Mariinsky Theatre 3 July 2022 - Götterdämmerung | GoComGo.com

Götterdämmerung

Mariinsky Theatre, Mariinsky II, Saint Petersburg, Russia
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Important Info
Type: Opera
City: Saint Petersburg, Russia
Starts at: 17:00
Acts: 3
Intervals: 2
Duration: 5h 25min
Sung in: German
Titles in: English,Russian

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Festival

Stars of the White Nights Festival 2022

The Mariinsky`s Stars of the White Nights International Music Festival directed by Valery Gergiev was held from May 24 to July 17, in St Petersburg for the thirtieth time.

Overview

The third day of the tetralogy Der Ring des Nibelungen in three acts with prologue

History
Premiere of this production: 17 August 1876, Bayreuth Festspielhaus

Götterdämmerung (Twilight of the Gods) is the last in Richard Wagner's cycle of four music dramas titled Der Ring des Nibelungen (The Ring of the Nibelung, or The Ring for short).

Synopsis

Prologue
By night on the rocky banks of the Rhine, three prophetic Noms are spinning the rope of Fate. The end of the gods´ power is nigh: in the castle of Valhalla, the supreme god Wotan is surrounded by gods and heroes, waiting for the last day. His death has been predestined by a chain of crimes, the first of which was Alberich´s stealing the gold of the Rhine and renouncing love. Wishing to hold sway over the earth, Alberich forged a ring from the gold of the Rhine, but the Ring was then stolen. There is now a dreadful curse on the Ring, which will bring about the death of anyone who wishes to possess it. Unexpectedly the rope of Fate breaks – the Norms´ prophetic knowledge has run out and they disappear. Dawn. Illuminated by the sun, Siegfried and Brunnhilde emerge from the cave. Departing for new conquests, Siegfried swears eternal love to his bride and, as a token of that love, gives her the Rng of the Nibelung. Brunnhilde brings Siegfried her horse Grane he sets off along the Rhine below.

Act I
The castle of the Gibichungs on the banks of the Rhine. Gunther lives there with his sister Gutrune and sly and sullen half-brother Hagen, half-man and half-gnome, the illegitimate son of his mother and Alberich the Nibelung. Gunther, a noble warrior, has amassed great power, though he has not found a suitable wife. Hagen tells him Brunnhilde, adding, however, that Siegfried alone will be able to reach her though the fire. Siegfried must be made to drink magic potion which will make him forget Brunnhilde, who will then become Gunther´s bride. Siegfried´s horn can be heard in the distance. He wants to test his strength against Gunther, but the latter proposes brotherhood instead of battle. Gutrune brings Siegfried a horn with the magic potion. Draining the horn, Siegfried departs; the magic helmet he won with the treasure of the Nibelungs when he killed the dragon guarding it will allow him to adopt Gunther´s form. Hagen is triumphant. His plan is close to fruition: deceived, Siegfried will bring Gunther his own wife; Hagen will have the gold Ring, and he will subsequently become ruler of the earth. Meanwhile, Brunnhilde cannot give up her husband´s gift. Valhalla may perish, but the Valkyrie will not surrender the Ring. Waltraute disappears in despair. Siegfried´s horn can be heard in the distance. Brunnhilde listens entranced. But her joy is suddenly replaced with terror – she is faced with a stranger calling himself Gunther. Has Wotan tricked her? Can others beside Siegfried pass through the fire to her? She tries to resist, but Siegfried, appearing in a different guise thanks to the helmet, tears the Ring from her finger – now she is betrothed to Gunther. She will spend the night with her husband in the cave. Siegfried, however, remains true to his oath of brotherhood – he places his sword on the bed between them.

