Mariinsky Theatre tickets 7 April 2025 - The Lefthander | GoComGo.com

The Lefthander

Mariinsky Theatre, Concert Hall, Saint Petersburg, Russia
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Important Info
Type: Opera
City: Saint Petersburg, Russia
Starts at: 19:00
Acts: 2
Intervals: 1
Duration: 2h 45min
Sung in: Russian
Titles in: English,Russian

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Cast
Performers
Orchestra: Mariinsky Orchestra
Chorus: Mariinsky Chorus
Creators
Composer: Rodion Shchedrin
Choreographer: Ilya Ustyantsev
Music Director: Valery Gergiev
Set Designer: Alexander Orlov
Lighting Designer: Alexander Sivaev
Stage Director: Alexei Stepanyuk
Principal Chorus Master: Andrei Petrenko
Costume designer: Irina Cherednikova
Musical Preparation: Irina Soboleva
Librettist: Rodion Shchedrin
Overview

Lefty is the most famous story by Nikolai Leskov. In Russia everyone, but everyone knows it. Leskov’s tale is an incredibly rich literary source for an opera plot. The plot of the tale itself is a grotesque exaggeration. What is it?
Is it a Biblical parable, a farcical fairground myth or an epic tale?
The characters are vivid, luscious and contrasting. The Russian Tsars Alexander I and Nicholas I, the Winter Palace, the British Court. A buffonade and a tragedy. Laughter through tears... But if you look a little deeper then you can clearly see the artistic contradistinctions of two kinds of life – the rational British and the irrational Russian.
And, finally, there is the protagonist. The cross-eyed illiterate artisan with “golden hands” from Tula. He is a condensed representation, I believe, of the most important and the most typical features of the Russian national character – innate talent, wit, self irony, indifference to human life and a pernicious love of alcohol. And the eternal Russian theme of power and the common man. The lack of need for genius in one’s own country...
This full-length two-act opera was composed for the opening of the new stage of the Mariinsky Theatre in St Petersburg (Mariinsky-II). Valery Gergiev, who turned sixty this year, is the Musical Director and Conductor. My score is dedicated to him.
Rodion Shchedrin

History
Premiere of this production: 26 June 2014, Mariinsky-II, St Petersburg

The Left-Hander or Levsha is an opera in 2 acts by composer Rodion Shchedrin. The work uses a Russian language libretto by the composer after Nikolai Leskov's The Tale of Cross-eyed Lefty from Tula and the Steel Flea (Russian: Сказ о тульском косом Левше). The work had its world premiere in a concert performance on 26 June 2013, followed by the world stage premiere on 27 July 2013 at the Mariinsky II in St Petersburg. Conductor Valery Gergiev led both performances.

Synopsis

Act I
St. Petersburg. The Winter Palace.
Tsar Nicholas I views a curious thing: a small steel flea which has been presented to Alexander I by the British during his visit to Europe. The Minister Kiselvrode (Nesselrode) asks Platov, the Don Cossack, to tell the story of the flea because he accompanied Alexander on that trip. Platov starts his story: “When we emerged victorious over the French in the twelfth year, our Tsar wanted to travel and visit different countries ...We arrived in London... The British had thought up all kinds of cunning inventions to impress our Tsar...”

The London Armouries Museum. Princess Charlotte proudly shows Alexander I achievements of English armourers. The Tsar artfully praises foreign craftsmen. But Platov again notes that his fellows fought better than English ones. The Russian Tsar is shown a pistol, which the English admiral “grabbed away from the chieftain’s belt in Candelabria (Calabria).” Alexander is delighted, but Platov disassembles the pistol with a screwdriver and finds an inscription stating that the pistol was made by Ivan Moskvin the Lefthander from the city of Tula.”

The Tulitsa River (flowing). Under the song of Speaking women: “River Tulitsa, why so grey and sullen? We hear the trees rustling on your distant bank; there is treasure in that forest, yes, buried treasure…” The Lefthander is appearing.

Orchestral interlude No. 1: The Buckingham Palace.
Royal present. In the Buckingham Palace, the three Lords of the High Treasury and Princess Charlotte, with pomp and grandeur, present Alexander I a humble offering, ‘a speck of dust – a steal flea.’ “Nymphusoria” has a tiny key, and if you put it into the keyhole, the flea will dance.

