Felsenreitschule 21 August 2023 - I Capuleti e i Montecchi (Concert performance) | GoComGo.com

I Capuleti e i Montecchi (Concert performance)

Felsenreitschule, Salzburg, Austria
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7 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Salzburg, Austria
Starts at: 19:00
Acts: 2
Sung in: Italian
Titles in: German,English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Festival

Salzburg Festival Summer 2023

In a city that has preserved its baroque architecture in almost perfect condition and therefore is a breathtaking backdrop in itself, the Salzburg Festival presents performances of opera, plays and concerts of the highest artistic standards over a period of five to six weeks each summer. The Salzburg Festival is often described as the greatest and most important festival in the world, and this reputation is confirmed by countless superlatives: witness the number of performances and of annual visitors, or the wide-ranging programme.

Overview

Libretto by Felice Romani after his libretto for Nicola Vaccai’s opera Giulietta e Romeo, after Luigi Scevola’s tragedy Giulietta e Romeo and other sources.

Vincenzo Bellini had already made a name for himself far beyond Italy’s borders when the Teatro La Fenice engaged him in January 1830 to produce a new opera for the current carnival season — within just a few weeks. With I Capuleti e i Montecchi, Bellini entered into his artistic prime, demonstrating that he had now found his true personal style — a style which pursued the vision of music ‘that expresses the words scrupulously’, and gave birth to melodies of exquisite beauty and great dramatic expressiveness. The degree to which the vocal lines capture precisely each nuance of the text can be heard particularly in the final scene — Romeo’s suicide beside Giulietta, whom he believes to be dead but who then slowly reawakens. Departing from the convention of an aria finale, Bellini relied on the effect of an extended accompagnato recitative in which are embedded arioso passages, an arietta and an equally brief duet. The scene is all the more profoundly moving for being kept so spare.

In assigning the role of the male protagonist to a mezzo-soprano, Bellini was following in the footsteps of earlier Italian Romeo and Juliet operas. Some found this tradition outmoded, but it has an undeniable appeal. Casting two women as the lovers enabled Bellini to entwine their voices, and also to meld them into true consonance. Thus at the end of the finale of Act I, offset against the male chorus of their feuding families, Romeo and Giulietta sing a melody in unison that even overwhelmed Berlioz, who was by no means an admirer of Bellini: ‘The two voices sounding as one, symbolizing perfect union, give the melody an extraordinary force and bold impetus. I was carried away in spite of myself and applauded enthusiastically.’

History
Premiere of this production: 11 March 1830, Teatro La Fenice, Venice

I Capuleti e i Montecchi (The Capulets and the Montagues) is an Italian opera (Tragedia lirica) in two acts by Vincenzo Bellini. The libretto by Felice Romani was a reworking of the story of Romeo and Juliet for an opera by Nicola Vaccai called Giulietta e Romeo and based on the play of the same name by Luigi Scevola written in 1818, thus an Italian source rather than taken directly from William Shakespeare.

Synopsis

In this version of the story the Capuleti and Montecchi are rival political factions (Guelph and Ghibelline respectively) rather than Shakespeare's "two households, both alike in dignity". Capellio is the father of Giulietta (Juliet) and the leader of the Capuleti. Giulietta is betrothed to Tebaldo (Tybalt), however she has already met and fallen in love with Romeo, leader of the Montecchi (Montagues). This is a secret to all but Lorenzo (Lawrence), her doctor and confidant. Complicating matters, Romeo has inadvertently killed the son of Capellio (Giulietta's brother) in battle.

Place: around the palace of Capellio (Capulet) in Verona
Time: 13th century
Sinfonia

Act 1

Scene 1: The Palace

Capellio and Tebaldo address their followers advising rejection of an offer of peace to be brought by an envoy from Romeo, the man who had killed Capellio's son. Tebaldo states that he will avenge the killing to celebrate his marriage to Giulietta: (Cavatina: È serbata a questo acciaro / "And reserved for this sword / is the vengeance of your blood") and he urges Capellio to hasten the moment when he may marry Giulietta and then avenge Capellio, who wants the marriage to take place immediately, brushing aside the objections of Lorenzo that Giulietta is ill with a fever. Tebaldo proclaims his love for Giulietta: Sì: M'Abbraccia / "I love her so much / She is so dear to me". Capellio's men urge him on and arrangements are made to have the wedding take place that day.

