Mariinsky Theatre: Linda di Chamounix Tickets | Event Dates & Schedule | GoComGo.com

Linda di Chamounix Tickets

Mariinsky Theatre, Saint Petersburg, Russia
Important Info
Type: Opera
City: Saint Petersburg, Russia
Duration: 2h 50min with 1 interval
Intervals: 1
Sung in: Italian
Titles in: Russian

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
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History
Premiere of this production: 18 May 1842, Kärntnertortheater, Vienna

Linda di Chamounix is an operatic melodramma semiserio in three acts by Gaetano Donizetti. The Italian libretto was written by Gaetano Rossi. It premiered in Vienna, at the Kärntnertortheater, on 19 May 1842.

Synopsis

Place: Chamonix, the French Alps
Time: 1760
Act 1
The village square in Chamounix, Savoy, France.

It is dawn, and the villagers are singing on their way to church, for this is the day the young men go to Paris for the winter, to earn money as street entertainers.

Maddalena Loustolot awaits the return of her husband Antonio from a visit to the Marchesa, who owns their farm. Antonio has been anxious that their lease on the farm be renewed, and that the mortgage — held by the Marchesa — not be called in. Antonio arrives, relieved at having been assured that the Marchesa's brother, the Marchese (Marquis of Boisfleury) will speak on their behalf. The Marchese duly arrives, greeted enthusiastically by the villagers. He asks to see Linda, the Loustolot's beautiful daughter, but she is not there. Her parents assume that she has gone early to church.

The Marchese promises Antonio and Maddalena that he will renew- the lease and improve the buildings and farmland. There is, however, a hidden agenda: he has designs on Linda, who is the god-daughter of his sister the Marchesa, and he says that she must come to the castle, where "she may complete her education".

They leave, and Linda enters. She has not been to church, but rather to keep a rendezvous with her beloved Carlo, an impoverished artist; but she arrived too late and found only some flowers from him ("O luce di quest'anima"). Some girls arrive, followed by Pierotto, who sings his latest song while playing his hurdy-gurdy.

Pierotto's song is about a young girl who leaves home for a better life, but forgets her vows to her mother, falls in love, and then is betrayed. She returns home to find her mother dead, and spends the rest of her life weeping on her mother's grave.

Pierotto and the girls leave; then Carlo arrives, and meets Linda. They express their regret at missing each other earlier, and reaffirm their love. They leave, and the Prefect arrives to see Antonio. But instead of reassuring him of the Marchese's support, he warns Antonio that the Marchese has evil intentions towards his beloved daughter. The Prefect persuades Antonio that Linda must go to Paris with the men of the village, and stay there out of danger, with the Prefect's brother. The village gathers to say farewell to those who are leaving.

Act 2
Three months later in Paris

Linda has been followed by Carlo, who has revealed that he is not after all a penniless painter, but the young Viscount of Sirval, son of the Marchesa, and nephew of the Marchese. He has provided for her an apartment in a fashionable quarter, where she now lives until their marriage. Carlo visits her daily. Linda has sent money to her parents, but has not heard from them. She hears familiar music from the street below. It is Pierotto, whom she invites in, and who explains that on arrival in Paris he was taken ill and afterwards was unable to find Linda. He expresses surprise at the luxury of her accommodation, and Linda explains about Carlo, and that their relationship is respectable. Pierotto says that he has seen the Marchese in the street below. After he leaves, the Marchese arrives and tries to persuade Linda to come and live with him. Outraged, Linda orders him out of her house. Carlo arrives having heard the terrible news that his mother has discovered his relationship, and insists that he instead marry a young titled girl immediately. He cannot, however, bring himself to tell Linda, and instead reaffirms his love for her "whatever may happen" before departing again.

Now an old man comes to the door, asking for help. It is Antonio, and he does not recognise this grand young lady as his daughter. When Linda reveals her identity, he is devastated, believing her to be living a life of sin. She tries to reassure him, but when Pierotto comes back to tell Linda that he has discovered that Carlo is to be married to another that very day, Antonio flies into a rage and disowns his daughter. At the thought of her betrayal by Carlo, Linda collapses, losing her mind.

Act 3
Spring again in Chamounix

The villagers welcome the young men returning from Paris at winter's end. Carlo arrives and explains to the Prefect that his mother has relented and that he can after all marry Linda, whom he now seeks. The Prefect says that Linda was betrayed by a lover in Paris, has not returned, and cannot be found. Carlo is broken-hearted, telling the Prefect that he was her (entirely innocent) lover.

The Marchese arrives and tells the villagers that there is to be a wedding, and that all the villagers will be invited to the celebrations. "Just wait 'till you see who the bride is!" he says, not knowing of Linda's illness.

Pierotto now arrives, with Linda; they have travelled the 600 miles from Paris, and are exhausted. Carlo sees her, and is distraught by her condition. She recognises nobody. But Pierotto sings to her, his song stirs her, and at last she seems to know her mother. Carlo sings to her of his undying love, and when he sings the words they shared when they first met, Linda's reason is restored. The whole village rejoices in anticipation of the wedding.

