The action unfolds during the Hundred Years' War.
Act I
The little village of Domrémy. Young women are decorating a much-loved oak tree with garlands. Joan appears with her father Thibaut and Raymond, her betrothed. Thibaut is eager for the marriage to take place as soon as possible: in such dangerous times Joan should have a husband to protect her. The refusal of the girl, convinced that she has some other calling, enrages the father. He suspects that his daughter has made a pact with the powers of darkness, and so he rebukes her. The glow of a fire can be seen on the horizon and the alarm is heard. Peasants ruined by the English hasten in. The elderly Bertrand tells of what a desperate state the country is in: Orleans has been besieged by troops under the leadership of the unbeaten Salisbury. Unexpectedly for all, Joan announces that the troubles will soon be at an end, and she foretells the triumph of France. The people are amazed: "In these days, alas, the Lord creates no miracles!" "There are miracles..." exclaims Joan, "And a miracle has already occurred, the fearsome leader Salisbury has been reduced to dust!" No-one believes her. And yet a soldier who has arrived from Orleans confirms it: Salisbury lies dead. Having come to believe Joan, all pray to God. Left alone, the girl convinces herself that the time has come to act. She is gripped with a sense of nostalgia at being parted from her village and she hesitates. A chorus of angels can suddenly be heard. This inspires Joan to do battle.
Act II
At the Château de Chinon King Charles VII and his beloved, Agnès Sorel, are being entertained. Minstrels, dwarves, gypsies and jesters follow one another in a succession of songs, dances and amusements. The monarch orders the artistes be given food and drink and a golden chain each. Dunois the knight remarks that chains cannot be forged from words, that the treasury is empty and the troops are ready to desert. Agnès decides to donate her jewels to pay the wages and immediately goes to fetch her casket. The king admits to Dunois that it is possible to survive any unhappiness if one is loved by such a woman. "This is no time for love," objects Dunois, and he convinces the king to head the regiments. The king recalls that he is a knight and resolves on war.
The wounded knight Lauret hastens in with news of a battle lost and dies at the feet of his sovereign. Despairing, Charles decides to flee. Dunois spurns him and departs to die in battle. Returning, Agnès is amazed at the news but attempts to comfort her beloved.
Off-stage, fanfares can be heard: a miracle has occurred and the English have been defeated and routed. The Archbishop appears and confirms the news: at a critical point a maid appeared and seized victory from the hands of the enemy. The cries of the people and the pealing of bells can be heard. Joan appears accompanied by the knights. At her arrival, the king orders Dunois to take the position of monarch, himself hiding among the throng of courtiers. Joan, however, goes directly to the king. In response to his surprise, she admits that she saw him where "he was seen to none but God", and names the three prayers he said. All are stunned. "Who are you?" they ask her. She relates her story. The king entrusts his troops to Joan, and all delightedly welcome her.
Act III
Scene 1. Not far from the battlefield. the English and their allies – the Burgundians – have been defeated. Joan unarms the Burgundian knight Lionel. Raising her sword over him, in the moonlight she sees his face. Staggered by the youth's handsome features, Joan is unable to strike him down. Lionel, humbled by the girl's noble and generous behaviour, calls on her to follow him and leave behind her death-dealing sword. Joan is assailed by doubt. Dunois appears. Lionel throws himself at him and says that he is defecting to the French side. Dunois accepts his repentant enemy and relates that the battle is won and that the gates to the city of Reims have been opened to Charles VII, his coronation to take place at the cathedral there. Exhausted, Joan collapses into Dunois' arms; she has been wounded.
Scene 2. The square in front of the cathedral of Reims. A triumphant procession heads to the cathedral where Charles VII is to be crowned king. The people praise the maid and the king. Thibaut and Raymond appear in the crowd. Convinced that his daughter is in league with the Devil, Thibaut intends to restore her to God and "abandon the worthless adulation". Raymond entreats him not to kill the girl. The procession headed by the king leaves the cathedral. The king declares Joan to be their salvation and asks her to show her radiant and immortal face. Suddenly Thibaut appears before her and accuses his daughter of colluding with the forces of Hell. Joan remains silent, believing she has no right to defend herself: she has sinned and broken her vow by falling in love with Lionel. Dunois takes arms to defend her innocence. Just then, an almighty peal of thunder is heard. All step back from Joan. Again Joan's father demands an answer from her. There is another even more mighty peal of thunder. The Archbishop turns to Joan and asks her the same question – is she innocent? She makes no answer. There is yet more thunder, still mightier than before. In fear, all abandon Joan. Lionel offers her his protection, but with hatred in her voice Joan tells him that he is her worst enemy and she runs away. Lionel follows after her.
