Mariinsky Theatre tickets 14 April 2025 - The Maid of Pskov | GoComGo.com

The Maid of Pskov

Mariinsky Theatre, Mariinsky Theatre, Saint Petersburg, Russia
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Important Info
Type: Opera
City: Saint Petersburg, Russia
Starts at: 19:00
Acts: 3
Intervals: 2
Duration: 4h
Sung in: Russian
Titles in: English,Russian

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Cast
Performers
Orchestra: Mariinsky Orchestra
Chorus: Mariinsky Chorus
Creators
Composer: Nikolai Rimsky-Korsakov
Music Director: Valery Gergiev
Musical Preparation: Irina Soboleva
Librettist: Nikolai Rimsky-Korsakov
Sets & costumes designer: Pyotr Okunev
Video designer: Vadim Dulenko
Lighting Designer: Yegor Kartashov
Stage Director: Yuri Laptev
Overview

Today "The Maid of Pskov" at the Mariinsky Theater is in a classic production of 1952, the capital renewal of which took place in 2008. Under the leadership of Vyacheslav Okunev and Tatiana Noginova, the realistically detailed scenery and costumes of the great Russian set designer Fyodor Fedorovsky, burned down in theater workshops, were restored. According to the director of the renewal, Yuri Laptev, aesthetics, based on the principle of historical authenticity, "requires maximum concentration, maximum ability to master the psychophysical state, embody your image and carry it for every minute."

History
Premiere of this production: Mariinsky Theatre, St. Petersburg

The Maid of Pskov is an opera in three acts and six scenes by Nikolai Rimsky-Korsakov. The libretto was written by the composer, and is based on the drama of the same name by Lev Mei. The story concerns the Tsar Ivan the Terrible and his efforts to subject the cities of Pskov and Novgorod to his will. The original version of the opera was completed in 1872, and received its premiere in 1873 in St. Petersburg, Russia. The third and final version was completed in 1892, and is considered "definitive". This version was made famous by Chaliapin in the role of Ivan the Terrible. It was introduced to Paris in 1909 by Diaghilev under the title Ivan the Terrible, on account of the dominance of his role, and because of European audience's familiarity with his name.

Synopsis

Prologue The Noblewoman Vera Sheloga
Nobleman Ivan Sheloga of Pskov has gone to war. His wife, Vera, gave birth to daughter Olga in his absence. Vera’s sister, Nadezhda, discusses with her nanny Vlasevna why her beautiful sister is so gloomy and sad. They talk of Nadezhda’s fiancé, Prince Yuri Tokmakov, returning home soon. They hear Vera singing a lullaby to her daughter. While the baby is asleep, the woman reveals a terrible secret to her sister – her baby is not her husband’s daughter. She is ready to hand him an axe to atone for her sin. Vera tells the story of how she went to pray to the Pechersky Monastery and got lost, how she could not refuse the advances of her saviour, “one of the boyars,” whom she fell in love with, how he left her and married Nastasya Romanova. They hear horn calls. Ivan Sheloga enters with Prince Tokmakov. Vera is confused and asks him not to hurt her child. Her bewildered husband asks whose baby is that. Nadezhda falls to her knees and screams: “Mine!”

ACT I
Scene 1
Pskov, 1570
The garden of the Tsar´s governor-general in Pskov, Prince Yuri Ivanovich Tokmakov. The maidens are amusing themselves, watched over by their nurses. Princess Olga, however, is left unmoved by her friends´ games and songs. She dreams of meeting her beloved, and is awaiting news of him.
The nosy Perfilyevna tries to wheedle out of Olga´s nurse if it is true that Olga is not a prince´s daughter. Vlasyevna speaks of Novgorod: Tsar Ivan became angry at the free city and together with his oprichnina came and slaughtered indiscriminately and mercilessly: Styosha, Olga´s friend, secretly tells her that Mikhailo Tucha will be in the garden in the evening to see Olga. The nurses take the maidens into the tower-chamber.
Olga comes into the garden, but her joy of seeing her beloved is short-lived. The Princess has been promised in marriage to the noble boyar Matuta, and it is not for Mikhailo Tucha, the son of a poor governor, to act as a rival. Mikhailo tells Olga of his decision to depart for Siberia and, when he returns rich with furs and silver, to ask her hand from Prince Tokmakov. But Olga persuades her beloved to stay, and promises Mikhailo she will beg her father not to give her to Matuta. Tokmakov and Matuta come out from the tower. Mikhailo Tucha hides, and Olga slips into the garden, overhearing her father´s conversation with Matuta. Tokmakov says he is not Olga´s natural father. Her mother was the noblewoman Vera Sheloga, the Prince´s dead wife, and her father is unknown.
Bells ring out – the alarm for the townspeople to assemble. The Prince and Matuta depart. Shocked, Olga takes the bells as the death knell burying her happiness.

