Mariinsky Theatre 29 November 2019 - Hansel und Gretel | GoComGo.com

Hansel und Gretel

Mariinsky Theatre, Concert Hall, Saint Petersburg, Russia
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7 PM
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Important Info
Type: Opera
City: Saint Petersburg, Russia
Starts at: 19:00
Acts: 3
Intervals: 1
Duration:
Sung in: Russian
Titles in: Russian

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Overview

The enchanting musical fairy-tale by Engelbert Humperdinck (1854 – 1921) is well known throughout Europe – it is a standard repertoire piece at Christmas-time. The idea of making a children’s production to be performed at home based on the horror fairy-tale by the Brothers Grimm belonged to the composer’s sister Adelheid Wette who also wrote the libretto. Having evolved into a full-scale adult romantic opera, Humperdinck’s spicy fairy-tale was popular not just in Germany (where it was premiered in 1893 in Weimar under the baton of Richard Strauss) but in Russia too.

In Russia Hänsel und Gretel was first staged in St Petersburg at the Panayev Theatre (1896) and later in Moscow, at the Bolshoi Theatre (under the title of The Gingerbread House) as well as at the Mamontov Opera. At the Mariinsky Theatre Hänsel und Gretel was first performed on 24 October 1897. Then the opera was performed in Russian albeit using the original title, the translation having been produced by Yekaterina Kletnova.
“The music of this opera is an unusual combination of colours – music intended for children together with a very late layering representing the quintessence of the Wagnerian style, assimilated by all German composers of the age”, noted the critic Mikhail Ivanov of The New Age. “As a brilliant theoretician and Wagnerian, Humperdinck created a complex polyphonic fabric, in particular when indicating the stage positions. But the demands of the plot forced him to turn to children’s songs (even including the famous Ach, du lieber Augustin), waltzes and so on, which imbued his opus with the character of a short operetta. For children and admirers who do not make any particular demands, this lightness of Humperdinck’s music, despite the heavy artillery he has developed, will guarantee success.”

History
Premiere of this production: 23 December 1893, Hoftheater in Weimar

Hansel and Gretel is an opera by nineteenth-century composer Engelbert Humperdinck, who described it as a Märchenoper (fairy-tale opera). The libretto was written by Humperdinck's sister, Adelheid Wette, based on the Grimm brothers' fairy tale "Hansel and Gretel". It is much admired for its folk music-inspired themes, one of the most famous being the "Abendsegen" ("Evening Benediction") from act 2.

Synopsis

Act I
At Home
Vanya and Masha, the broom-binder’s children, are sitting in his modest hut. They are at work, though tormented by hunger as they have had nothing to eat for weeks other than dry bread. Masha reveals a secret to her brother – she has seen a jug of milk brought by a neighbour and so today they will have porridge. In joyful anticipation of the dinner to come the children begin to make merry, sing and dance and their weary mother catches them in the act. Annoyed by the children’s antics, she reaches for a switch to thrash them but accidentally knocks over the jug of milk on the table. Beside herself in rage she sends Vanya and Masha into the forest in search of berries.
The drunken broom-binder returns home. Today business has been good and he has brought back a basket full of food. When he discovers what has happened his mood suddenly changes. The father recalls a superstition that lost children sometimes walk into the hands of an Evil Witch living by the Black Rock in the forest. She lures children to her in order to make gingerbread out of them and eat them. The anxious parents set out into the forest.

Act II
In the Forest
Meanwhile, the children have managed to gather a full basket of berries. Masha has made a wreath and tries to put it on her brother, but he resists, saying that flowers are not for men. Without noticing, the children eat all the berries they have collected. It is now dark in the forest and the glade that had so recently seemed so appealing becomes menacing. The children have lost their way and in terror they embrace one another. The Sandman, the dream fairy, appears and calms the lost children promising them sweet dreams. Vanya and Masha recite an evening prayer and fall asleep. Angels appear to guard the children’s sleep.

