KKL Luzern 4 September 2019 - Symphony Concert 17 (Royal Concertgebouw Orchestra Amsterdam / Daniel Harding / soloists) | GoComGo.com

Symphony Concert 17 (Royal Concertgebouw Orchestra Amsterdam / Daniel Harding / soloists)

KKL Luzern, Concert Hall, Lucerne, Switzerland
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7:30 PM
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Important Info
Type: Classical Concert
City: Lucerne, Switzerland
Starts at: 19:30
Duration:

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Programme
Richard Wagner: Tristan und Isolde (Act Two)
Overview

Richard Wagner (1813–1883) 
Tristan und Isolde. Concert performance of Act Two

“O sink hernieder, Nacht der Liebe”: Hardly any other work manifests the power of music as strongly as Wagner’s Tristan und Isolde, whose second act includes these words (“Descend, o night of love”) in its love duet between the two protagonists, weaving an almost narcotic spell with its ecstatic waves of sound. This is music whose effect on the subconscious is immediate, drawing the listener in with intoxicating power. Resistance is futile. And it was inspired by an unful- filled relationship. When a rapturous letter from the composer to the charming Mathilde Wesendonck, wife of his Zurich patron, was intercepted by Wagner’s jealous wife Minna, it brought an abrupt end to the affair before they could give in to their passion. But Wagner fulfilled his dream of love in music. And he had an inkling about what it was he had succeeded in creating: “I fear the opera will be forbidden,” he wrote to Mathilde. “Only mediocre performances can save me! Completely good ones will drive people to insanity.” So be prepared for everything when Daniel Harding lifts up his baton …

Isolde waits for Tristan, who wants to visit her secretly at night, and ignores all of Brangaene’s warnings. United at last, the two lovers resist the magnificent glow of bright day and praise night and death as the only shelter for the most fervent of love. Thus, the emotional nucleus of the entire work takes place without any progressive external action. Brangaene’s warning that Marke is appearing in the light of dawn does not trouble them in their death-desiring love. Marke’s worldly grief at Tristan’s betrayal has as little influence on the miracle of this love as would have had a fit of rage, or a similar highly understandable action. On the contrary, Tristan and Isolde turn again to one another. Infuriated, the faithful servant Melot intervenes on behalf of the king. Tristan takes up a fighting stance, but only in order subsequently to fall on Melot’s sword. Admittedly, he survives once again: however, had this “accident” succeeded in killing him, Isolde would also have been left behind, alone.

History
Premiere of this production: 10 June 1865, Königliches Hof- und Nationaltheater, Munich

Tristan und Isolde (Tristan and Isolde, or Tristan and Isolda, or Tristran and Ysolt) is an opera, or music drama, in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan by Gottfried von Strassburg. It was composed between 1857 and 1859 and premiered at the Königliches Hof- und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the work, not as an opera but called it "eine Handlung" (literally a drama, a plot, or an action), which was the equivalent of the term used by the Spanish playwright Calderón for his dramas.

Synopsis

Act 1

Isolde, promised to King Marke in marriage, and her handmaid, Brangäne, are quartered aboard Tristan's ship being transported to the king's lands in Cornwall. The opera opens with the voice of a young sailor singing of a "wild Irish maid", ("Westwärts schweift der Blick") which Isolde construes to be a mocking reference to herself. In a furious outburst, she wishes the seas to rise up and sink the ship, killing herself and all on board ("Erwache mir wieder, kühne Gewalt"). Her scorn and rage are directed particularly at Tristan, the knight responsible for taking her to Marke, and Isolde sends Brangäne to command Tristan to appear before her ("Befehlen liess' dem Eigenholde"). Tristan, however, refuses Brangäne's request, claiming that his place is at the helm. His henchman, Kurwenal, answers more brusquely, saying that Isolde is in no position to command Tristan and reminds Brangäne that Isolde's previous fiancé, Morold, was killed by Tristan ("Herr Morold zog zu Meere her").