Act II
It is the middle of the night and Hagen is asleep. Alberich the Nibelung approaches him. Hagan must obtain the Ring for him, then the two of them will hold sway over the earth. As the sun rises, Alberich disappears. The joyful voice of the returning Siegfried can be heard. He tells Gutrune how he led Brunnhilde from the flames and, unnoticed in the midst, placed her in Gunther´s arms. At the castle, preparations begin to celebrate the two weddings. The triumphant Gunther enters with Brunnhilde. She is startled to see Siegfried together with Gutrune. What can have happened? Could he have forgotten her? On Siegfried´s finger she notices her ring, which he forgot to give Gunther. She understands everything. The only thing she does not know is that Siegfried has forgotten her because f the magic potion. In despair, she begs the gods to grant revenge on the man who has betrayed her, insisting that he is her husband. Siegfried, however, can remember Brunnhilde only from the previous day, and swears that he did not touch his friend´s bride. But Brunnhilde proceeds to swear that she is Siegfried´s wife. Everyone is shocked – surely Siegfried would not shame Gunther´s honour and break their oath of brotherhood? Siegfried and Brunnhilde swear once again on the spear that each is telling the truth. When the guests leave, the indignanat Hagen approaches Brunnhilde, who is filled with mournful thoughts. Hagen convinces her to take her revenge, but he does not know how to accomplish this. The offended Brunnhilde tells the devilishly cunning Nibelung Siegfried´s secret – is invincible in battle as he always faces his enemy; his only weak spot is his back. Siegfried will die during a hunt…

Act III
On the banks of the river, the three Rhinemaidens await Siegfried. Gently and mildly, they bed him to return the Ring. Siegfried begins to waver. But as soon as the Rhinemaidens tell him he will be safe only if he surrenders the Ring, he changes his mind. None shall call him a coward. In despair, the Rhinemaidens prophesy his impending death and swim away. The hunters gather. Hagen asks Siegfried to tell him how he learned the language of the birds. Siegfried recalls the past, his childhood in the woods, Mime who raised him, the blood of the dragon guarding the gold and the sleeping Valkyrie. At the very moment he turns on hearing some crows cawing, Hagen stabs him in the back. As he dies, Siegfried speaks of his love for Brunnhilde. Hagen tells Gutrune of Siegfrieds death. Hagen demands the Ring as payment for the murder, but Gunther refuses to let him have it. Hagen then attacks Gunther and, after a short struggle, the latter falls, dead. The triumphant Hagen approaches Siegfried´s body, but the hero´s arm rises in a menacing gesture. Terror-stricken, everyone steps back. Brunnhilde orders a funeral pyre be built on the banks of the Rhine. She will die beside her husband in its flames. She removes the Ring from Siegfried´s finger – the Rhinemaidens will recover it from her ashes. The flames of the pyre will cleanse the Ring of its curse, the gold of the Rhine will return to the river and Alberich´s curse will be at an end. Brunnhilde sends the crows to the gods at Valhalla to announce the hour of their death. She throws herself into the blazing flames. The Rhine swells and its waves wash away the remains of the pyre. Hagengives a shout and dives into the river, still hoping to obtain the Ring, but the Rhinemaidens laughingly drag him down to the river-bed. Crime on earth has come to an end. The world´s injustices have been redeemed by the death of the hero of heroes, and the cursed Ring of the Nibelung once again lies in peace in the depths of the Rhine.

Prologue

The three Norns, daughters of Erda, gather beside Brünnhilde's rock, weaving the rope of Destiny. They sing of the past and the present, and of the future when Wotan will set fire to Valhalla to signal the end of the gods. Without warning, their rope breaks. Lamenting the loss of their wisdom, the Norns disappear.

As day breaks, Siegfried and Brünnhilde emerge from their cave, high on a mountaintop surrounded by magic fire. Brünnhilde sends Siegfried off to new adventures, urging him to keep their love in mind. As a pledge of fidelity, Siegfried gives her the ring of power that he took from Fafner's hoard. Bearing Brünnhilde's shield and mounting her horse Grane, Siegfried rides away as an orchestral interlude (Siegfried's Journey to the Rhine) starts.