Act III
The Witch’s House
The Good Fairy wakes everything living in the forest. Now alert, Vanya and Masha tell each other of their dreams – it turns out that their dreams have been the same: of Angels guarding their sleep.
Suddenly the children come across a charming house made of gingerbread and jam. Breaking off a piece, they hear the voice of the owner – the old Witch. Through flattery and false tenderness she invites them in but before she brings her plan to fruition she invokes a terrible curse. Vanya and Masha are now the Witch’s prisoners. They understand that the old woman is feeding them up in order to eat them later. When the Witch asks Masha to get into the oven to clean out the corners the girl asks her to show her how it must be done. As soon as the Witch sticks her head into the oven the children shove her inside and shut the door.
Vanya and Masha are surrounded by children that the Witch once transformed into gingerbread. The curse is still active as their eyes remain closed. The brother and sister embrace them all to release them from the curse.
At just this time the Mother and Father find Vanya and Masha. The Witch in the form of a massive piece of gingerbread is removed from the oven. The Father says that evil never goes unpunished. In a general chorus all praise God who never abandons anyone in trouble and takes care of everyone in times of trouble.

Act I
At Home
Vanya and Masha, the broom-binder’s children, are sitting in his modest hut. They are at work, though tormented by hunger as they have had nothing to eat for weeks other than dry bread. Masha reveals a secret to her brother – she has seen a jug of milk brought by a neighbour and so today they will have porridge. In joyful anticipation of the dinner to come the children begin to make merry, sing and dance and their weary mother catches them in the act. Annoyed by the children’s antics, she reaches for a switch to thrash them but accidentally knocks over the jug of milk on the table. Beside herself in rage she sends Vanya and Masha into the forest in search of berries.
The drunken broom-binder returns home. Today business has been good and he has brought back a basket full of food. When he discovers what has happened his mood suddenly changes. The father recalls a superstition that lost children sometimes walk into the hands of an Evil Witch living by the Black Rock in the forest. She lures children to her in order to make gingerbread out of them and eat them. The anxious parents set out into the forest.

Act II
In the Forest
Meanwhile, the children have managed to gather a full basket of berries. Masha has made a wreath and tries to put it on her brother, but he resists, saying that flowers are not for men. Without noticing, the children eat all the berries they have collected. It is now dark in the forest and the glade that had so recently seemed so appealing becomes menacing. The children have lost their way and in terror they embrace one another. The Sandman, the dream fairy, appears and calms the lost children promising them sweet dreams. Vanya and Masha recite an evening prayer and fall asleep. Angels appear to guard the children’s sleep.

Act III
The Witch’s House
The Good Fairy wakes everything living in the forest. Now alert, Vanya and Masha tell each other of their dreams – it turns out that their dreams have been the same: of Angels guarding their sleep.
Suddenly the children come across a charming house made of gingerbread and jam. Breaking off a piece, they hear the voice of the owner – the old Witch. Through flattery and false tenderness she invites them in but before she brings her plan to fruition she invokes a terrible curse. Vanya and Masha are now the Witch’s prisoners. They understand that the old woman is feeding them up in order to eat them later. When the Witch asks Masha to get into the oven to clean out the corners the girl asks her to show her how it must be done. As soon as the Witch sticks her head into the oven the children shove her inside and shut the door.
Vanya and Masha are surrounded by children that the Witch once transformed into gingerbread. The curse is still active as their eyes remain closed. The brother and sister embrace them all to release them from the curse.
At just this time the Mother and Father find Vanya and Masha. The Witch in the form of a massive piece of gingerbread is removed from the oven. The Father says that evil never goes unpunished. In a general chorus all praise God who never abandons anyone in trouble and takes care of everyone in times of trouble.

Act 1

Scene 1: At home

Gretel stitches a stocking, and Hansel is making a broom. Gretel sings to herself as she works. Hänsel mocks her, singing to the same tune a song about how hungry he is. He wishes for mother to come home. Gretel tells him to be quiet and reminds him of what father always says: "When the need is greatest, God the Lord puts out His hand." Hansel complains that one cannot eat words, and Gretel cheers him up by telling him a secret: A neighbor has given mother a jug of milk, and tonight she will make a rice pudding for them to eat. Hansel, excited, tastes the cream on the top of the milk. Gretel scolds him and tells him he should get back to work. Hansel says that he does not want to work, he would rather dance. Gretel agrees, and they begin to dance around.

