Mariinsky Theatre: Le Corsaire Tickets | Event Dates & Schedule | GoComGo.com

Le Corsaire Tickets

Mariinsky Theatre, Saint Petersburg, Russia
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Available Dates: 11 Jun, 2025 (1 events)
Important Info
Type: Ballet
City: Saint Petersburg, Russia
Duration: 2h 30min with 2 intervals
Intervals: 2

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Choose the date to see the peformers
Creators
Composer: Adolphe Adam
Costume designer: Galina Solovyova
Librettist: Joseph Mazilier
Librettist: Joseph Mazilier
Librettist: Jules-Henri Vernoy de Saint-Georges
Choreography: Marius Petipa
Choreography: Pyotr Gusev
Set Designer: Teymuraz Murvanidze
Lighting Designer: Vladimir Lukasevich
Overview

Music by Adolphe Adam, Cesare Pugni, Léo Delibes, Riccardo Drigo and Pyotr Oldenburgsky
Libretto by Henri Vernoy de Saint-Georges and Joseph Mazilier, edited by Yuri Slonimsky and Pyotr Gusev
Choreography by Pyotr Gusev (1987) based on the composition and choreography Marius Petipa

Premiere of the ballet, choreography by Marius Petipa: 24 January 1863, Mariinsky Theatre, St Petersburg
Premiere of Pyotr Gusev´s version: 29 April 1987, Kirov Theatre of Opera and Ballet (Mariinsky), Leningrad

History
Premiere of this production: 23 January 1856, Théâtre Impérial de l’Opéra in Paris

Le Corsaire is a ballet typically presented in three acts, with a libretto originally created by Jules-Henri Vernoy de Saint-Georges loosely based on the poem The Corsair by Lord Byron. Originally choreographed by Joseph Mazilier to the music of Adolphe Adam, it was first presented by the ballet of the Théâtre Impérial de l’Opéra in Paris on 23 January 1856. All modern productions of Le Corsaire are derived from the revivals staged by the Ballet Master Marius Petipa for the Imperial Ballet of St. Petersburg throughout the mid to late 19th century.

Synopsis

Prologue
The Shipwreck
Three sailors are struggling to save their boat during a storm.
The boat sinks.

Act I
Scene 1
The Sea Shore
The sea casts the three men, Conrad, Ali and Birbanto, onto a beach. Young Greek women come to their aid. Among them is Medora. Conrad, attracted by Medora, tells her that he is a corsair. Danger now threatens in the form of a Turkish patrol. Medora and her friend Gulnara hide the corsairs, but the Turks take the girls prisoner. The evil Lankedem, a slave-trader, is pillaging the Greek coast, and he has connived with the patrol officer to seize the girls.

Scene 2
The Slave Market
Lankedem is selling his slaves in the market place, where Seid Pasha is seated in the place of honour, looking for fresh beauties for his harem. He is attracted by Gulnara, and buys her. As she is taken away, Medora is brought in, looking so beautiful that Seid Pasha is prepared to pay any price for her. But suddenly a new buyer appears, whom Medora recognises as Conrad in disguise. As the auction for Medora proceeds, Seid Pasha is astonished, and asks the new bidder to name himself. At once, Conrad and his followers throw off their cloaks and are revealed as armed corsairs. They carry Medora away, seize Lankedem, and make off to sea. The Turkish guard has proved useless, and Seid Pasha is furious.

Act II
The Corsairs´ Cave on a Greek Island
The corsairs rejoice at having seized such a rich booty from the market, and at having saved the beautiful young women. They dance in celebration, and Medora dances with Conrad and his friend Ali to the delight of the corsairs. The other young girls ask Medora to intercede with Conrad so that they may return to their own villages. Conrad allows himself to be persuaded, but Birbanto and the other men wish to keep the young women there. Conrad is adamant, and Medora leads the girls to the shore. Lankedem has observed this conflict of opinions and, in exchange for his freedom, he offers Birbanto a potion which will induce a heavy sleep when administered. The potion is poured over a bouquet of flowers and given to Medora who then presents it to Conrad in thanks for his chivalry towards the girls. Lankedem thereby abducts Medora once again.

Act III
Seid Pasha´s Harem
Gulnara is the jewel of the harem, and none of the other slaves brought by Lankedem pleases the Pasha. When Lankedem reappears with Medora, the Pasha is delighted. He buys her and is greeted by a scene in a garden of beauties. But mysterious pilgrims suddenly appear in the palace, and they are invited to join in evening prayer.
Medora recognises Conrad and his men, again in disguise, and this time she truly escapes from the Pasha.

Epilogue
Out on the open sea, the corsairs sail away, together with Conrad, Medora and their friends, heading towards new adventures.

