London Coliseum tickets 7 September 2025 - The Great Gatsby | GoComGo.com

The Great Gatsby

London Coliseum, London, Great Britain
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3 PM
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US$ 130

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Musical
City: London, Great Britain
Starts at: 15:00
Acts: 2
Intervals: 1
Duration: 2h 30min
Sung in: English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Actor: Corbin Bleu (Nick Carraway)
Actress: Frances Mayli McCann (Daisy Buchanan)
Actor: Jamie Muscato (Jay Gatsby)
Actor: Joel Montague (George Wilson)
Actor: Jon Robyns (Tom Buchanan)
Actress: Rachel Tucker (Myrtle Wilson)
Creators
Composer: Jason Howland
Choreographer: Dominique Kelly
Writer: F. Scott Fitzgerald
Director: Marc Bruni
Lyricist: Nathan Tysen
Overview

The greatest party on London’s biggest stage as the Broadway smash roars into London.

Get ready to roar because the Tony Award®-winning new musical The Great Gatsby is coming to London, and it will be the party of the century.

Fresh from its current smash-hit success on Broadway, this “shimmering, sparkling spectacle” (Variety) “explodes with life and energy” (Entertainment Weekly).

The all-new musical directed by Marc Bruni (Beautiful: The Carole King Musical), this story of extravagance and longing features choreography by Dominique Kelley (So You Think You Can Dance), a book by Kait Kerrigan (The Mad Ones) and a jazz and pop-influenced original score by Jason Howland (Little Women) and Nathan Tysen (Paradise Square).

It’s the Roaring 20’s, old sport. Meet mysterious millionaire, Jay Gatsby. He entertains the rich and famous with riotous parties at his Long Island mansion yet never joins in. Gatsby longs instead to reunite with his former flame Daisy Buchanan, but Daisy comes from another lifetime, long before the money…

Produced by Chunsoo Shin, acclaimed Korean musical producer, 5-time winner of Korea’s most prestigious theatrical award and OD Company president, The Great Gatsby is the brand new musical based on the classic American novel by F. Scott Fitzgerald. Set in the Jazz Age on Long Island, New York, this is “one wildly entertaining night at the theatre, and musical theatre at its finest” (Theatrely).

Grab your glad rags and get ready for the ride because…EVERYONE IS INVITED.

History
Premiere of this production: 12 October 2023, Paper Mill Playhouse,Millburn, within Essex County, New Jersey, United States

The Great Gatsby is a 2023 stage musical with music and lyrics by Jason Howland and Nathan Tysen, and a book by Kait Kerrigan. It is based on the 1925 novel of the same name by F. Scott Fitzgerald. The show started its Broadway previews on March 29, 2024, at the Broadway Theatre and officially opened on April 25, 2024. The show made its European debut at the London Coliseum for a limited run from April 11, 2025 until September 7, 2025.

Synopsis

Act I
In 1922, Nick Carraway, a Midwestern young World War I veteran, arrives in New York to work as a bond salesman. He is lucky to find a cheap rental in a cottage adjoining, and owned by, his mysterious neighbor, Jay Gatsby. Nick is awestruck at the wealth and excess on display, particularly Gatsby's palatial estate ("Roaring On"). Nick travels directly across the bay to the home of his cousin Daisy and her husband, his old-money Yale college acquaintance Tom Buchanan, a former football star. Daisy introduces Nick to her friend, golfer Jordan Baker, a vivacious and independent young woman. Daisy is pleased to see Nick flourish in New York and implies that her marriage is unhappy ("Absolute Rose"). Daisy and Jordan learn that Nick has received an invitation to one of Gatsby's famous over-the-top parties; Daisy becomes pensive at the mention of Gatsby's name, but Jordan is eager to experience the lavish party and asks Nick to take her ("New Money"). During the party, Gatsby sends for Nick; they meet privately in the study, where Gatsby shows Nick his war medals for valor. Gatsby confesses that he has built his fortune and estate solely to win back his pre-war sweetheart, Daisy, whose father had rejected him as a suitor for Daisy before the war because of his poor social position. He asks for Nick's help in reacquainting them ("For Her"); Nick is hesitant, finding the overture distasteful, since his cousin is married.