Brangäne returns to Isolde to relate these events, and Isolde, in what is termed the "narrative and curse", sadly tells her of how, following the death of Morold, she happened upon a stranger who called himself Tantris. Tantris was found mortally wounded in a barge ("von einem Kahn, der klein und arm") and Isolde used her healing powers to restore him to health. She discovered during Tantris' recovery, however, that he was actually Tristan, the murderer of her fiancé. Isolde attempted to kill the man with his own sword as he lay helpless before her. However, Tristan looked not at the sword that would kill him or the hand that wielded the sword, but into her eyes ("Er sah' mir in die Augen"). His action pierced her heart and she was unable to slay him. Tristan was allowed to leave with the promise never to come back, but he later returned with the intention of marrying Isolde to his uncle, King Marke. Isolde, furious at Tristan's betrayal, insists that he drink atonement to her, and from her medicine chest produces a vial to make the drink. Brangäne is shocked to see that it is a lethal poison.

Kurwenal appears in the women's quarters ("Auf auf! Ihr Frauen!") and announces that the voyage is coming to an end. Isolde warns Kurwenal that she will not appear before the King if Tristan does not come before her as she had previously ordered and drink atonement to her. When Tristan arrives, Isolde reproaches him about his conduct and tells him that he owes her his life and how his actions have undermined her honour, since she blessed Morold's weapons before battle and therefore she swore revenge. Tristan first offers his sword but Isolde refuses; they must drink atonement. Brangäne brings in the potion that will seal their pardon; Tristan knows that it may kill him, since he knows Isolde's magic powers ("Wohl kenn' ich Irland's Königin"). The journey almost at its end, Tristan drinks and Isolde takes half the potion for herself. The potion seems to work but it does not bring death but relentless love ("Tristan!" "Isolde!"). Kurwenal, who announces the imminent arrival on board of King Marke, interrupts their rapture. Isolde asks Brangäne which potion she prepared and Brangäne replies, as the sailors hail the arrival of King Marke, that it was not poison, but rather a love potion.

Act 2

King Marke leads a hunting party out into the night, leaving Isolde and Brangäne alone in the castle, who both stand beside a burning brazier. Isolde, listening to the hunting horns, believes several times that the hunting party is far enough away to warrant the extinguishing of the brazier – the prearranged signal for Tristan to join her ("Nicht Hörnerschall tönt so hold"). Brangäne warns Isolde that Melot, one of King Marke's knights, has seen the amorous looks exchanged between Tristan and Isolde and suspects their passion ("Ein Einz'ger war's, ich achtet' es wohl"). Isolde, however, believes Melot to be Tristan's most loyal friend, and, in a frenzy of desire, extinguishes the flames. Brangäne retires to the ramparts to keep watch as Tristan arrives.

The lovers, at last alone and freed from the constraints of courtly life, declare their passion for each other. Tristan decries the realm of daylight which is false, unreal, and keeps them apart. It is only in night, he claims, that they can truly be together and only in the long night of death can they be eternally united ("O sink' hernieder, Nacht der Liebe"). During their long tryst, Brangäne calls a warning several times that the night is ending ("Einsam wachend in der Nacht"), but her cries fall upon deaf ears. The day breaks in on the lovers as Melot leads King Marke and his men to find Tristan and Isolde in each other's arms. Marke is heartbroken, not only because of his nephew's betrayal but also because Melot chose to betray his friend Tristan to Marke and because of Isolde's betrayal as well ("Mir – dies? Dies, Tristan – mir?").

When questioned, Tristan says he cannot answer to the King the reason of his betrayal since he would not understand. He turns to Isolde, who agrees to follow him again into the realm of night. Tristan announces that Melot has fallen in love with Isolde too. Melot and Tristan fight, but, at the crucial moment, Tristan throws his sword aside and allows Melot to severely wound him.

Act 3

Kurwenal has brought Tristan home to his castle at Kareol in Brittany. A shepherd pipes a mournful tune and asks if Tristan is awake. Kurwenal replies that only Isolde's arrival can save Tristan, and the shepherd offers to keep watch and claims that he will pipe a joyful tune to mark the arrival of any ship. Tristan awakes ("Die alte Weise – was weckt sie mich?") and laments his fate – to be, once again, in the false realm of daylight, once more driven by unceasing unquenchable yearning ("Wo ich erwacht' weilt ich nicht"). Tristan's sorrow ends when Kurwenal tells him that Isolde is on her way. Tristan, overjoyed, asks if her ship is in sight, but only a sorrowful tune from the shepherd's pipe is heard.