Venue Info

Mariinsky Theatre - Saint Petersburg
Location   1 Theatre Square

The Mariinsky Theatre is a historic theatre of opera and ballet in Saint Petersburg, Russia. Opened in 1860, it became the preeminent music theatre of late 19th-century Russia, where many of the stage masterpieces of Tchaikovsky, Mussorgsky, and Rimsky-Korsakov received their premieres. Through most of the Soviet era, it was known as the Kirov Theatre. Today, the Mariinsky Theatre is home to the Mariinsky Ballet, Mariinsky Opera and Mariinsky Orchestra. Since Yuri Temirkanov's retirement in 1988, the conductor Valery Gergiev has served as the theatre's general director.

The theatre is named after Empress Maria Alexandrovna, wife of Tsar Alexander II. There is a bust of the Empress in the main entrance foyer. The theatre's name has changed throughout its history, reflecting the political climate of the time.

The theatre building is commonly called the Mariinsky Theatre. The companies that operate within it have for brand recognition purposes retained the Kirov name, acquired during the Soviet era to commemorate the assassinated Leningrad Communist Party leader Sergey Kirov (1886–1934).

The Imperial drama, opera and ballet troupe in Saint Petersburg was established in 1783, at the behest of Catherine the Great, although an Italian ballet troupe had performed at the Russian court since the early 18th century. Originally, the ballet and opera performances were given in the wooden Karl Knipper Theatre on Tsaritsa Meadow, near the present-day Tripartite Bridge (also known as the Little Theatre or the Maly Theatre). The Hermitage Theatre, next door to the Winter Palace, was used to host performances for an elite audience of aristocratic guests invited by the Empress.

A permanent theatre building for the new company of opera and ballet artists was designed by Antonio Rinaldi and opened in 1783. Known as the Imperial Bolshoi Kamenny Theatre the structure was situated on Carousel Square, which was renamed Theatre Square in honour of the building. Both names – "Kamenny" (Russian word for "stone") and "Bolshoi" (Russian word for "big") – were coined to distinguish it from the wooden Little Theatre. In 1836, the Bolshoi Kamenny Theatre was renovated to a design by Albert Cavos (son of Catterino Cavos, an opera composer), and served as the principal theatre of the Imperial Ballet and opera.

On 29 January 1849, the Equestrian circus (Конный цирк) opened on Theatre Square. This was also the work of the architect Cavos. The building was designed to double as a theatre. It was a wooden structure in the then-fashionable neo-Byzantine style. Ten years later, when this circus burnt down, Albert Cavos rebuilt it as an opera and ballet house with the largest stage in the world. With a seating capacity of 1,625 and a U-shaped Italian-style auditorium, the theatre opened on 2 October 1860, with a performance of A Life for the Tsar. The new theatre was named Mariinsky after its imperial patroness, Empress Maria Alexandrovna.

Under Yuri Temirkanov, Principal Conductor from 1976 to 1988, the Opera Company continued to stage innovative productions of both modern and classic Russian operas. Although functioning separately from the Theatre’s Ballet Company, since 1988 both companies have been under the artistic leadership of Valery Gergiev as Artistic Director of the entire Theatre.

The Opera Company has entered a new era of artistic excellence and creativity. Since 1993, Gergiev’s impact on opera there has been enormous. Firstly, he reorganized the company’s operations and established links with many of the world's great opera houses, including the Royal Opera House, Covent Garden, the Metropolitan Opera, the Opéra Bastille, La Scala, La Fenice, the Israeli Opera, the Washington National Opera and the San Francisco Opera. Today, the Opera Company regularly tours to most of these cities.

Gergiev has also been innovative as far as Russian opera is concerned: in 1989, there was an all-Mussorgsky festival featuring the composer’s entire operatic output. Similarly, many of Prokofiev’s operas were presented from the late 1990s. Operas by non-Russian composers began to be performed in their original languages, which helped the Opera Company to incorporate world trends. The annual international "Stars of the White Nights Festival" in Saint Petersburg, started by Gergiev in 1993, has also put the Mariinsky on the world’s cultural map. That year, as a salute to the imperial origins of the Mariinsky, Verdi's La forza del destino, which received its premiere in Saint Petersburg in 1862, was produced with its original sets, costumes and scenery. Since then, it has become a characteristic of the "White Nights Festival" to present the premieres from the company’s upcoming season during this magical period, when the hours of darkness practically disappear as the summer solstice approaches.

Presently, the Company lists on its roster 22 sopranos (of whom Anna Netrebko may be the best known); 13 mezzo-sopranos (with Olga Borodina familiar to US and European audiences); 23 tenors; eight baritones; and 14 basses. With Gergiev in charge overall, there is a Head of Stage Administration, a Stage Director, Stage Managers and Assistants, along with 14 accompanists.

Important Info
Type: Opera
City: Saint Petersburg, Russia
Duration: 2h 50min with 1 interval
Intervals: 1
Sung in: Italian
Titles in: Russian

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

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