George Wilson, at his run-down garage and gas station in the shadow of a gigantic billboard, questions his position in life ("Valley of Ashes"). George receives regular shipments from Gatsby's shady business associate, Meyer Wolfsheim. Tom visits the garage to get gas, and all realize, except George, that his wife Myrtle is Tom's mistress; Myrtle hates being poor and is excited to be the mistress of a rich man ("Second-Hand Suit"). Meanwhile, Daisy and Jordan discuss Tom's indiscretions and the state of her marriage; Jordan is staunchly against getting married ("For Better or Worse").

Tom takes Myrtle and Nick (who thought they were going for a day at the Met) to the Manhattan apartment of Myrtle's sister Catherine, and they carry on their affair. Tom breaks Myrtle's nose during an argument; Nick despises Tom's brutality and snobbery and decides to reintroduce Daisy and Gatsby ("The Met"). As Gatsby had suggested, Nick invites Daisy to an afternoon tea. Gatsby is to casually drop by, but he panics and provides Nick's cottage with lavish decorations and expensive food ("Only Tea"). Daisy is pleased to see Gatsby, and the two converse privately inside the cottage while Nick and Jordan flirt outside during a rainshower and share a kiss. Daisy goes with Gatsby back to his mansion, finds out that her father had destroyed Gatsby's wartime letters to her, and the two begin an affair ("My Green Light").

Act II
Wolfsheim reflects about illicit acts and secrecy ("Shady"). Nick and Jordan's relationship deepens; Jordan proposes to Nick. ("Better Hold Tight"). Gatsby, convinced that Daisy will leave Tom for him, begins to plan a party recreating their relationship during the war, neglecting his business affairs with Wolfsheim ("Past Is Catching Up to Me"). At the party, Gatsby hires performer Gilda Gray and dances with Daisy as Tom watches enviously and converses with Wolfsheim ("La Dee Dah with You"). Daisy tells Gatsby that she wants to run away with him ("Go"). Tom demands that Daisy leave but is persuaded to visit the Plaza Hotel with Nick, Jordan, and Gatsby instead. Tom, driving Nick and Jordan, stops at the Wilsons' garage; Jordan loudly says they are going to the Plaza and Myrtle (who, unbeknownst to them, is pregnant) hears.

At the Plaza, Daisy and Gatsby's affair comes to light, infuriating Tom. Gatsby demands that Daisy swear she never loved Tom, but Daisy cannot; she becomes more reluctant to leave Tom after Tom reveals that Gatsby's fortune is from bootlegging alcohol ("Made to Last"). Everyone leaves the hotel. Myrtle has been walking to the Plaza, thinking about her pregnancy with Tom's child. She is hit and killed by a yellow Rolls-Royce ("One-Way Road"). Tom sees Myrtle's body being carried away by the police. Jordan and Nick realize that Gatsby's car killed Myrtle, but Jordan wants to stay quiet. The ethical Nick is disappointed and calls off their wedding. Tom tells George that Gatsby owned the car; George despairs ("God Sees Everything").

Daisy retreats into her own home. Nick finds Gatsby alone at his mansion. Gatsby tells Nick that Daisy had been driving the car. He thinks Daisy will return to him and says he intends to take the fall. Nick leaves as Gatsby begins to take a swim. George arrives and shoots Gatsby and then himself ("For Her" (reprise)). Nick is the only friend at Gatsby's funeral as people gossip about his death ("New Money" (reprise)). Nick confronts Daisy, who is now leaving with Tom for Honolulu, about her abandonment of Gatsby. Daisy tells Nick that she hopes her young daughter has no further ambitions beyond becoming a beautiful and docile rich wife ("Beautiful Little Fool"). Deciding to return to the Midwest, Nick visits Gatsby's abandoned mansion one last time and thinks he sees the man briefly standing on the dock ("Finale: Roaring On").