Scene 2
Alarm bells continue to ring. The people gather on the square.
The horseman Yushko Velebin brings the news – proud Novgorod has fallen and Tsar Ivan Vasilievech is marching on Pskov. Worry and panic seize the people. Prince Tokmakov tries to calm the people – Pskov has nothing to fear, with their faith and truth the townspeople serve their native land well. And so they must meet the Tsar in peace and hospitality. The young people of Pskov, headed by Mikhailo Tucha (a freeman of the town), do not wish to submit to the Tsar. They call on the people to demand independence. The freemen take up the bold song of their leader and leave the town. In fright Matuta asks Tokmakov to call the streltsy to deal with the unruly. Tokmakov refuses indignantly. The alarm bell continues to sound.

ACT II
Scene 3
The people of Pskov are waiting for Tsar Ivan, setting the feast tables.
Olga and her nurse appear. The Princess admits that she has heard the conversation of her adoptive father with Matuta and bemoans the fact she is an orphan. Olga is sad, but she is also gripped by some strange feeling. Impatiently Olga awaits the Tsar.
The bells ring louder, Tsar Ivan Vasilievich himself appears on the square. The people drop to their knees in prayer for forgiveness.

Scene 4
Ivan the Terrible at the entrance to Prince Tokmakov´s chamber. "To enter nor not" he asks of the Prince, deciding the town´s fate. Tokmakov answers with a deep bow. The Tsar is led to the place of honour. Knowing the Prince has a daughter, the Tsar wishes her to bring him his bowl. Olga enters, followed by Styosha and the other maidens carrying food. When Olga raises her head to present the Tsar with his bowl, Ivan the Terrible recognises the features of the woman he once loved – Vera Sheloga. Stunned, with difficulty the Tsar manages to hide his unease and confusion.
Left alone with Tokmakov and asking who was Olga´s mother, Ivan understands he has met his own daughter. This is like a sign to him and he pardons rebellious Pskov: "May the murders cease! Too much blood: Let us blunt our swords on stone. May God bless Pskov!"


ACT III
Scene 5
A wood close to Pechery Monastery. The maidens are off to pray. Olga remains behind to meet Mikhailo Tucha. Olga hopes to beg forgiveness for her beloved from the Tsar, but Tucha refuses to kneel before Ivan the Terrible and calls on Olga to leave her native lands. She agrees without hesitation. Nothing now links her with Pskov.
Suddenly Matuta appears. He has followed Olga. His serfs wound Tucha and carry off the young girl.

Scene 6
The Tsar´s headquarters near Pskov. Tsar Ivan cannot sleep. Meeting his daughter has awoken memories of his past youth. But his thoughts are once again brought to affairs of State. He wishes to see Russia unified under one mighty ruler.
The Tsar´s thoughts are interrupted by Prince Vyazemsky. He has taken Matuta who had kidnapped Olga. In fury, the Tsar is ready to kill Matuta, but the latter declares he took the Princess while she was with "the enemy of the Tsar´s will" Mikhailo Tucha. The Tsar orders Olga be brought immediately. Ivan Vasilievich wished to take Olga to Moscow with him and imprison Tucha.
Tenderly Olga softens the Tsar´s heart: from childhood she was wont to pray for him, loved him always, like her own father. Ivan the Terrible is ready to admit to his daughter that he is in fact her true father, but close to the tent the freemen´s song is heard – it is Mikhailo and his men come to free Olga. The furious Tsar orders the rebels be killed and Tucho be taken alive. Olga, who has heard her beloved´s words of farewell, runs from the tent. Gunfire is heard. All the assailants lie dead.
The body of Olga, shot by a rogue bullet, is brought to the tent. In despair, Ivan Vasilievich calls the apothecary Bomely, but Olga is already dead. The inconsolable Tsar bows over his daughter´s body.

