Festival Hall, Osaka 14 January 2024 - National Ballet Theatre of Ukraine: Don Quixote | GoComGo.com

National Ballet Theatre of Ukraine: Don Quixote

Festival Hall, Osaka, Osaka, Japan
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3 PM
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Important Info
Type: Classical Concert
City: Osaka, Japan
Starts at: 15:00

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Programme
Ludwig Minkus: National Ballet Theatre of Ukraine: Don Quixote
Overview

Details to be announced later

History
Premiere of this production: 26 December 1869, Ballet of the Imperial Bolshoi Theatre of Moscow, Russia

Don Quixote is a ballet in four acts and eight scenes, based on episodes taken from the famous novel Don Quixote de la Mancha by Miguel de Cervantes. It was originally choreographed by Marius Petipa to the music of Ludwig Minkus and first presented by the Ballet of the Imperial Bolshoi Theatre of Moscow, Russia on 26 December [O.S. 14 December] 1869. Petipa and Minkus revised the ballet into a far more expanded and elaborated edition in five acts and eleven scenes for the Imperial Ballet, first presented on 21 November 1871 at the Imperial Bolshoi Kamenny Theatre of St. Petersburg.

Synopsis

Don Quixote's Study

Bachelor Sanson Carrasco is seen covering a bookcase with wallpaper, while Antonina is putting some rusty old armour and a helmet made of pasteboard into a cupboard. Don Quixote de la Mancha enters, reading a book. He goes to the bookcase and, not finding it, believes it has been stolen by evil magicians. Then he settles into an armchair and continues reading. He delights in stories of brave knights, fabulous giants and other fantastical creatures, but most of all Don Quixote dreams of his beloved Dulcinea, a woman that he believes to be so lovely and noble that she must be divinity. Gradually he nods and falls asleep to dream of their romantic adventures. Darkness falls.

Suddenly his servant, Sancho Panza, climbs hurriedly through the window. In pursuit are several angry women from the market from whom he has stolen bread and a chicken. Awakened by the commotion, Don Quixote sends the women away. Don Quixote tells Sancho that he is determined to seek adventures as a knight-errant, all the while searching for his beloved Dulcinea. He shows him the pasteboard helmet, which, with one sweep from his sword, becomes a shapeless mass on the floor. Antonina suggests that he should use a shaving basin instead, which would make a splendid helmet. Don Quixote enthusiastically agrees and, placing it on his head, orders Sancho to bring him his armour, sword and spear, and to make ready his horse, Rocinante.

Act I

A market-place in Barcelona

Kitri, an inn-keeper's daughter, steals out of her house to meet her beloved, the barber Basilio. Her father, Lorenzo, sees the lovers and sends Basilio away, bringing Kitri to tears. Now comes the rich nobleman Gamache, who, likewise in love with Kitri, goes to Lorenzo and asks for his daughter's hand. The innkeeper accepts with delight but Kitri, appalled at the thought of wedding the foppish nobleman, runs away.

Dancing begins in the square and some toreadors try to kidnap the girls they fancy, but their relatives and lovers hasten to their aid. At this moment Don Quixote arrives mounted on Rocinante, followed by Sancho, who is riding a donkey. At his master's command Sancho sounds his rusted horn, causing the townspeople to cover their ears. Lorenzo runs out of his inn, and Don Quixote, taking him for the lord of a famous castle, dismounts Rocinante and, falling to his knees, begs to be allowed to serve him. Charmed, Lorenzo invites the knight to sit on his balcony. Sancho remains in the square where he is surrounded by girls who induce him to take part in a game of blind man's bluff. Then some boys bring in a blanket on which they place Sancho and proceed to toss him into the air. Don Quixote hurries to his assistance and sets him free.

Peasants gather in the square and dancing resumes. Kitri returns and, noticing her, Don Quixote acclaims her as his Dulcinea, whom evil magicians have reduced to human form. Becoming jealous of her affection for Basilio, Don Quixote attempts to woo her by partnering her in a minuet. Lorenzo berates Kitri for carrying on with Basilio. Kitri and Basilio then run away, and Lorenzo and Gamache follow them. Don Quixote orders Sancho to bring Rocinante, so that he may also set out in pursuit.

Act II

Scene 1 – A camp of gypsies among the windmills outside the village

Kitri, disguised as a boy is seen walking with Harlequin from a troupe of travelling actors. They guess she is a girl and ask her to stay with them.

Scene 2 - The Puppet Theatre

A clown is seen walking with Graziosa, the gypsy chief's daughter. A gypsy tells the chief of the approach of Don Quixote. The chief plans a trick for his benefit and, putting on a mantle crown, sits down as though he were a king on a throne. Don Quixote is deceived and kneels to the chief in homage. The chief bids that he sit beside him and orders a festival to be given in his honor. This begins with Gypsy dances and is followed by a performance of the marionette theatre. Don Quixote is delighted with the entertainment but, mistaking the heroine for his Dulcinea and the marionettes for soldiers attacking her, he rises to assault them. The gypsies are terrified. At this moment the clown and Graziosa run away.

Scene 3 - The Windmills

Flushed with victory, the knight kneels and renders thanks to heaven. Seeing the moon, he takes it for his Dulcinea and tries to get to her. As he approaches the windmills he can see the moon no longer and thinks that evil magicians have hidden his beloved mistress. So, spear in hand, he tilts at the wings of the windmill, which he mistakes for a giant. Alas, the knight is caught by one of the wings and flung into the air. He falls unconscious at Sancho's feet.