Act 1

The act begins in the Hall of the Gibichungs, a population dwelling by the Rhine. Gunther, lord of the Gibichungs, sits enthroned. His half-brother and chief minister, Hagen, advises him to find a wife for himself and a husband for their sister Gutrune. He suggests Brünnhilde for Gunther's wife, and Siegfried for Gutrune's husband. He reminds Gutrune that he has given her a potion that she can use to make Siegfried forget Brünnhilde and fall in love with Gutrune; under its influence, Siegfried will win Brünnhilde for Gunther. Gunther and Gutrune agree enthusiastically with this plan.

Siegfried appears at Gibichung Hall, seeking to meet Gunther. Gunther extends his hospitality to the hero, and Gutrune offers him the love potion. Unaware of the deception, Siegfried toasts Brünnhilde and their love. Drinking the potion, he loses his memory of Brünnhilde and falls in love with Gutrune instead. In his drugged state, Siegfried offers to win a wife for Gunther, who tells him about Brünnhilde and the magic fire which only a fearless person can cross. They swear blood-brotherhood (Hagen holds the drinking horn in which they mix their blood, but he does not join in the oath) and leave for Brünnhilde's rock. Hagen, left on guard duty, gloats that his so-called masters are unwittingly bringing the ring to him (Monologue: Hagen's watch).

Meanwhile, Brünnhilde is visited by her Valkyrie sister Waltraute, who tells her that Wotan returned from his wanderings with his spear shattered. Wotan is dismayed at losing his spear, as it has all the treaties and bargains he has made—everything that gives him power—carved into its shaft. Wotan ordered branches of the World tree, to be piled around Valhalla; sent his magic ravens to spy on the world and bring him news; and currently waits in Valhalla for the end. Waltraute begs Brünnhilde to return the ring to the Rhinemaidens, since the ring's curse is now affecting their father, Wotan. However, Brünnhilde refuses to relinquish Siegfried's token of love, and Waltraute rides away in despair.

Siegfried arrives, disguised as Gunther by using the Tarnhelm, and claims Brünnhilde as his wife. Though Brünnhilde resists violently, Siegfried overpowers her, snatching the ring from her hand and placing it on his own.

Act 2

Hagen, waiting by the bank of the Rhine, is visited in his semi-waking sleep (sitting up, eyes open, but motionless) by his father, Alberich. On Alberich's urging, he swears to kill Siegfried and acquire the ring. Alberich exits as dawn breaks. Siegfried arrives via Tarnhelm-magic, having resumed his natural form and left Brünnhilde on the boat with Gunther. Hagen summons the Gibichung vassals to welcome Gunther and his bride. He does this by sounding the war-alarm. The vassals are surprised to learn that the occasion is not battle, but their master's wedding and party.

Gunther leads in a downcast Brünnhilde, who is astonished to see Siegfried. Noticing the ring on Siegfried's hand, she realizes she has been betrayed—that the man who conquered her was not Gunther, but Siegfried in disguise. She denounces Siegfried in front of Gunther's vassals and accuses Siegfried of having seduced her himself. Siegfried, who does not remember ever having been Brünhilde's lover, places his hand on Hagen's spear and swears by it that her accusations are false. Brünnhilde seizes the tip of the spear and swears that they are true. Once again Hagen supervises silently as others take oaths to his advantage. But this time, since the oath is sworn on a weapon, the understanding is that if the oath is proven false, the weapon's owner should avenge it by killing the perjurer with that weapon. Siegfried then leads Gutrune and the bystanders off to the wedding feast, leaving Brünnhilde, Hagen, and Gunther alone by the shore. Deeply shamed by Brünnhilde's outburst, Gunther agrees to Hagen's suggestion that Siegfried must be killed in order for Gunther to regain his standing. Brünnhilde, seeking revenge for Siegfried's manifest treachery, joins the plot and tells Hagen that Siegfried would be vulnerable to a stab in the back. Hagen and Gunther decide to lure Siegfried on a hunting-trip and murder him. They sing a trio in which Brünnhilde and Gunther vow in the name of Wotan, "guardian of oaths", to kill Siegfried, while Hagen repeats his pledge to Alberich: to acquire the ring and rule the world through its power.