Venue Info

Mariinsky Theatre - Saint Petersburg
Location   1 Theatre Square

The Mariinsky Theatre is a historic theatre of opera and ballet in Saint Petersburg, Russia. Opened in 1860, it became the preeminent music theatre of late 19th-century Russia, where many of the stage masterpieces of Tchaikovsky, Mussorgsky, and Rimsky-Korsakov received their premieres. Through most of the Soviet era, it was known as the Kirov Theatre. Today, the Mariinsky Theatre is home to the Mariinsky Ballet, Mariinsky Opera and Mariinsky Orchestra. Since Yuri Temirkanov's retirement in 1988, the conductor Valery Gergiev has served as the theatre's general director.

The theatre is named after Empress Maria Alexandrovna, wife of Tsar Alexander II. There is a bust of the Empress in the main entrance foyer. The theatre's name has changed throughout its history, reflecting the political climate of the time.

The theatre building is commonly called the Mariinsky Theatre. The companies that operate within it have for brand recognition purposes retained the Kirov name, acquired during the Soviet era to commemorate the assassinated Leningrad Communist Party leader Sergey Kirov (1886–1934).

The Imperial drama, opera and ballet troupe in Saint Petersburg was established in 1783, at the behest of Catherine the Great, although an Italian ballet troupe had performed at the Russian court since the early 18th century. Originally, the ballet and opera performances were given in the wooden Karl Knipper Theatre on Tsaritsa Meadow, near the present-day Tripartite Bridge (also known as the Little Theatre or the Maly Theatre). The Hermitage Theatre, next door to the Winter Palace, was used to host performances for an elite audience of aristocratic guests invited by the Empress.

A permanent theatre building for the new company of opera and ballet artists was designed by Antonio Rinaldi and opened in 1783. Known as the Imperial Bolshoi Kamenny Theatre the structure was situated on Carousel Square, which was renamed Theatre Square in honour of the building. Both names – "Kamenny" (Russian word for "stone") and "Bolshoi" (Russian word for "big") – were coined to distinguish it from the wooden Little Theatre. In 1836, the Bolshoi Kamenny Theatre was renovated to a design by Albert Cavos (son of Catterino Cavos, an opera composer), and served as the principal theatre of the Imperial Ballet and opera.

On 29 January 1849, the Equestrian circus (Конный цирк) opened on Theatre Square. This was also the work of the architect Cavos. The building was designed to double as a theatre. It was a wooden structure in the then-fashionable neo-Byzantine style. Ten years later, when this circus burnt down, Albert Cavos rebuilt it as an opera and ballet house with the largest stage in the world. With a seating capacity of 1,625 and a U-shaped Italian-style auditorium, the theatre opened on 2 October 1860, with a performance of A Life for the Tsar. The new theatre was named Mariinsky after its imperial patroness, Empress Maria Alexandrovna.

Under Yuri Temirkanov, Principal Conductor from 1976 to 1988, the Opera Company continued to stage innovative productions of both modern and classic Russian operas. Although functioning separately from the Theatre’s Ballet Company, since 1988 both companies have been under the artistic leadership of Valery Gergiev as Artistic Director of the entire Theatre.

The Opera Company has entered a new era of artistic excellence and creativity. Since 1993, Gergiev’s impact on opera there has been enormous. Firstly, he reorganized the company’s operations and established links with many of the world's great opera houses, including the Royal Opera House, Covent Garden, the Metropolitan Opera, the Opéra Bastille, La Scala, La Fenice, the Israeli Opera, the Washington National Opera and the San Francisco Opera. Today, the Opera Company regularly tours to most of these cities.

Gergiev has also been innovative as far as Russian opera is concerned: in 1989, there was an all-Mussorgsky festival featuring the composer’s entire operatic output. Similarly, many of Prokofiev’s operas were presented from the late 1990s. Operas by non-Russian composers began to be performed in their original languages, which helped the Opera Company to incorporate world trends. The annual international "Stars of the White Nights Festival" in Saint Petersburg, started by Gergiev in 1993, has also put the Mariinsky on the world’s cultural map. That year, as a salute to the imperial origins of the Mariinsky, Verdi's La forza del destino, which received its premiere in Saint Petersburg in 1862, was produced with its original sets, costumes and scenery. Since then, it has become a characteristic of the "White Nights Festival" to present the premieres from the company’s upcoming season during this magical period, when the hours of darkness practically disappear as the summer solstice approaches.

Presently, the Company lists on its roster 22 sopranos (of whom Anna Netrebko may be the best known); 13 mezzo-sopranos (with Olga Borodina familiar to US and European audiences); 23 tenors; eight baritones; and 14 basses. With Gergiev in charge overall, there is a Head of Stage Administration, a Stage Director, Stage Managers and Assistants, along with 14 accompanists.

Important Info
Type: Ballet
City: Saint Petersburg, Russia
Duration: 2h 30min with 2 intervals
Intervals: 2

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

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