Mariinsky Theatre tickets 21 April 2025 - Lakmé (semi-staged performance) | GoComGo.com

Lakmé (semi-staged performance)

Mariinsky Theatre, Mariinsky Theatre, Saint Petersburg, Russia
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Important Info
Type: Opera
City: Saint Petersburg, Russia
Starts at: 19:00
Acts: 3
Intervals: 2
Duration: 3h 20min
Sung in: French
Titles in: Russian

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Cast
Creators
Composer: Léo Delibes
Librettist: Edmond Gondinet
Librettist: Philippe Gille
Overview

A beguiling flower of French Romantic opera, Léo Delibes' Lakmé remains on the peripheries of the international operatic repertoire and is known to many thanks only to its famous Flower Duet and the soprano's Bell Song aria. Outside France, it is rarely staged today. Lakmé is the jewel in the crown and the pride of Paris' Opéra-Comique, where it was first performed on 14 April 1883 and where it went on to enjoy an unbroken run of some eighty years. The first performer of the role of Lakmé was the American Marie van Zandt. It was also she who appeared in the St Petersburg premiere of Lakmé the following season (the opera was staged by the Imperial Italian Company). Van Zandt's staggering debut in Paris in Ambroise Thomas' opera Mignon resulted in the playwright Edmond Gondinet's writing a new work especially for her. His choice fell on a plot by Pierre Loti, a sailor and author of adventure novels about heroes in exotic lands. Taking Loti's novel Rarahu as a basis, Gondinet and Philippe Gille, another poet of opera, produced a libretto which was presented to Delibes – the latter by that time having already composed the popular ballets Coppélia and Sylvia.
The plot of Lakmé unfolds in colonial India in the late 19th century. Two lovers, a soprano and a tenor, are representatives of two different civilisations. The British army officer Gérald is captivated by the beauty of the priestess Lakmé, while Lakmé is drawn to her fervent speech. However, in accordance with the laws of Romanticism, their dream is fated not to come true: having poisoned herself with a toxic flower, Lakmé dies in the arms of her beloved. The plot in exotic surroundings was nothing new for French musical theatre: Delibes was following in the footsteps of Bizet's Les Pêcheurs des perles, Meyerbeer's L'Africaine, Massenet's Le Roi de Lahore and, if one goes back a century more, by Rameau's Les Indes galantes. The musical material of Lakmé is woven from extremely tender and poetic cantilena and the watercolour orchestration, which flows with refined colours and intonations. The ariosos and duets of the protagonists are framed by Hindu prayers and ceremonies, dances of bayadères and a trading scene. In Act I a group of curious Europeans secretly observes the home of the priest Nilakantha and have a friendly wager as to whether women everywhere are always similar or whether they differ.
Over the years, at the Opéra-Comique the role of the Indian beauty has been sung by Lily Pons, Mado Robin, Mady Mesplé, Natalie Dessay and Sabine Devieilhe. Among acclaimed Russian singers to have appeared in productions of Lakmé are the names of Antonina Nezhdanova, Leonid Sobinov (as Gérald), Fyodor Chaliapin (as Nilakantha), Elena Katulskaya, Irina Maslennikova and Valeria Barsova. Following the Mariinsky Theatre's 1884 production by the Italian Opera, Lakmé was staged again in 1903, 1916 and 1931.

History
Premiere of this production: 14 April 1883, Opéra-Comique, Paris

Lakmé is an opera in three acts by Léo Delibes to a French libretto by Edmond Gondinet and Philippe Gille. Set in British India in the mid-19th century, Lakmé is based on Théodore Pavie's story "Les babouches du Brahmane" and novel Le Mariage de Loti by Pierre Loti. Gondinet proposed it as a vehicle for the American soprano Marie van Zandt.

Synopsis

The action takes place in British India in the late 19th century

Act I
The home of Nilakantha, a Brahmin priest, surrounded by a shady forest. It is early morning. Hindu men and women led by Nilakantha and his daughter Lakmé welcome the dawn of the new day with a prayer to Brahma. After prayer, all depart. Following the ceremony, Nilakantha, leaving his daughter to be cared for by her companion Mallika, together with his slave Hadji set out towards a sacred pagoda. Meanwhile, the girls decide to take a boat out to pick a lotus flower. In their absence, Ellen and Rose – daughters of the Governor of India – enter this place, which is forbidden to all foreigners, together with their governess Mistress Bentson and two British officers, Ellen's fiancé Gérald and his friend Frédéric. They are all eager to learn about Hindu customs, but on discovering that this is the home of Nilakantha the ferocious fanatical Brahmin they hasten to depart. Only Gérald remains behind: having by chance seen Lakmé's precious ornamental headpiece, he intends to sketch it in his album whatever the cost. Lakmé returns and her beauty stuns the Englishman. The foreigner is unperturbed at her warning that disaster and death await him should he be found in this sacred place by her father. Love for the courageous officer steals into Lakmé's heart and she, upon seeing the Brahmin in the distance, begs Gérald to hide. Nilakantha guesses that some European has visited his home from a piece broken fencing and swears revenge on this profanity.