Venue Info

London Coliseum - London
Location   St Martin’s Lane

The London Coliseum (also known as the Coliseum Theatre) is a theatre in St Martin's Lane, Westminster, built as one of London's largest and most luxurious "family" variety theatres.

Opened on 24 December 1904 as the London Coliseum Theatre of Varieties, it was designed by the theatrical architect Frank Matcham for the impresario Oswald Stoll. Their ambition was to build the largest and finest music hall, described as the "people's palace of entertainment" of its age.

The London Coliseum was built by the theatrical architect Frank Matcham who intended it to be one of London's largest and most luxurious "family" variety theatres. Construction began in 1903 and the venue opened on 24 December the following year as the London Coliseum Theatre of Varieties. It is located in St Martin's Lane, London.

Matcham built the theatre for the theatrical impresario Sir Oswald Stoll and had the ambition of it being the largest and finest "People’s palace of entertainment" of the age.

Matcham wanted a Theatre of Variety – not a music hall but equally not highbrow entertainment. The resulting programme was a mix of music hall and variety theatre, with one act - a full scale revolving chariot race - requiring the stage to revolve. The theatre's original slogan was PRO BONO PUBLICO (For the public good). It was opened in 1904 and the inaugural performance was a variety bill on 24 December that year.

English Heritage, in its description of the theatre when it was given listed status in 1960 notes that it is "exuberant Free Baroque ambitious design, the Edwardian "Theatre de Luxe of London" with richly decorated interiors and a vast and grandiose auditorium." The description continues: "Lavish foyer and circulation areas with marble facings, culminating in vast 3-tier auditorium with wealth of eclectic classical detail of Byzantine opulence, some motifs such as the squat columns dividing the lowest tier of slip boxes, backing the stalls, almost Sullivanesque; pairs of 2-tiered bow fronted boxes with domed canopies at gallery level and semi-domed, Ionic-columned pairs of 2 tiered orchestra boxes, contained in arched and pedimented frames surmounted by sculptural groups with lion-drawn chariots. Great, semi-circular, blocked architrave proscenium arch with cartouche- trophy keystone."

The inaugural performance was a variety bill on 24 December 1904, but it "was a total failure and closed down completely only two years after opening in 1906 and remained closed until December of 1907 when it was reopened and at last became successful." In 1908, the London Coliseum was host to a cricket match between Middlesex and Surrey. In 1911, dramatist W. S. Gilbert produced his last play here, The Hooligan.

The theatre changed its name from the London Coliseum to the Coliseum Theatre between 1931 and 1968 when a run of 651 performances of the musical comedy White Horse Inn began on 8 April 1931. Additionally, Arthur Lewis notes that:

Pantomimes began in 1936 with Cinderella and continued regularly until 1946. In 1947 the musical Annie Get Your Gun was staged at the Coliseum and had a staggeringly successful run for the time, of 1,304 performances and three continuous years which was the longest run in theatrical history. There then followed a long run of major American hits beginning with Kiss Me, Kate in 1951, Guys And Dolls in 1953, Pajama Game in 1955, and Damn Yankees in 1957. But this exceptional period did at last come to an end in 1957 when the production of The Bells Are Ringing failed to enthrall anyone.
The Coliseum reverted to the original name when the Sadler's Wells Opera Company moved there in 1968 and, in 1974, the Company changed its name to become the English National Opera; it bought the freehold of the building for £12.8 million in 1992. The Coliseum hosted both the 2004 and 2006 Royal Variety Performances and is also the London base for performances by English National Ballet, which perform regular seasons throughout the year when not on tour.

The Who performed there and recorded their concert, on 14 December 1969.

Important Info
Type: Musical
City: London, Great Britain
Starts at: 15:00
Acts: 2
Intervals: 1
Duration: 2h 30min
Sung in: English
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