London Coliseum tickets 22 November 2025 - Partenope | GoComGo.com

Partenope

London Coliseum, London, Great Britain
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6 PM
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US$ 126

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: London, Great Britain
Starts at: 18:00
Intervals: 1
Duration: 3h 30min
Sung in: English
Titles in: English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Conductor: Christian Curnyn
Orchestra: English National Opera Orchestra
Countertenor: Hugh Cutting (Arsace)
Countertenor: Jacob Ingbar (Armindo)
Soprano: Nardus Williams (Partenope)
Tenor: Rupert Charlesworth (Emilio)
Creators
Opera Company: English National Opera
Composer: George Frideric Handel
Director: Christopher Alden
Librettist: Silvio Stampiglia
Overview

Relationship status: It’s complicated. When it comes to Partenope’s love life, complicated doesn’t quite cover it. Settle in for Handel’s first operatic rom com, where all isn’t fair in love and war. This award-winning production will once again be directed by Christopher Alden and conducted by Christian Curnyn.

Finding The One isn’t easy. Especially when you’re tangled up in a tricky love quadrangle.

Join our social butterfly Partenope and her three potential suitors – Arsace, Armindo and Eurimene – in this timeless tale where boys meet girl, girl falls for boy, and another ‘boy’ is really a girl looking for revenge on a boy… keeping up?

Find out if love is on the cards and if honesty wins, in this complex game of romance, where not everything (or everyone) is as it seems.

Set in a 1920’s Paris salon, Christopher Alden’s production is inspired by the surrealist artists of the time including Salvador Dali and Man Ray, with the character of Emilio being based on Man Ray himself.

With non-stop parties, bottomless cocktails, endless card games and some questionable disguises, the scene is set for romance, complemented by Handel’s captivating score which brings each character’s emotions to life beautifully. Don’t miss this fun, classy and charming battle for Partenope’s heart.

History
Premiere of this production: 24 February 1730, the King's Theatre, London

Partenope is an opera by George Frideric Handel, first performed at the King's Theatre in London on 24 February 1730. Although following the structure and forms of opera seria, the work is humorous in character and light-textured in music, with a plot involving romantic complications and gender confusion. A success with audiences at the time of its original production and then unperformed for many years, Partenope is now often seen on the world's opera stages.

Synopsis

Scene: Naples, in antiquity

Act 1
In the first scene we see Queen Partenope, founder of Naples, in her throne room adorned with a statue of Apollo, entertaining her guests, among them handsome and dashing Prince Arsace of Corinth, suitor for her hand, and the rather shy and lacking in confidence Prince Armindo of Rhodes, who is also in love with Partenope but cannot bring himself to tell her so. A new guest arrives and introduces "himself" as Prince Eurimene, but "he" is really the princess Rosmira in disguise, Arsace's previous fiancé whom he jilted when he decided to try to win the hand of Queen Partenope and who has tracked him down to Naples. Arsace is astounded by the resemblance of the newcomer "Eurimene" to his ex-girlfriend Rosmira and confronts her when they are alone. Rosmira admits it is she and berates him for his inconstancy. Arsace claims he still loves her, to which Rosmira replies that if so he can prove it by promising not to reveal her name or that she is a woman. Arsace solemnly swears to do so.

"Eurimene" /Rosmira also has a conversation with the sad Armindo whom she discovers really loves Partenope for herself, rather than just being after her position and money. Armindo can't bring himself to tell Partenope that he loves her because he thinks she prefers Arsace. Partenope herself has also noticed Armindo moping about and wants to know what the matter with him is. He does confess his love to her, to which she replies that she is committed to Arsace. Hearing this, Rosmira steps forward in her disguise as "Eurimene" and says "he" loves her too, hoping to keep Partenope from Arsace, but upsetting Armindo in the process.

Yet another suitor for Partenope's hand arrives, Prince Emilio of the neighbouring kingdom of Cumae. He has brought his army with him, and demands she agree to marry him. She refuses and he threatens her with war, to which she replies that she will not be intimidated. She says she will go into battle and fight herself and asks Arsace to lead her troops, which makes the other suitors jealous.

Alone with "Eurimene", Armindo is feeling very down about the fact that "Eurimene" is his rival, but "Eurimene" assures him that is not really the case.

Act 2
The second act begins with a depiction onstage of the battle between Partenope's and Emilio's forces. Partenope is ultimately victorious,and Emilio is imprisoned, but not before Armindo has rescued her from a dangerous situation and thereby saved her life. Rosmira, in her identity as "Eurimene", also fought in the battle and proudly asserts that "he" captured Emilio. Arsace denies this, claiming credit for that himself. At this "Eurimene" challenges Arsace to a duel.

Armindo once again tells Partenope how much he loves her. She is more encouraging to him this time but does not commit herself.

Arsace tries to make things up with Rosmira but she is very disdainful towards him. Arsace is torn between his desire for Queen Partenope and his old love Rosmira.