Act IV
Scene 1. In the forest. Hiding from the people, Joan is unable to overcome her emotions: her soul is burning with the flames of passion. In torture she thinks fondly of Lionel and greets his unexpected appearance with a joyful exclamation. A moment of sheer bliss. Joan hears the voices of the angels: she has disregarded the behest of Heaven – she has allowed earthly love into her heart – and so cannot complete her holy mission. She must submit to her ill-fated destiny without complaint – redemption will be her reward. The English suddenly appear and capture Joan while Lionel, trying to protect her, is killed.
Scene 2. A square in Rouen. A funereal procession: Joan is being led to her execution. She asks for a crucifix. Surmounting her fears, the maid climbs onto the pyre. "The Heavens have opened up and suffering is at an end!" are her last words.
Time: Beginning of the 15th century, in the midst of the Hundred Years' War with England
Place: France
Act 1
Introduction
Chorus of Maidens (No. 1)
Scena & Terzetto (No. 2)
Scena (No. 3)
Chorus of Peasants & Scena (No. 4)
Scena (No. 5)
Hymn King of the heavenly host (No. 6)
Joan's Aria Farewell, you native hills and fields(No. 7)
Finale (No. 8)
Joan's Aria & Chorus of Angels (No. 8a)
In the square in front of the church village girls decorate an oak and sing songs. Peasant Thibaut of Arc is annoyed by their levity at such a terrible time for the fatherland. He is concerned about the fate of his daughter, Joan who is seventeen, and wants her to marry Raymond, to protect her from danger. But Joan feels another calling. An alarm sounds announcing the fall of Paris and the siege of Orleans. In a panic, the citizens pray for salvation; inspired, Joan predicts imminent victory. The girl says goodbye to her birthplace, hearing voices of angels blessing her heroic endeavor.
Act 2
Entr'acte (No. 9)
Chorus of Minstrels (No. 10)
Gypsy Dance (No. 11a)
Dance of the Pages & Dwarves (No. 11b)
Dance of the Clowns & Tumblers (No. 11c)
Scena & Duet (No. 12)
Agnes's Arioso & Duettino (No. 13)
Scena & Archbishop's Narration (No. 14)
Joan's Narration (No. 15)
Finale (No. 16).
In Château de Chinon the king is being entertained forgetting his duty with his beloved Agnès Sorel. Minstrels, pages, gypsies, clowns follow each other. The king is paralyzed by inaction. Neither the appearance of Knight Lauret, mortally wounded in the battle, nor the resignation of courageous Knight Dunois, who leaves to fight with honor ("I'm sorry! Monarch we do not have, I am not your servant any more...") can shake the king's decision to flee. The archbishop suddenly appears; courtiers and people tell the king about the rout of the British, the French victory, and the "glorious Maiden" who inspired the soldiers. Joan tells the astonished audience about the vision she had telling her to lead the fight. A vow of virginity was a condition of that victory. On the orders of king, Joan is put in command of the army.
Act 3
Tableau 1 and Tableau 2
Scena & Duet (No. 17)
March (No. 18)
Scena & Duettino (No. 19)
Finale (No. 20)
Scene 1
Deep in the woods Joan fights Knight Lionel of Burgundy. He is struck, the helmet with a visor falls. Conquered by his beautiful young face, she cannot kill him. Lionel is moved by the generosity of Joan: "Rumor has it that you do not spare enemies, why mercy for me, alone?" She is shocked by her awakened feelings, remembering the vow. Lionel decides to side with the French and offers his sword to Dunois. In the heart of the recent enemy, a love for Joan grows.
Scene 2
The nation celebrates the king and Joan - the victor. Her father, however, believes that all the acts of his daughter are the devil's work and decides to save her soul, even at the cost of her life. When the king declares her savior of the fatherland, ordering an altar to be erected, the father accuses the daughter of dealing with Satan and challenges her to publicly prove her innocence: "Do your believe yourself holy and pure?" Joan does not answer, tormented by her love for Lionel. Dunois attempts to protect the heroine; frightened by a clap of thunder, the citizens, considering it a judgment from heaven, renounce her. Lionel tries to protect her, but Joan drives him away.
Act 4
Introduction & Scena (No. 21)
Duet & Scena (No. 22)
Final Scena (No. 23)
Scene 1
Joan is alone, abandoned in the remote woods. "To a mortal how dare I give the soul promised to the creator?" But when Lionel finds her, she eagerly responds to him. The happy moment is cut short as English soldiers arrive, killing Lionel and capturing Joan.
Scene 2
In the square of Rouen, a pyre is built. Joan is to be executed. The citizens filling the square sympathize with the heroine, and doubts grow about the justice of the impending execution. But Joan is tied to a pole, a fire ignited. Holding a cross, Joan cries out to God, humbly ready to die. She hears voices of angels bearing forgiveness.
Source: Tchaikovsky Research