While the men proclaim their hatred of the Montecchi, Romeo enters in the guise of a Montecchi envoy, offering peace to be guaranteed by the marriage of Romeo and Giulietta. He explains that Romeo regrets the death of Capellio's son (Cavatina: Ascolta: Se Romeo t'uccise un figlio / "Listen: If Romeo killed your son / he brought him death in battle / And you must blame fate"), and offers to take his place as a second son for the old man. Capellio indicates that Tebaldo has already taken on that role and—together with all his men—rejects all idea of peace: "War! War", the men proclaim. Romeo accepts their challenge of war: (Cabaletta: La tremenda ultrice spada/ "Romeo will prepare to brandish the dread avenging sword / Romeo accepts your challenge of war.)

Scene 2: Giulietta's room

Giulietta enters proclaiming her frustration against all the wedding preparations which she sees about her. Recitative: "I burn, a fire consumes me wholly. In vain do I seek solace from the winds... Where are you Romeo?". Cavatina: Oh! quante volte / "Oh how many times do I weep and beg heaven for you". Lorenzo enters, explaining that he has arranged for Romeo to come to her by a secret door and, when Romeo enters, he tries to persuade Giulietta to escape with him. Duetto: Romeo: Sì, fuggire: a noi non resta / "Yes, flee, for us there is no other escape"; he demands: "What power is greater for you than love?", but she resists in the name of duty, law, and honour, declaring that she would prefer to die of a broken heart. Romeo is distraught: Cantabile: Romeo: Ah crudel, d'onor ragioni / "Oh cruel one, you speak of honour when you were stolen from me?" Giulietta responds "Ah what more you ask of me?", then, in a tempo di mezzo in which each expresses his/her conflicting emotions, the situation becomes more and more impossible for them both.

The sounds of wedding preparations are heard: she urges him to flee; he declares that he will stay and, in a final cabaletta in which Romeo pleads "Come, ah Come! Rely on me", Giulietta continues to resist. Each leaves.

Scene 3: Another part of the palace

The Capuleti are celebrating the forthcoming marriage. All those assembled join in. Romeo enters in disguise and tells Lorenzo, who immediately recognises him, that he is awaiting the support of his soldiers, one thousand of whom are assembled dressed as Ghibelines and who are intent on preventing the wedding. Lorenzo remonstrates with him, but suddenly, the armed attack by the Montecchi takes place as they surge into the palace, Romeo with them. Giulietta is alone, lamenting the state of affairs, Tace il fragor / "The tumult has ended". Then she sees Romeo, who has appeared, and again he urges her to run away with him: "I ask this in the name of promised love", he declares. Capellio, Tebaldo and the Ghibelines discover them, and believe that Romeo is still the Montecchi envoy. As Giulietta tries to shield him from her father, Romeo proudly tells them his true name. The Montecchi enter to protect him and, in a concerted finale involving all from both factions, the lovers are separated by their family members, finally proclaiming: Al furor che si ridesta / "If all hope of ever seeing each other again in life / this will not be the last farewell". Capellio, Tebaldo, and Lorenzo become part of the quintet finale, as the ranks of the supporters of both sides join in the swell.

Act 2

Scene 1: Another part of the Palace

Introduced by a solo for cello, Giulietta awaits news of the fighting. Lorenzo enters and immediately tells her that Romeo lives, but she will soon be taken away to Tebaldo's castle. He offers a solution: that she must take a sleeping potion which will make it appear that she has died. She will then be taken to her family's tomb where he will arrange for Romeo and himself to be present when she awakes. In a state of indecision, she contemplates her options. (Aria: Morte io non temo, il sai / "You know that I do not fear death, / I have always asked death of you...") and she expresses doubts while Lorenzo urges her to take the potion, given that her father is about to come into the room. Taking the bottle, she declares that "only death can wrest me from my cruel father".