Time: 1570
Place: Pskov; the Pechorsky Monastery; at the Medednya River

Act 1
Scene 1

Princess Olga, daughter of Prince Tokmakov, is in the garden, as are two nannies, who tell stories of the repressive behaviour of Tsar Ivan on Pskov's sister city, Novgorod. Mikhail Tucha, the leader of the uprising in Pskov, is beloved of Princess Olga, but she is betrothed to the boyar Nikita Matuta. After Tucha and Olga sing a love duet, Tokmakov and Matuta arrive. Tucha leaves quickly and Olga hides herself. Tokmakov tells Matuta that Olga is not his own daughter, but the child of his sister-in-law Vera Sheloga. He does not know who Olga's true father is.

Scene 2

At the square of the Pskov kremlin, a messenger from Novgorod bears news that Tsar Ivan is about to deal the same fate to Pskov that he has to Novgorod. The townspeople are initially roused to defiance, but Tokmakov tries to calm the crowd and preach submission, saying that they are innocent of any treason and thus need not fear the Tsar. Tucha and his associates plan to rebel.

Act 2
Scene 1

The people of Pskov are in fear of the wrath of the Tsar. Olga sings of how she does not truly know of her parents. A crowd gathers and sings welcome to the Tsar.

Scene 2

At Tokmakov's residence, Tsar Ivan patronizes Tokmakov and his ideas of the city behaving independently of the Tsar. The Tsar then asks to be attended by Princess Olga. She enters, and they both react oddly at each other's appearance. When Tokmakov and Ivan are later alone in conversation, the Tsar asks about Olga and learns about the identity of her mother. Ivan is shaken to learn that Vera Sheloga is Olga's mother, and his attitude toward the city changes.

Act 3
Scene 1

In the forest, Olga and Tucha meet for a tryst. However, Matuta and his men appear, repulse Tucha and abduct Olga.

Scene 2

At a camp near the riverside, Ivan continues to think about Olga. He hears that Matuta has abducted her. Angry at this news, Ivan summons Olga, and addresses her as "Olga Ivanova", a hint as to her true father. Olga asks for protection from Matuta. Tsar Ivan says that she will be taken to Moscow, and he will choose her groom. He says that when Tucha is captured, he will live, but imprisoned. Olga continues to plead for mercy, and says that she has always worshipped him since she was young. Tucha and his forces attack the Tsar's camp. As they are repelled, Olga is fatally shot. At the end, over her body, Ivan reveals that he is, in fact, Olga's father.

Venue Info

Mariinsky Theatre - Saint Petersburg
Location   1 Theatre Square

The Mariinsky Theatre is a historic theatre of opera and ballet in Saint Petersburg, Russia. Opened in 1860, it became the preeminent music theatre of late 19th-century Russia, where many of the stage masterpieces of Tchaikovsky, Mussorgsky, and Rimsky-Korsakov received their premieres. Through most of the Soviet era, it was known as the Kirov Theatre. Today, the Mariinsky Theatre is home to the Mariinsky Ballet, Mariinsky Opera and Mariinsky Orchestra. Since Yuri Temirkanov's retirement in 1988, the conductor Valery Gergiev has served as the theatre's general director.

The theatre is named after Empress Maria Alexandrovna, wife of Tsar Alexander II. There is a bust of the Empress in the main entrance foyer. The theatre's name has changed throughout its history, reflecting the political climate of the time.