Act 3

In the woods by the bank of the Rhine, the Rhinemaidens mourn the lost Rhine gold. Siegfried happens by, separated from the hunting party. The Rhinemaidens urge him to return the ring and avoid its curse, but he laughs at them and says he prefers to die rather than bargain for his life. They swim away, predicting that Siegfried will die and that his heir, a lady, will treat them more fairly.

Siegfried rejoins the hunters, who include Gunther and Hagen. While resting, he tells them about the adventures of his youth. Hagen gives him another potion, which restores his memory, and he tells of discovering the sleeping Brünnhilde and awakening her with a kiss. Hagen stabs him in the back with his spear. The others look on in horror, and Hagen explains in three words ("Meineid rächt' ich!" – "I have avenged perjury!") that since Siegfried admitted loving Brünnhilde, the oath he swore on Hagen's spear was obviously false, therefore it was Hagen's duty to kill him with it. Hagen calmly walks away into the wood. Siegfried recollects his awakening of Brünnhilde and dies. His body is carried away in a solemn funeral procession (Siegfried's funeral march) that forms the interlude as the scene is changed and recapitulates many of the themes associated with Siegfried and the Wälsungs.

Back in the Gibichung Hall, Gutrune awaits Siegfried's return. Hagen arrives ahead of the funeral party. Gutrune is devastated when Siegfried's corpse is brought in. Gunther blames Siegfried's death on Hagen, who replies that Siegfried had incurred the penalty of his false oath, and further, claims the ring on Siegfried's finger by right of conquest. When Gunther objects, Hagen appeals to the vassals to support his claim. Gunther draws his sword but Hagen attacks and easily kills him. However, as Hagen moves to take the ring, Siegfried's hand rises threateningly. Hagen recoils in fear.

Brünnhilde makes her entrance and issues orders for a huge funeral pyre to be assembled by the river (the start of the Immolation Scene). She takes the ring and tells the Rhinemaidens to claim it from her ashes, once fire has cleansed it of its curse. Lighting the pyre with a firebrand, she sends Wotan's ravens home with "anxiously longed-for tidings", and to fly by the magic fire for Loge to fulfill his task. After an apostrophe to the dead hero, Brünnhilde mounts her horse Grane and rides into the flames.

A sequence of leitmotifs portray the fire flaring up, and the hall of the Gibichungs catching fire and collapsing. The Rhine overflows its banks, quenching the fire, and the Rhinemaidens swim in to claim the ring. Hagen tries to stop them but they drag him into the depths and drown him. As they celebrate the return of the ring and its gold to the river, a red glow is seen in the sky. As the Gibichungs watch, the interior of Valhalla is finally seen, with gods and heroes visible as described by Waltraute in Act 1. Flames flare up in the Hall of the Gods, hiding it and them from sight completely. As the gods are consumed in the flames, the curtain falls to the sound of the Erlösungsmotif—the redemption leitmotif.

Venue Info

Mariinsky Theatre - Saint Petersburg
Location   1 Theatre Square

The Mariinsky Theatre is a historic theatre of opera and ballet in Saint Petersburg, Russia. Opened in 1860, it became the preeminent music theatre of late 19th-century Russia, where many of the stage masterpieces of Tchaikovsky, Mussorgsky, and Rimsky-Korsakov received their premieres. Through most of the Soviet era, it was known as the Kirov Theatre. Today, the Mariinsky Theatre is home to the Mariinsky Ballet, Mariinsky Opera and Mariinsky Orchestra. Since Yuri Temirkanov's retirement in 1988, the conductor Valery Gergiev has served as the theatre's general director.

The theatre is named after Empress Maria Alexandrovna, wife of Tsar Alexander II. There is a bust of the Empress in the main entrance foyer. The theatre's name has changed throughout its history, reflecting the political climate of the time.

The theatre building is commonly called the Mariinsky Theatre. The companies that operate within it have for brand recognition purposes retained the Kirov name, acquired during the Soviet era to commemorate the assassinated Leningrad Communist Party leader Sergey Kirov (1886–1934).