Scene 2

Mother enters, and she is furious when she finds that Hansel and Gretel have not been working. As she threatens to beat them with a stick, she knocks over the jug of milk. Mother sends Hansel and Gretel to the haunted Ilsenstein forest to look for strawberries. Alone, she expresses her sorrow that she is unable to feed her children, and asks God for help.

Scene 3

From far off, father sings about how hungry he is. He bursts into the house, roaring drunk, and kisses mother roughly. She pushes him away and scolds him for being drunk. He surprises her by taking from his pack a feast: Bacon, butter, flour, sausages, fourteen eggs, beans, onions, and a quarter pound of coffee. He explains to her that beyond the forest, it is almost time for a festival, and everyone is cleaning in preparation. He went from house to house and sold his brooms at the highest prices. As father and mother celebrate, he suddenly stops and asks where the children are. Mother changes the subject to the broken jug, and after she finishes telling him the story, he laughs, then asks again after the children. She tells him that they are in the Ilsenstein forest. Suddenly scared, father tells her that the forest is where the evil Gingerbread Witch (literally, "Nibbling Witch") dwells. She lures children with cakes and sweets, pushes them into her oven, where they turn to gingerbread, and then eats them. Father and mother rush to the forest to search for their children.

Act 2

Here there is a prelude which begins the act, called the "Witch-ride". Sometimes, the two acts are linked to each other, and the prelude is treated as an interlude.

Scene 1: In the forest. Sunset.

Gretel weaves a crown of flowers as she sings to herself. Hansel searches for strawberries. As Gretel finishes her crown, Hansel fills his basket. Gretel tries to put the crown on Hansel, but, saying that boys do not play with things like these, he puts it on her head instead. He tells her that she looks like the Queen of the Wood, and she says that if that's so, then he should give her a bouquet, too. He offers her the strawberries. They hear a cuckoo calling, and they begin to eat the strawberries. As the basket empties, they fight for the remaining strawberries, and finally, Hansel grabs the basket and dumps the leftovers in his mouth. Gretel scolds him and tells him that mother will be upset. She tries to look for more, but it is too dark for her to see. Hansel tries to find the way back, but he cannot. As the forest darkens, Hansel and Gretel become scared, and think they see something coming closer. Hansel calls out, "Who's there?" and a chorus of echoes calls back, "He's there!" Gretel calls, "Is someone there?" and the echoes reply, "There!" Hansel tries to comfort Gretel, but as a little man walks out of the forest, she screams.

Scene 2

The Sandman, who has just walked out of the forest, tells the children that he loves them dearly, and that he has come to put them to sleep. He puts grains of sand into their eyes, and as he leaves they can barely keep their eyes open. Gretel reminds Hansel to say their evening prayer, and after they pray, they fall asleep on the forest floor.

Scene 3

Traumpantomime. Fourteen angels come out and arrange themselves around the children to protect them as they sleep. They are presented with a gift. The forest is filled with light as the curtain falls.

Act 3

Scene 1: In the forest.

The Dew Fairy comes to wake the children. She sprinkles dew on them, sings of how wonderful it is to be alive in the morning with the beauty of the forest surrounding her, and leaves as the children stir. Gretel wakes first, and wakes the sleepy Hansel. They tell each other of their mutual dream, of angels protecting them as they slept.

Scene 2

Suddenly they notice behind them a glorious gingerbread house. The roof is slated with cakes, the windows are of licorice, and the walls are decorated with cookies. On the left side is an oven, on the right side is a cage, and around it is a fence of gingerbread children. Unable to resist temptation, they take a little bit of the house and nibble on it.

