadway, would include three tiers of private boxes in which the scions of New York's powerful new industrial families could display their wealth and establish their social prominence. The first Met subscribers included members of the Morgan, Roosevelt, and Vanderbilt families, all of whom had been excluded from the Academy. The new Metropolitan Opera House opened on October 22, 1883, and was an immediate success, both socially and artistically. The Academy of Music's opera season folded just three years after the Met opened.

The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances are given in the evening Monday through Saturday with a matinée on Saturday. Several operas are presented in new productions each season. Sometimes these are borrowed from or shared with other opera companies. The rest of the year's operas are given in revivals of productions from previous seasons. The 2015–16 season comprised 227 performances of 25 operas.

The operas in the Met's repertoire consist of a wide range of works, from 18th-century Baroque and 19th-century Bel canto to the Minimalism of the late 20th century. These operas are presented in staged productions that range in style from those with elaborate traditional decors to others that feature modern conceptual designs.

The Met's performing company consists of a large symphony-sized orchestra, a chorus, a children's choir, and many supporting and leading solo singers. The company also employs numerous free-lance dancers, actors, musicians, and other performers throughout the season. The Met's roster of singers includes both international and American artists, some of whose careers have been developed through the Met's young artists programs. While many singers appear periodically as guests with the company, others, such as Renée Fleming and Plácido Domingo, long maintained a close association with the Met, appearing many times each season until they retired.

Important Info
Type: Opera
City: New York, USA
Starts at: 19:30
Acts: 3
Intervals: 1
Duration: 2h 50min
Sung in: Italian
Titles in: English,German,Spanish
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