The Imperial drama, opera and ballet troupe in Saint Petersburg was established in 1783, at the behest of Catherine the Great, although an Italian ballet troupe had performed at the Russian court since the early 18th century. Originally, the ballet and opera performances were given in the wooden Karl Knipper Theatre on Tsaritsa Meadow, near the present-day Tripartite Bridge (also known as the Little Theatre or the Maly Theatre). The Hermitage Theatre, next door to the Winter Palace, was used to host performances for an elite audience of aristocratic guests invited by the Empress.

A permanent theatre building for the new company of opera and ballet artists was designed by Antonio Rinaldi and opened in 1783. Known as the Imperial Bolshoi Kamenny Theatre the structure was situated on Carousel Square, which was renamed Theatre Square in honour of the building. Both names – "Kamenny" (Russian word for "stone") and "Bolshoi" (Russian word for "big") – were coined to distinguish it from the wooden Little Theatre. In 1836, the Bolshoi Kamenny Theatre was renovated to a design by Albert Cavos (son of Catterino Cavos, an opera composer), and served as the principal theatre of the Imperial Ballet and opera.

On 29 January 1849, the Equestrian circus (Конный цирк) opened on Theatre Square. This was also the work of the architect Cavos. The building was designed to double as a theatre. It was a wooden structure in the then-fashionable neo-Byzantine style. Ten years later, when this circus burnt down, Albert Cavos rebuilt it as an opera and ballet house with the largest stage in the world. With a seating capacity of 1,625 and a U-shaped Italian-style auditorium, the theatre opened on 2 October 1860, with a performance of A Life for the Tsar. The new theatre was named Mariinsky after its imperial patroness, Empress Maria Alexandrovna.

Under Yuri Temirkanov, Principal Conductor from 1976 to 1988, the Opera Company continued to stage innovative productions of both modern and classic Russian operas. Although functioning separately from the Theatre’s Ballet Company, since 1988 both companies have been under the artistic leadership of Valery Gergiev as Artistic Director of the entire Theatre.

The Opera Company has entered a new era of artistic excellence and creativity. Since 1993, Gergiev’s impact on opera there has been enormous. Firstly, he reorganized the company’s operations and established links with many of the world's great opera houses, including the Royal Opera House, Covent Garden, the Metropolitan Opera, the Opéra Bastille, La Scala, La Fenice, the Israeli Opera, the Washington National Opera and the San Francisco Opera. Today, the Opera Company regularly tours to most of these cities.

Gergiev has also been innovative as far as Russian opera is concerned: in 1989, there was an all-Mussorgsky festival featuring the composer’s entire operatic output. Similarly, many of Prokofiev’s operas were presented from the late 1990s. Operas by non-Russian composers began to be performed in their original languages, which helped the Opera Company to incorporate world trends. The annual international "Stars of the White Nights Festival" in Saint Petersburg, started by Gergiev in 1993, has also put the Mariinsky on the world’s cultural map. That year, as a salute to the imperial origins of the Mariinsky, Verdi's La forza del destino, which received its premiere in Saint Petersburg in 1862, was produced with its original sets, costumes and scenery. Since then, it has become a characteristic of the "White Nights Festival" to present the premieres from the company’s upcoming season during this magical period, when the hours of darkness practically disappear as the summer solstice approaches.

Presently, the Company lists on its roster 22 sopranos (of whom Anna Netrebko may be the best known); 13 mezzo-sopranos (with Olga Borodina familiar to US and European audiences); 23 tenors; eight baritones; and 14 basses. With Gergiev in charge overall, there is a Head of Stage Administration, a Stage Director, Stage Managers and Assistants, along with 14 accompanists.

Important Info
Type: Opera
City: Saint Petersburg, Russia
Starts at: 17:00
Acts: 3
Intervals: 2
Duration: 5h 25min
Sung in: German
Titles in: English,Russian
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