Lausanne Opera tickets 21 December 2025 - Premiere Bluebeard | GoComGo.com

Premiere
Bluebeard

Lausanne Opera, Lausanne, Switzerland
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5 PM
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US$ 110

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Operetta
City: Lausanne, Switzerland
Starts at: 17:00
Acts: 3
Intervals: 1
Duration: 2h 50min
Sung in: French
Titles in: French,English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Conductor: Alexandra Cravero
Baritone: Christophe Gay (Popolani)
Tenor: Florian Laconi (Barbe-Bleue)
Mezzo-Soprano: Héloïse Mas (Boulotte)
Soprano: Jennifer Courcier (Fleurette)
Tenor: Jérémy Duffau (Prince Saphir)
Choir: Opéra de Lausanne Choir
Orchestra: Sinfonietta de Lausanne
Creators
Composer: Jacques Offenbach
Author: Charles Perrault
Librettist: Henri Meilhac
Director: Laurent Pelly
Librettist: Ludovic Halévy
Overview

Don’t miss this end-of-year extravaganza at the Opéra de Lausanne, where conductor Alexandra Cravero will be making her debut by guiding the Sinfonietta de Lausanne.

First staged in 1866 at the Théâtre des Variétés in Paris, Bluebeard was presented to the public the day after the revival of La Belle Hélène, whose arias and jibes were on everyone’s lips at the time. Leaving behind the myths of the Trojan War for European folklore, Offenbach invented an entire burlesque world around Prince Bluebeard, a merry widower of the worst kind.

Everything is a pretext for laughter and mockery in this French comic opera, for the man who made a specialty of musical and social caricature. Despite the overture and first act that pretend to introduce a charming pastoral tale, the counts, king, prince and counsellors clash in frenzied arias on subjects such as life and death, male-female relations, the brutality of the powerful and the spinelessness of the courtiers. Drawn by lot, the mischievous peasant Boulotte is granted the honor (and the misfortune) of marrying the wife-killing prince. However, rest assured, shepherdesses and gypsies, all the dead women are very much alive and – unexpectedly for its time in 1866 – feminism wins the day.

In the wake of his prodigious A Midsummer Night’s Dream, Laurent Pelly gives an aptly gritty edge to this Perrault fairytale, rewritten by boulevard theater masters Meilhac and Halévy. His affinities with Offenbach – having directed 14 of the latter’s works – have inspired him to create a jubilant show featuring hilarious singer-actors.

Opéra de Lyon production, in coproduction with the Opéra de Marseille

History
Premiere of this production: 05 February 1866, Théâtre des Variétés, Paris

Barbe-bleue (Bluebeard) is an opéra bouffe, or operetta, in three acts (four scenes) by Jacques Offenbach to a French libretto by Henri Meilhac and Ludovic Halévy based on Charles Perrault's 1697 story. In the 11th Offenbach staging of his career, Laurent Pelly created a new production in Lyon in June 2019. The title role was sung by Yann Beuron, with Héloïse Mas as Boulotte, Christophe Mortagne as Bobêche and Christophe Gay as Popolani; Michele Spotti was in the pit.

Synopsis

Act 1
SCENE: A small rural village with the castle of Squire Bluebeard prominent

King Bobèche, not wanting a girl as his heir, abandoned his daughter Hermia when she was three years old. Now aged eighteen and living as a shepherdess under the assumed name Fleurette, she is in love with the young and attractive shepherd boy Saphir but is not happy that he has not yet proposed marriage to her. The King's chamberlain Oscar discovers that the shepherdess "Fleurette" is really the Princess Hermia and requires her to return to the King's court, which however means she must leave the boy she loves. Squire Bluebeard has recently lost his fifth wife and sends his alchemist Popolani to the village to find a virginal young peasant girl to become his sixth wife. Popolani decides to choose a wife for the squire by holding a raffle, but the winner turns out to be the anything but virginal Boulotte. Bluebeard is delighted with his new wife.

Act 2
SCENE ONE: The royal palace

King Bobèche wants to increase his glory and is practicing court etiquette. He is delighted to welcome his long lost daughter back to his side and to find her a royal bridegroom. Fleurette resists any thought of marriage until she discovers, to her joy, that her intended mate is Saphir, not a shepherd boy as she had thought, but a prince who had disguised himself as such to be near her, since he was madly besotted by her. Squire Bluebeard comes to pay King Bobèche a visit and to show off his new wife Boulotte, but is instantly smitten by Princess Hermia.