Scene 4 – A forest

Through the trees appears Sancho leading Rocinante, upon which sits the wounded Don Quixote. The servant lifts his master down and places him on the grass, so that he may rest. Then, tying up the horse, he goes to sleep. Don Quixote also tries to sleep, but is troubled by fantastic dreams.

Scene 5 – The enchanted Garden of Dulcinea

Fairies appear surrounded by gnomes and Don Quixote finds himself dressed in shining armor. Then comes a succession of fearsome monsters, the last being a gigantic spider, who spins a web. The knight attacks the spider, which he slashes in half with his sword. At that same moment the spider's web vanishes to reveal a beautiful garden, filled with dryads and beautiful women, presided over by the Queen of the Dryads and Amor. Among them is Dulcinea and Don Quixote kneels before his beloved. At this moment everything vanishes.

Act III

The Square

Back at the square, Kitri and Basilio join those who are dancing. At the height of the merriment, Lorenzo and Gamache arrive, followed by Don Quixote and Sancho. Seeing his daughter, Lorenzo decides to give his blessing to her union with the nobleman Gamache. Basilio becomes annoyed and, reproaching Kitri for her unfaithfulness, draws a sword and stabs himself. As he lies dying he begs Lorenzo to unite him with Kitri, but Lorenzo and Gamache refuse. Don Quixote approaches Gamache and challenges him to a duel for having refused a dying man's wish. Gamache declines to fight and the merrymakers drive him out of the inn. Taking pity, Lorenzo agrees to unite Basilio and Kitri. At this moment, Basilio pulls out the sword and tells everyone it was a joke.

Act IV

The Tavern

A magnificent feast is held in honour of Don Quixote. Suddenly the Knight of the Silver Moon challenges him to a duel, which results in the latter being vanquished. The victorious knight proves to be none other than Bachelor Sanson Carrasco, who forces Don Quixote to vow that he will not unsheathe his sword for a whole year. The sorrowful knight, true to his vow, takes up his warlike gear and, followed by Sancho, sets out for home.

Venue Info

Festival Hall, Osaka - Osaka
Location   2 Chome-3-18 Nakanoshima, Kita Ward

Known and loved as the "Palace of Music" by artists and audiences alike since 1958, Osaka's Festival Hall at Nakanoshima will be reborn in the spring of 2013. Inheriting a tradition of 50 long years, it will continue to present the finest performing arts to the world, standing at the forefront of music culture.

Festival Hall made its debut at Nakanoshima, Osaka in 1958 at a time when there were no venues suitable to present highly artistic concerts in Japan, thus creating a hall where international music festivals comparable to those held in Edinburgh and Salzburg could be presented. Placed on the southern wall of the 31 meter high Festival Hall facing the Tosabori River was a gigantic Shigaraki-ware ceramic relief "Fauns Enjoying Music" (created by Kodo Bijutsu Kyokai) - a piece that could be described as the emblem of the Hall. With magnificent chandeliers in the front foyer on the ground floor, cardinal red carpet, a fountain welcoming guests with its soothing babbling sounds and the large stage of 30.7m wide and 22.5m deep, combined with luxuriously finished 3,000 seats, Festival Hall was reputed to be one of the leading halls of the world at the time.

Since the Hall's inaugural performance, the Osaka International Festival, was first held, it became an annual event held in spring, basking in the participation of a number of truly prominent performers including Herbert von Karajan, Leonard Bernstein, the Berlin Philharmonic Orchestra, the Vienna Philharmonic Orchestra, the Vienna State Opera, Teatro alla Scala in Milan and so on. At that time in Japan, the Kansai region led the Kanto region in terms of cultural activities. In 1967, in particular, which was the 10th anniversary year of the Osaka International Festival, Wolfgang Wagner, a grandson of Richard Wagner, Birgit Nilsson, young Boulez and others came to Japan to perform. This ‘Bayreuther Festspiele performed in a foreign country for the first time in its history' not only gained the world's attention but was highly acclaimed and is talked about even today as the most brilliant and monumental performance in Japanese opera history.

Having emerged as a facility with excellent acoustic properties for the first time in Japan's classical music world, Festival Hall expanded its genre of performances from operas, ballets and classical music to popular music, jazz, rock, Noh and Kyogen, dances, etc, engraving a profound impression in people's heart. By the point in December 2008 when it was closed temporarily for reconstruction, the total attendance at Festival Hall had reached 40 million.

Cherishing tradition and creating a new sensational history New Festival Hall will make its start in the spring of 2013. Traditional features such as the acoustics that were praised as ‘letting sound shower down on’ the audience and the scale incorporating a 30m wide stage and a seating capacity of 2,700 will be preserved, and the new seats, in the keynote color red, will provide greatly enhanced comfort. While retaining the heritage of the former hall, the newborn Festival Hall will embrace evolution.

Stepping in through the front entrance of Nakanoshima Festival Tower, you will be welcomed by a huge staircase blanketed with red carpet leading to the entrance foyer of Festival Hall. You will then walk up the staircase and take a gently sloped escalator to the main foyer on the 5th floor to find yourself in a grand space created by a three-story atrium. Internal walls are built with bricks imbued with an enhanced aura of solidity inherited from the former construction, producing an extraordinary and magnificent space coupled with red carpets and chandeliers. The stage area will be nearly twice as large as that of the former Hall with increased wing spaces and depth. Enabling the presentation of large scale theatrical settings ,, the new Festival Hall stage will widen the scope of stage production.

Important Info
Type: Classical Concert
City: Osaka, Japan
Starts at: 15:00
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