Act II
A town square. A folk festival is at its height. Lakmé thinks wistfully of Gérald. Nilakantha, supposing the reason for her sadness to be some proffered insult, resolves to seek out her abuser. Lakmé's embarrassment on seeing Gérald, who has approached her as she was singing, reveals to the Brahmin who his enemy is. Lakmé, left alone with her beloved, begs him to run away with her. He is slow to decide. Meanwhile, a holy procession of the priests is making its way across the square. Nilakantha, grasping at a suitable moment, sneaks up to Gérald and stabs him with a dagger. The shocked Lakmé commands Hadji to carry the wounded man after her.

Act III
A forest. Lakmé stands guard over the wounded and sleeping Gérald, and when he wakes up he recounts the story of his salvation. The Englishman, enchanted by the beautiful maiden, is ready to be united with her forever and – in line with Hindu custom – drink, together with her, water from a sacred stream using the same cup. Lakmé hastens to fetch the water. In her absence, Frédéric appears and convinces his friend to come back to the regiment, which is ready to set off. Gérald is aware of a sense of duty, and he promises his friend to follow the latter's advice. When she returns, Lakmé in horror sees the alteration in her beloved and decides to kill herself with a toxic flower. Her beloved once again submits to the enchantment – and together with her drinks the sacred water from the cup. Nilakantha, on discovering Lakmé and Gérald together, wishes to kill the Englishman. His daughter, however, declares that they have been married. The poison begins to take effect, and the girl dies peacefully in the embrace of her beloved.

Place: India
Time: Late nineteenth century, during the British Raj.

Act 1
The Hindus go to perform their rites in a sacred Brahmin temple under the high priest, Nilakantha. Nilakantha's daughter Lakmé (which derives from the Sanskrit Lakshmi), and her servant Mallika, are left behind and go down to the river to gather flowers where they sing together the Flower Duet. As they approach the water at the river bank, Lakmé removes her jewellery and places it on a bench. Two British officers, Frederic and Gérald (Delibes uses Frenchified versions of the then common English names Frederick and Gerald), arrive nearby on a picnic with two British girls and their governess. The British girls see the jewellery and, impressed with it, request sketches of it; Gérald volunteers to stay and make sketches of the jewellery. He spots Lakmé and Mallika returning and hides. Mallika leaves Lakmé for a while; while alone Lakmé sees Gérald and, frightened by the foreigner's incursion, cries out for help. However, simultaneously, she is also intrigued by him and so she sends away those who had responded to her call for help when they come to her aid. Lakmé and Gérald begin to fall in love with each other. Nilakantha returns and learns of the British officer's trespassing, vowing revenge on him for what he assumes to be an affront to Lakmé's honour.

Act 2
At a busy bazaar, Nilakantha forces Lakmé to sing (the Bell Song) in order to lure the trespasser into identifying himself. When Gérald steps forward, Lakmé faints, thus giving him away. Nilakantha stabs Gérald, wounding him. Lakmé takes Gérald to a secret hideout in the forest, where she lovingly nurses him back to health.

Act 3
While Lakmé fetches sacred water that will confirm the vows of the lovers, Fréderic, Gérald's fellow British officer, appears before Gérald and reminds him of his military duty to his regiment. Gérald sadly accepts that his colleague is correct. After Lakmé returns, she senses the change in Gérald and realises that she has lost him. She dies with honour, rather than live with dishonour, killing herself by eating the poisonous datura leaf.

Venue Info

Mariinsky Theatre - Saint Petersburg
Location   1 Theatre Square

The Mariinsky Theatre is a historic theatre of opera and ballet in Saint Petersburg, Russia. Opened in 1860, it became the preeminent music theatre of late 19th-century Russia, where many of the stage masterpieces of Tchaikovsky, Mussorgsky, and Rimsky-Korsakov received their premieres. Through most of the Soviet era, it was known as the Kirov Theatre. Today, the Mariinsky Theatre is home to the Mariinsky Ballet, Mariinsky Opera and Mariinsky Orchestra. Since Yuri Temirkanov's retirement in 1988, the conductor Valery Gergiev has served as the theatre's general director.