Tristan relapses and recalls that the shepherd's mournful tune is the same as was played when he was told of the deaths of his father and mother ("Muss ich dich so versteh'n, du alte, ernst Weise"). He rails once again against his desires and against the fateful love potion ("verflucht sei, furchtbarer Trank!") until, exhausted, he collapses in delirium. After his collapse, the shepherd is heard piping the arrival of Isolde's ship, and, as Kurwenal rushes to meet her, Tristan tears the bandages from his wounds in his excitement ("Hahei! Mein Blut, lustig nun fliesse!"). As Isolde arrives at his side, Tristan dies with her name on his lips.

Isolde collapses beside her deceased lover just as the appearance of another ship is announced. Kurwenal spies Melot, Marke and Brangäne arriving ("Tod und Hölle! Alles zur Hand!"). He believes they have come to kill Tristan and, in an attempt to avenge him, furiously attacks Melot. Marke tries to stop the fight to no avail. Both Melot and Kurwenal are killed in the fight. Marke and Brangäne finally reach Tristan and Isolde. Marke, grieving over the body of his "truest friend" ("Tot denn alles!"), explains that Brangäne revealed the secret of the love potion and that he had come not to part the lovers, but to unite them ("Warum Isolde, warum mir das?"). Isolde appears to wake at this and in a final aria describing her vision of Tristan risen again (the "Liebestod", "love death"), dies ("Mild und leise wie er lächelt").

Venue Info

KKL Luzern - Lucerne
Location   Europaplatz 1

KKL Luzern’s spectacular architecture designed by Pritzker Prize winner Jean Nouvel and the quality of its facilities set this venue apart from more traditional culture and convention centres. Its trade-mark is the common theme of culture, conferences and culinary choices – the complete experience orchestrated under the famous roof. The building is situated in the heart of Switzerland, only one hour by train from Zurich Airport, within walking distance of Lucerne’s finest hotels and a few sheltered steps from the international railway station. It is the perfect venue for your next premium event, such as product launches, anniversary celebrations and award ceremonies, high-profile meetings, receptions and banquets.

Concert Hall
The showpiece of the KKL Luzern is its renowned Concert Hall with 1,898 seats and acoustics that provide incredible sound and inspire the world’s leading conductors, orchestras and soloists to perform at their best.

Conventions
The outstanding Concert Hall with its multifunctional usage, is also an exciting possibility for conventions. A wide screen is hidden above the stage and may be lowered for awards, product presentations and other events. Interpreting booths and excellent infrastructure are at hand for a most memorable convention or meeting or live television broadcast.

Two water canals frame the Lucerne Hall, a venue that is also unique in its adaptability and convertible for 200 up to 1,800 guests. It can be used for a variety of settings including product presentations, congresses, concerts and banquets. With its appropriate audiovisual facilities, variable height staging and mobile rostrum, all combined with the deliberately simple design of the hall, the organizer will find creative freedom to style the event.

The Auditorium for up to 271 listeners, too, is equipped with state-of-the-art congress installations and, like the Lucerne Hall, provides an attractive setting for conferences. Event organizers are also increasingly discovering the Crystal Lounge, the attractive meeting point in the KKL Luzern. It boasts an oval-shaped bar that can be moved around the space, allowing for maximum flexibility and turning the lounge into a premier events venue.

Culinary experiences
The cuisine facilities of the KKL Luzern offer organizers and guests all kinds of catering options and total culinary experiences. Packages and offers – such as refreshing time-outs, cocktail receptions for networking, stand-up lunches, seated dinners or exclusive lounge experiences – can be tailored to the organizer’s specific needs.

Important Info
Type: Classical Concert
City: Lucerne, Switzerland
Starts at: 19:30
Duration:
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