Scene 3

As the children nibble, a voice calls out, "Nibbling, nibbling, little mouse! Who's nibbling on my little house?" Hansel and Gretel decide that the voice must have been the wind, and they begin to eat the house. As Hansel breaks off another piece of the house, the voice again calls out, "Nibbling, nibbling, little mouse! Who's nibbling on my little house?" Hansel and Gretel ignore the voice, and continue eating. The witch comes out of the house and catches Hansel with a rope. As Hansel tries to escape, the witch explains that she is Rosine Leckermaul (literally, "Rosina Tastymuzzle"), and that she likes nothing better than to feed children sweets. Hansel and Gretel are suspicious of the witch, so Hansel frees himself from the rope and he and Gretel begin to run away.

The witch takes out her wand and calls out, "Stop!" Hansel and Gretel are frozen to the spot where they stand. Using the wand, the witch leads Hansel to the cage. The witch leaves him stiff and slow of movement. She tells Gretel to be reasonable, and then the witch goes inside to fetch raisins and almonds with which to fatten Hansel. Hansel whispers to Gretel to pretend to obey the witch. The witch returns, and waving her wand, says, "Hocus pocus, holderbush! Loosen, rigid muscles, hush!" Using the wand, the witch forces Gretel to dance, then tells her to go into the house and set the table. Hansel pretends to be asleep, and the witch, overcome with excitement, describes how she plans to cook and eat Gretel.

The witch wakes up Hansel and has him show her his finger. He puts out a bone instead, and she feels it instead. Disappointed that he is so thin, the witch calls for Gretel to bring out raisins and almonds. As the witch tries to feed Hansel, Gretel steals the wand from the witch's pocket. Waving it towards Hansel, Gretel whispers, "Hocus pocus, holderbush! Loosen rigid muscles, hush!" As the witch turns around and wonders at the noise, Hansel discovers that he can move freely again.

The witch tells Gretel to peek inside the oven to see if the gingerbread is done. Hansel softly calls out to her to be careful. Gretel pretends that she does not know what the witch means. The witch tells her to lift herself a little bit and bend her head forward. Gretel says that she is "a goose" and doesn't understand, then asks the witch to demonstrate. The witch, frustrated, opens the oven and leans forward. Hansel springs out of the cage, and he and Gretel shove the witch into the oven. They dance. The oven begins to crackle and the flames burn fiercely, and with a loud crash it explodes.

Scene 4

Around Hansel and Gretel, the gingerbread children have turned back into humans. They are asleep and unable to move, but they sing to Hansel and Gretel, asking to be touched. Hansel is afraid, but Gretel strokes one on the cheek, and he wakes up, but is still unable to move. Hansel and Gretel touch all the children, then Hansel takes the witch's wand and, waving it, calls out the magic words, freeing the children from the spell.

Scene 5

Father is heard in the distance, calling for Hansel and Gretel. He and mother enter and embrace Hansel and Gretel. Meanwhile, the gingerbread children pull out from the ruins of the oven the witch, who has turned into gingerbread. Father gathers Hansel, Gretel and the other children around and tells them to look at this miracle. He explains that this is heaven's punishment for evil deeds and reminds them, "When the need is greatest, God the Lord puts out His hand."

Venue Info

Mariinsky Theatre - Saint Petersburg
Location   1 Theatre Square

The Mariinsky Theatre is a historic theatre of opera and ballet in Saint Petersburg, Russia. Opened in 1860, it became the preeminent music theatre of late 19th-century Russia, where many of the stage masterpieces of Tchaikovsky, Mussorgsky, and Rimsky-Korsakov received their premieres. Through most of the Soviet era, it was known as the Kirov Theatre. Today, the Mariinsky Theatre is home to the Mariinsky Ballet, Mariinsky Opera and Mariinsky Orchestra. Since Yuri Temirkanov's retirement in 1988, the conductor Valery Gergiev has served as the theatre's general director.

The theatre is named after Empress Maria Alexandrovna, wife of Tsar Alexander II. There is a bust of the Empress in the main entrance foyer. The theatre's name has changed throughout its history, reflecting the political climate of the time.