The theatre building is commonly called the Mariinsky Theatre. The companies that operate within it have for brand recognition purposes retained the Kirov name, acquired during the Soviet era to commemorate the assassinated Leningrad Communist Party leader Sergey Kirov (1886–1934).

The Imperial drama, opera and ballet troupe in Saint Petersburg was established in 1783, at the behest of Catherine the Great, although an Italian ballet troupe had performed at the Russian court since the early 18th century. Originally, the ballet and opera performances were given in the wooden Karl Knipper Theatre on Tsaritsa Meadow, near the present-day Tripartite Bridge (also known as the Little Theatre or the Maly Theatre). The Hermitage Theatre, next door to the Winter Palace, was used to host performances for an elite audience of aristocratic guests invited by the Empress.

A permanent theatre building for the new company of opera and ballet artists was designed by Antonio Rinaldi and opened in 1783. Known as the Imperial Bolshoi Kamenny Theatre the structure was situated on Carousel Square, which was renamed Theatre Square in honour of the building. Both names – "Kamenny" (Russian word for "stone") and "Bolshoi" (Russian word for "big") – were coined to distinguish it from the wooden Little Theatre. In 1836, the Bolshoi Kamenny Theatre was renovated to a design by Albert Cavos (son of Catterino Cavos, an opera composer), and served as the principal theatre of the Imperial Ballet and opera.

On 29 January 1849, the Equestrian circus (Конный цирк) opened on Theatre Square. This was also the work of the architect Cavos. The building was designed to double as a theatre. It was a wooden structure in the then-fashionable neo-Byzantine style. Ten years later, when this circus burnt down, Albert Cavos rebuilt it as an opera and ballet house with the largest stage in the world. With a seating capacity of 1,625 and a U-shaped Italian-style auditorium, the theatre opened on 2 October 1860, with a performance of A Life for the Tsar. The new theatre was named Mariinsky after its imperial patroness, Empress Maria Alexandrovna.

Under Yuri Temirkanov, Principal Conductor from 1976 to 1988, the Opera Company continued to stage innovative productions of both modern and classic Russian operas. Although functioning separately from the Theatre’s Ballet Company, since 1988 both companies have been under the artistic leadership of Valery Gergiev as Artistic Director of the entire Theatre.

The Opera Company has entered a new era of artistic excellence and creativity. Since 1993, Gergiev’s impact on opera there has been enormous. Firstly, he reorganized the company’s operations and established links with many of the world's great opera houses, including the Royal Opera House, Covent Garden, the Metropolitan Opera, the Opéra Bastille, La Scala, La Fenice, the Israeli Opera, the Washington National Opera and the San Francisco Opera. Today, the Opera Company regularly tours to most of these cities.

Gergiev has also been innovative as far as Russian opera is concerned: in 1989, there was an all-Mussorgsky festival featuring the composer’s entire operatic output. Similarly, many of Prokofiev’s operas were presented from the late 1990s. Operas by non-Russian composers began to be performed in their original languages, which helped the Opera Company to incorporate world trends. The annual international "Stars of the White Nights Festival" in Saint Petersburg, started by Gergiev in 1993, has also put the Mariinsky on the world’s cultural map. That year, as a salute to the imperial origins of the Mariinsky, Verdi's La forza del destino, which received its premiere in Saint Petersburg in 1862, was produced with its original sets, costumes and scenery. Since then, it has become a characteristic of the "White Nights Festival" to present the premieres from the company’s upcoming season during this magical period, when the hours of darkness practically disappear as the summer solstice approaches.

Presently, the Company lists on its roster 22 sopranos (of whom Anna Netrebko may be the best known); 13 mezzo-sopranos (with Olga Borodina familiar to US and European audiences); 23 tenors; eight baritones; and 14 basses. With Gergiev in charge overall, there is a Head of Stage Administration, a Stage Director, Stage Managers and Assistants, along with 14 accompanists.

Important Info
Type: Opera
City: Saint Petersburg, Russia
Starts at: 19:00
Acts: 3
Intervals: 2
Duration: 4h
Sung in: Russian
Titles in: English,Russian
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