SCENE TWO: Popolani's dungeon

Bluebeard orders Popolani to dispose of his new wife Boulotte as, he thinks, Popolani has disposed of all his previous wives by poisoning them, so that Bluebeard can marry Hermia. But Popolani has only been pretending to kill Bluebeard's wives, in fact he has only been giving them sleeping pills, not poison, and they have all been living in comfortable apartments. Bluebeard witnesses, in the midst of a storm, what he thinks is the murder of his latest wife Boulotte, but after she wakes up from the sleeping potion, the feisty young lady leads the other "dead" wives in a march on the castle.

Act 3
SCENE: The chapel in the royal palace

Hermia and Saphir are entering the chapel for their marriage when Bluebeard interrupts the procession and demands by force of arms, having the palace surrounded by his military forces, that Hermia be surrendered to him as his seventh wife, Boulotte, as he thinks, having died. But he is embarrassed by the selfsame Boulotte turning up leading in a furious procession of his other "dead" wives. They are accompanied by five lords who were also supposedly put to death for having flirted with Queen Clémentine. The solution is found- the "dead" lords will marry the "dead" wives, Bluebeard will stay with Boulotte and the marriage of Hermia and Saphir can proceed.

Venue Info

Lausanne Opera - Lausanne
Location   Avenue du Théâtre 12

Lausanne Opera is a cultural institution located in the heart of Lausanne since 1871. It’s become an emblematic institution in French-speaking Switzerland, contributing to its cultural influence. In Lausanne, opera has long been a defining feature of the cultural scene, reflecting the desire of Lausanne’s citizens for theatre, and not just music.

Since the 18th century, opera has had a prominent place in Lausanne, where many venues welcomed visiting troupes. As in Paris, Grétry, Duni, Montsigny, Rousseau, Gossec, Philidor, Dalayrac, Paisiello, Piccinni, were all famous composers.

Depending on the programme proposed by the visiting troupes after the French Revolution, an audience broader than that of the aristocratic circles finally had the opportunity to see and hear operas shortly after their creation in a theatre built on the current rue de Langallerie, that was named “La Comédie” or “salle Dupleix”.

Voltaire was already praising the curiosity of the Lausanne public and was delighted with the reception given to his theatrical works. In its new building, the modern Opéra de Lausanne, with the strength of its heritage, is dedicated to preserving the repertoire, as well as showcasing and commissioning works for a wide audience including its youngest fans.

Since its renovation in 2012, the Opéra de Lausanne has equipped its stage with the most advanced technologies, and offers a diversified choice of operas, concerts and ballets each season, showcasing a repertoire that spans from the 17th to the 21st centuries, from Monteverdi to Levinas. This diversity, as well as the artistic and vocal level of its international singers, ensures a dynamism and recognition that confirms the Opéra de Lausanne’s renown, and is reinforced by the rebroadcasts and diffusion of its productions, which are often acclaimed.

The Opéra de Lausanne is also known for its annual programming of a true opera for young audiences. In addition to the discovery of the operatic world offered annually to more than 2,000 students, it has a proactive policy of professionally integrating young graduates of the HEMu and HEMGe. In 2010, the Opéra de Lausanne created the Lyric Road, a unique decentralisation operation that takes place in the summer in the French-speaking region and allows distant audiences to enjoy quality opera performances.

The Choir of the Opéra de Lausanne is a young choir, comprising both vocal students from the Hautes Ecoles de musique romandes, Hemu and HemGe, and professional singers.

The experience acquired at the Opéra de Lausanne often allows new graduates to pursue a career that at times brings them back to Lausanne. Its members are selected by audition and are periodically reheard. They are carefully chosen for each opera according to their voice and/or aptitudes, as well as their stage presence. With their contagious enthusiasm, they are highly appraised by invited Directors.

Members benefit from several years of training under the direction of a number of dynamic expert Choir Directors from different disciplines, who are selected according to the works performed and their specific qualities.

Important Info
Type: Operetta
City: Lausanne, Switzerland
Starts at: 17:00
Acts: 3
Intervals: 1
Duration: 2h 50min
Sung in: French
Titles in: French,English
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