Orchestral interlude No. 2: Seven turns of the key.
The Flea dances a Lancers’ Quadrille and sings the letters of the English alphabet. Alexander I: “Ah, oh, oh, how can they do that, such delicate workmanship? We Russians with all our knowledge cannot come near it…”

Again, Winter Palace (during the reign of Nicholas I).
Nicholas I, having listened to Platov’s story, decides that Russian masters are no worse than their English counterparts. He asks the ataman to go to Tula and show the Flea to his armourers, so they could “come up something even cleverer.”

A suburb of Tula.
The Lefthander and the Tula’s citizens are having fun: “Tula-gula, Tula-gula, the wind blew hard on Granny Glasha”. Ataman Platov arrives and shows the Flea and asks to “accomplish work that will shame the English nation!” The Lefthander offers to “leave this Flea in its royal snuffbox.” For several days the Lefthander stays in his workshop and works on the Flea.

Choral scene “The Russians refashion the English Flea.”
Ataman Platov returns to Tula and does not notice any visible changes in the Flea. In anger he takes the “fool” with him to Petersburg to make him be responsible to the Tsar.

The Winter Palace. Orchestral interlude No. 4: The microscope is brought in.
The Tsar had a look at the Flea in a microscope and discovered that the Lefthander “reconditioned” it so now the Flea dances “Barynya” and sings the Russian alphabet. The Tsar is full of pride and decides to return the Flea with “Russian modifications” to England. It must be taken by a special courier “who speaks all languages” and the Lefthander. The Tula master is dressed with latest fashion as he has “a special rank” and given a portion of wine.

Act II
The Buckingham Palace.
The Russified Flea performs its feat to the English’s amazement. Courtiers want the Lefthander to stay in England, but master says: “I have parents at home. We dearly love our Motherland. I’d be lonely here on my own. I’m still in the bachelor state.”
Then, the Englishmen try to find the Lefthander an English bride. But he is indifferent to their “Love Canzonets” and even does not like the clothes of English women at all.

Orchestral interlude No. 5: “Excursion of the Lefthander to the English armouries, works and factories.” During the excursions, the Lefthander is interested in how they clean their muskets.

A vision of Russia. Speaking women depicted as Holy Mother of God Intercessors sing about the Tulitsa River.

The Lefthander’s journey back to Russia. Despite the forthcoming storm the Lefthander takes his seat on a ship that soon will be embarking on the sea. The storm begins. The Lefthander wagers with an English Under-Skipper regarding who can outlast the other in a drinking competition.

Orchestral interlude No. 6: The storm. Above the noise of the waves, the Speaking women appear as guardian angels.

Return to St. Petersburg. In St. Petersburg, in a drunken state, the Lefthander and the Under-Skipper are hauled out of the ship. The Englishman, after frisk, is sent to the ambassador's house. Policemen ask the Lefthander for the papers and take him to “Obukhvinsky Hospital” where “all who are undocumented are taken to die.”

The next day the English Under-Skipper finds his Russian “comrade” in the hospital corridor. Three Infirmary Attendant-Undertakers indifferently say that “the cross-eyed old peasant will soon be gone.” The English Under-Skipper indignantly says that “he has a sheepskin coat, but he has the soul of a man!”
The dying Lefthander has only one request: to tell the Tsar that the English do not clean their muskets with brick dust, and the Russians should not do that too… “for if, God forbid, war should come, they will be no good for shooting…”

Venue Info

Mariinsky Theatre - Saint Petersburg
Location   1 Theatre Square

The Mariinsky Theatre is a historic theatre of opera and ballet in Saint Petersburg, Russia. Opened in 1860, it became the preeminent music theatre of late 19th-century Russia, where many of the stage masterpieces of Tchaikovsky, Mussorgsky, and Rimsky-Korsakov received their premieres. Through most of the Soviet era, it was known as the Kirov Theatre. Today, the Mariinsky Theatre is home to the Mariinsky Ballet, Mariinsky Opera and Mariinsky Orchestra. Since Yuri Temirkanov's retirement in 1988, the conductor Valery Gergiev has served as the theatre's general director.