Act 3
Rosmira, still in disguise as "Eurimene",tells Queen Partenope that "he" challenged Arsace to a duel because "he" was sent by Princess Rosmira to avenge her honour on the man who promised to marry her but jilted her at the altar. The horrified Partenope asks Arsace if this is true and he has to admit it is. Partenope declares she will have nothing more to do with him; Armindo is looking better and better to her as prospective husband.

Arsace is having a sleepless night, knowing that he will be expected to fight "Eurimene" in a duel the next day. But how can he fight a duel with the girl he loves? Rosmira comes to him in his rooms, watched by Partenope. When Arsace calls Rosmira's name, Partenope steps forward accusing him of faithlessness, and Rosmira /"Eurimene" does the same.

The next morning, all assemble for the duel between Arsace and "Eurimene". Arsace is in a dilemma as he has solemnly sworn not to reveal Rosmira's identity but he cannot bring himself to fight a duel with a girl. Suddenly seized by an inspiration, he says that as the person who was challenged, he is allowed to decide how the duel will be fought - and demands they fight without their shirts on. "Eurimene" hesitates, but all the others tell "him", yes, that is correct, Arsace can say how the duel will be fought, so go on, take your shirt off. "Eurimene" has no choice but to admit "he" is really Princess Rosmira and accepts the contrite Arsace as husband. Partenope will marry the overjoyed Armindo and Emilio will take his troops and go back home to Cumae.

Venue Info

London Coliseum - London
Location   St Martin’s Lane

The London Coliseum (also known as the Coliseum Theatre) is a theatre in St Martin's Lane, Westminster, built as one of London's largest and most luxurious "family" variety theatres.

Opened on 24 December 1904 as the London Coliseum Theatre of Varieties, it was designed by the theatrical architect Frank Matcham for the impresario Oswald Stoll. Their ambition was to build the largest and finest music hall, described as the "people's palace of entertainment" of its age.

The London Coliseum was built by the theatrical architect Frank Matcham who intended it to be one of London's largest and most luxurious "family" variety theatres. Construction began in 1903 and the venue opened on 24 December the following year as the London Coliseum Theatre of Varieties. It is located in St Martin's Lane, London.

Matcham built the theatre for the theatrical impresario Sir Oswald Stoll and had the ambition of it being the largest and finest "People’s palace of entertainment" of the age.

Matcham wanted a Theatre of Variety – not a music hall but equally not highbrow entertainment. The resulting programme was a mix of music hall and variety theatre, with one act - a full scale revolving chariot race - requiring the stage to revolve. The theatre's original slogan was PRO BONO PUBLICO (For the public good). It was opened in 1904 and the inaugural performance was a variety bill on 24 December that year.

English Heritage, in its description of the theatre when it was given listed status in 1960 notes that it is "exuberant Free Baroque ambitious design, the Edwardian "Theatre de Luxe of London" with richly decorated interiors and a vast and grandiose auditorium." The description continues: "Lavish foyer and circulation areas with marble facings, culminating in vast 3-tier auditorium with wealth of eclectic classical detail of Byzantine opulence, some motifs such as the squat columns dividing the lowest tier of slip boxes, backing the stalls, almost Sullivanesque; pairs of 2-tiered bow fronted boxes with domed canopies at gallery level and semi-domed, Ionic-columned pairs of 2 tiered orchestra boxes, contained in arched and pedimented frames surmounted by sculptural groups with lion-drawn chariots. Great, semi-circular, blocked architrave proscenium arch with cartouche- trophy keystone."

The inaugural performance was a variety bill on 24 December 1904, but it "was a total failure and closed down completely only two years after opening in 1906 and remained closed until December of 1907 when it was reopened and at last became successful." In 1908, the London Coliseum was host to a cricket match between Middlesex and Surrey. In 1911, dramatist W. S. Gilbert produced his last play here, The Hooligan.

The theatre changed its name from the London Coliseum to the Coliseum Theatre between 1931 and 1968 when a run of 651 performances of the musical comedy White Horse Inn began on 8 April 1931. Additionally, Arthur Lewis notes that:

Pantomimes began in 1936 with Cinderella and continued regularly until 1946. In 1947 the musical Annie Get Your Gun was staged at the Coliseum and had a staggeringly successful run for the time, of 1,304 performances and three continuous years which was the longest run in theatrical history. There then followed a long run of major American hits beginning with Kiss Me, Kate in 1951, Guys And Dolls in 1953, Pajama Game in 1955, and Damn Yankees in 1957. But this exceptional period did at last come to an end in 1957 when the production of The Bells Are Ringing failed to enthrall anyone.
The Coliseum reverted to the original name when the Sadler's Wells Opera Company moved there in 1968 and, in 1974, the Company changed its name to become the English National Opera; it bought the freehold of the building for £12.8 million in 1992. The Coliseum hosted both the 2004 and 2006 Royal Variety Performances and is also the London base for performances by English National Ballet, which perform regular seasons throughout the year when not on tour.

The Who performed there and recorded their concert, on 14 December 1969.

Important Info
Type: Opera
City: London, Great Britain
Starts at: 18:00
Intervals: 1
Duration: 3h 30min
Sung in: English
Titles in: English
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