The theatre building is commonly called the Mariinsky Theatre. The companies that operate within it have for brand recognition purposes retained the Kirov name, acquired during the Soviet era to commemorate the assassinated Leningrad Communist Party leader Sergey Kirov (1886–1934).

The Imperial drama, opera and ballet troupe in Saint Petersburg was established in 1783, at the behest of Catherine the Great, although an Italian ballet troupe had performed at the Russian court since the early 18th century. Originally, the ballet and opera performances were given in the wooden Karl Knipper Theatre on Tsaritsa Meadow, near the present-day Tripartite Bridge (also known as the Little Theatre or the Maly Theatre). The Hermitage Theatre, next door to the Winter Palace, was used to host performances for an elite audience of aristocratic guests invited by the Empress.

A permanent theatre building for the new company of opera and ballet artists was designed by Antonio Rinaldi and opened in 1783. Known as the Imperial Bolshoi Kamenny Theatre the structure was situated on Carousel Square, which was renamed Theatre Square in honour of the building. Both names – "Kamenny" (Russian word for "stone") and "Bolshoi" (Russian word for "big") – were coined to distinguish it from the wooden Little Theatre. In 1836, the Bolshoi Kamenny Theatre was renovated to a design by Albert Cavos (son of Catterino Cavos, an opera composer), and served as the principal theatre of the Imperial Ballet and opera.

On 29 January 1849, the Equestrian circus (Конный цирк) opened on Theatre Square. This was also the work of the architect Cavos. The building was designed to double as a theatre. It was a wooden structure in the then-fashionable neo-Byzantine style. Ten years later, when this circus burnt down, Albert Cavos rebuilt it as an opera and ballet house with the largest stage in the world. With a seating capacity of 1,625 and a U-shaped Italian-style auditorium, the theatre opened on 2 October 1860, with a performance of A Life for the Tsar. The new theatre was named Mariinsky after its imperial patroness, Empress Maria Alexandrovna.

Under Yuri Temirkanov, Principal Conductor from 1976 to 1988, the Opera Company continued to stage innovative productions of both modern and classic Russian operas. Although functioning separately from the Theatre’s Ballet Company, since 1988 both companies have been under the artistic leadership of Valery Gergiev as Artistic Director of the entire Theatre.

The Opera Company has entered a new era of artistic excellence and creativity. Since 1993, Gergiev’s impact on opera there has been enormous. Firstly, he reorganized the company’s operations and established links with many of the world's great opera houses, including the Royal Opera House, Covent Garden, the Metropolitan Opera, the Opéra Bastille, La Scala, La Fenice, the Israeli Opera, the Washington National Opera and the San Francisco Opera. Today, the Opera Company regularly tours to most of these cities.

Gergiev has also been innovative as far as Russian opera is concerned: in 1989, there was an all-Mussorgsky festival featuring the composer’s entire operatic output. Similarly, many of Prokofiev’s operas were presented from the late 1990s. Operas by non-Russian composers began to be performed in their original languages, which helped the Opera Company to incorporate world trends. The annual international "Stars of the White Nights Festival" in Saint Petersburg, started by Gergiev in 1993, has also put the Mariinsky on the world’s cultural map. That year, as a salute to the imperial origins of the Mariinsky, Verdi's La forza del destino, which received its premiere in Saint Petersburg in 1862, was produced with its original sets, costumes and scenery. Since then, it has become a characteristic of the "White Nights Festival" to present the premieres from the company’s upcoming season during this magical period, when the hours of darkness practically disappear as the summer solstice approaches.

Presently, the Company lists on its roster 22 sopranos (of whom Anna Netrebko may be the best known); 13 mezzo-sopranos (with Olga Borodina familiar to US and European audiences); 23 tenors; eight baritones; and 14 basses. With Gergiev in charge overall, there is a Head of Stage Administration, a Stage Director, Stage Managers and Assistants, along with 14 accompanists.

Important Info
Type: Opera
City: Saint Petersburg, Russia
Starts at: 19:00
Acts: 3
Intervals: 1
Duration:
Sung in: Russian
Titles in: Russian
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