The theatre is named after Empress Maria Alexandrovna, wife of Tsar Alexander II. There is a bust of the Empress in the main entrance foyer. The theatre's name has changed throughout its history, reflecting the political climate of the time.

The theatre building is commonly called the Mariinsky Theatre. The companies that operate within it have for brand recognition purposes retained the Kirov name, acquired during the Soviet era to commemorate the assassinated Leningrad Communist Party leader Sergey Kirov (1886–1934).

The Imperial drama, opera and ballet troupe in Saint Petersburg was established in 1783, at the behest of Catherine the Great, although an Italian ballet troupe had performed at the Russian court since the early 18th century. Originally, the ballet and opera performances were given in the wooden Karl Knipper Theatre on Tsaritsa Meadow, near the present-day Tripartite Bridge (also known as the Little Theatre or the Maly Theatre). The Hermitage Theatre, next door to the Winter Palace, was used to host performances for an elite audience of aristocratic guests invited by the Empress.

A permanent theatre building for the new company of opera and ballet artists was designed by Antonio Rinaldi and opened in 1783. Known as the Imperial Bolshoi Kamenny Theatre the structure was situated on Carousel Square, which was renamed Theatre Square in honour of the building. Both names – "Kamenny" (Russian word for "stone") and "Bolshoi" (Russian word for "big") – were coined to distinguish it from the wooden Little Theatre. In 1836, the Bolshoi Kamenny Theatre was renovated to a design by Albert Cavos (son of Catterino Cavos, an opera composer), and served as the principal theatre of the Imperial Ballet and opera.

On 29 January 1849, the Equestrian circus (Конный цирк) opened on Theatre Square. This was also the work of the architect Cavos. The building was designed to double as a theatre. It was a wooden structure in the then-fashionable neo-Byzantine style. Ten years later, when this circus burnt down, Albert Cavos rebuilt it as an opera and ballet house with the largest stage in the world. With a seating capacity of 1,625 and a U-shaped Italian-style auditorium, the theatre opened on 2 October 1860, with a performance of A Life for the Tsar. The new theatre was named Mariinsky after its imperial patroness, Empress Maria Alexandrovna.

Under Yuri Temirkanov, Principal Conductor from 1976 to 1988, the Opera Company continued to stage innovative productions of both modern and classic Russian operas. Although functioning separately from the Theatre’s Ballet Company, since 1988 both companies have been under the artistic leadership of Valery Gergiev as Artistic Director of the entire Theatre.

The Opera Company has entered a new era of artistic excellence and creativity. Since 1993, Gergiev’s impact on opera there has been enormous. Firstly, he reorganized the company’s operations and established links with many of the world's great opera houses, including the Royal Opera House, Covent Garden, the Metropolitan Opera, the Opéra Bastille, La Scala, La Fenice, the Israeli Opera, the Washington National Opera and the San Francisco Opera. Today, the Opera Company regularly tours to most of these cities.

Gergiev has also been innovative as far as Russian opera is concerned: in 1989, there was an all-Mussorgsky festival featuring the composer’s entire operatic output. Similarly, many of Prokofiev’s operas were presented from the late 1990s. Operas by non-Russian composers began to be performed in their original languages, which helped the Opera Company to incorporate world trends. The annual international "Stars of the White Nights Festival" in Saint Petersburg, started by Gergiev in 1993, has also put the Mariinsky on the world’s cultural map. That year, as a salute to the imperial origins of the Mariinsky, Verdi's La forza del destino, which received its premiere in Saint Petersburg in 1862, was produced with its original sets, costumes and scenery. Since then, it has become a characteristic of the "White Nights Festival" to present the premieres from the company’s upcoming season during this magical period, when the hours of darkness practically disappear as the summer solstice approaches.

Presently, the Company lists on its roster 22 sopranos (of whom Anna Netrebko may be the best known); 13 mezzo-sopranos (with Olga Borodina familiar to US and European audiences); 23 tenors; eight baritones; and 14 basses. With Gergiev in charge overall, there is a Head of Stage Administration, a Stage Director, Stage Managers and Assistants, along with 14 accompanists.

Important Info
Type: Opera
City: Saint Petersburg, Russia
Starts at: 19:00
Acts: 2
Intervals: 1
Duration: 2h 45min
Sung in: Russian
Titles in: English,Russian
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