The theatre is named after Empress Maria Alexandrovna, wife of Tsar Alexander II. There is a bust of the Empress in the main entrance foyer. The theatre's name has changed throughout its history, reflecting the political climate of the time.

The theatre building is commonly called the Mariinsky Theatre. The companies that operate within it have for brand recognition purposes retained the Kirov name, acquired during the Soviet era to commemorate the assassinated Leningrad Communist Party leader Sergey Kirov (1886–1934).

The Imperial drama, opera and ballet troupe in Saint Petersburg was established in 1783, at the behest of Catherine the Great, although an Italian ballet troupe had performed at the Russian court since the early 18th century. Originally, the ballet and opera performances were given in the wooden Karl Knipper Theatre on Tsaritsa Meadow, near the present-day Tripartite Bridge (also known as the Little Theatre or the Maly Theatre). The Hermitage Theatre, next door to the Winter Palace, was used to host performances for an elite audience of aristocratic guests invited by the Empress.

A permanent theatre building for the new company of opera and ballet artists was designed by Antonio Rinaldi and opened in 1783. Known as the Imperial Bolshoi Kamenny Theatre the structure was situated on Carousel Square, which was renamed Theatre Square in honour of the building. Both names – "Kamenny" (Russian word for "stone") and "Bolshoi" (Russian word for "big") – were coined to distinguish it from the wooden Little Theatre. In 1836, the Bolshoi Kamenny Theatre was renovated to a design by Albert Cavos (son of Catterino Cavos, an opera composer), and served as the principal theatre of the Imperial Ballet and opera.

On 29 January 1849, the Equestrian circus (Конный цирк) opened on Theatre Square. This was also the work of the architect Cavos. The building was designed to double as a theatre. It was a wooden structure in the then-fashionable neo-Byzantine style. Ten years later, when this circus burnt down, Albert Cavos rebuilt it as an opera and ballet house with the largest stage in the world. With a seating capacity of 1,625 and a U-shaped Italian-style auditorium, the theatre opened on 2 October 1860, with a performance of A Life for the Tsar. The new theatre was named Mariinsky after its imperial patroness, Empress Maria Alexandrovna.

Under Yuri Temirkanov, Principal Conductor from 1976 to 1988, the Opera Company continued to stage innovative productions of both modern and classic Russian operas. Although functioning separately from the Theatre’s Ballet Company, since 1988 both companies have been under the artistic leadership of Valery Gergiev as Artistic Director of the entire Theatre.

The Opera Company has entered a new era of artistic excellence and creativity. Since 1993, Gergiev’s impact on opera there has been enormous. Firstly, he reorganized the company’s operations and established links with many of the world's great opera houses, including the Royal Opera House, Covent Garden, the Metropolitan Opera, the Opéra Bastille, La Scala, La Fenice, the Israeli Opera, the Washington National Opera and the San Francisco Opera. Today, the Opera Company regularly tours to most of these cities.

Gergiev has also been innovative as far as Russian opera is concerned: in 1989, there was an all-Mussorgsky festival featuring the composer’s entire operatic output. Similarly, many of Prokofiev’s operas were presented from the late 1990s. Operas by non-Russian composers began to be performed in their original languages, which helped the Opera Company to incorporate world trends. The annual international "Stars of the White Nights Festival" in Saint Petersburg, started by Gergiev in 1993, has also put the Mariinsky on the world’s cultural map. That year, as a salute to the imperial origins of the Mariinsky, Verdi's La forza del destino, which received its premiere in Saint Petersburg in 1862, was produced with its original sets, costumes and scenery. Since then, it has become a characteristic of the "White Nights Festival" to present the premieres from the company’s upcoming season during this magical period, when the hours of darkness practically disappear as the summer solstice approaches.

Presently, the Company lists on its roster 22 sopranos (of whom Anna Netrebko may be the best known); 13 mezzo-sopranos (with Olga Borodina familiar to US and European audiences); 23 tenors; eight baritones; and 14 basses. With Gergiev in charge overall, there is a Head of Stage Administration, a Stage Director, Stage Managers and Assistants, along with 14 accompanists.

Important Info
Type: Opera
City: Saint Petersburg, Russia
Starts at: 19:00
Acts: 3
Intervals: 2
Duration: 3h 20min
Sung in: French
Titles in: Russian
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