With his followers, Capellio comes to order her to leave with Tebaldo at dawn. Her ladies beg her father to be kinder towards her. Proclaiming that she is close to death, she begs her father's forgiveness: Cabaletta: Ah! non poss'io partire / "Ah, I cannot leave without your forgiveness.....Let your anger turn just once to peace", but Capellio rejects her and orders her to her room. He then instructs his men to keep watch on Lorenzo of whom he is suspicious; they are ordered not to allow Lorenzo to have contact with anyone.

Scene 2: The grounds of the palace

An orchestral introduction precedes Romeo's entrance and introduces what Weinstock describes as "his bitter recitative", Deserto è il loco / "This place is abandoned", in which he laments Lorenzo's apparent forgetfulness in failing to meet him as planned. He then hears the noise of someone entering. It is Tebaldo, and the two men begin an angry duet (Tebaldo: Stolto! a un sol mio grido / "With one cry a thousand men will arrive". Romeo: "I scorn you. You will wish the alps and the sea stood between us"). As they are about to begin fighting, the sound of a funeral procession is heard (Pace alla tua bell'anima). They stop and listen, only then realising that it is a procession for Giulietta. In a cabaletta finale, the rivals are united in remorse, asking each other for death as they continue to fight.

Scene 3: The tombs of the Capuleti

Along with his Montecchi followers, Romeo enters the tomb of the Capuleti. The followers mourn Giulietta's death. At her tomb and in order to bid her farewell, Romeo asks for it to be opened. He also asks that the Montecchi leave him alone with Giulietta: Romanza: Deh! tu, bell'anima / "Alas! You, fair soul / Rising up to heaven / turn to me, bear me with you". Realising his only course of action will be death, he swallows poison and, lying down beside her, he hears a sigh, then the sound of her voice. Giulietta wakes up to find that Romeo knew nothing of her simulated death and had been unaware of Lorenzo's plan. Urging him to leave with her, Giulietta gets up but Romeo states that he must remain there forever, explaining that he has already acted to end his life. In a final cabaletta, the couple clings to each other. Then he dies and Giulietta, unable to live on without him, falls dead onto his body. The Capuleti and Montecchi rush in to discover the dead lovers, with Capellio demanding who is responsible: "You, ruthless man", they all proclaim.

Venue Info

Felsenreitschule - Salzburg
Location   Hofstallgasse 1

The Felsenreitschule (literally "rock riding school") is a theatre in Salzburg, Austria and a venue of the Salzburg Festival.

History

A first Baroque theatre was erected in 1693–94 at the behest of the Salzburg prince-archbishop Johann Ernst von Thun, according to plans probably designed by Johann Bernhard Fischer von Erlach. Built in the former Mönchsberg quarry for conglomerate rock used in the new Salzburg Cathedral construction, it was located next to the archiepiscopal stables (at the site of the present Großes Festspielhaus) and used as a summer riding school and for animal hunts. The audience was seated in 96 arcades carved into the Mönchsberg rock on three floors. After the secularisation of the prince-archbishopric, the premises were used by the cavalry of the Austrian Imperial-Royal Army as well as by Bundesheer forces after World War I.

From 1926, the Felsenreitschule was used as an open-air theatre for performances of the Salzburg Festival. With the auditorium reversed, the former audience arcades now served as a natural stage setting. The first production was Carlo Goldoni's The Servant of Two Masters, directed by Max Reinhardt. In 1933, Clemens Holzmeister designed for Max Reinhardt the "Faust Town", a multiple-stage setting for Reinhardt's legendary production of Goethe's Faust.

In 1948 Herbert von Karajan first used the Felsenreitschule as an opera stage, for performances of Christoph Willibald Gluck's Orfeo ed Euridice. This was followed in 1949 by the premiere of Carl Orff's setting of the ancient tragedy Antigone by Sophocles, translated into German by Friedrich Hölderlin, conducted by Ferenc Fricsay. Between 1968 and 1970, the Felsenreitschule was again remodeled according to plans by Clemens Holzmeister and inaugurated with Ludwig van Beethoven's Fidelio under the baton of Karl Böhm.

Architecture

The stage has a width of 40 metres (130 ft), and 4 metres (13 ft) understage. Also renovated was the cantilevered grandstand with the underlying scene dock. A light-tight, rain tarp to dampen the noise and protect the stage was also added. This roof can be opened. The theater holds 1412 seats and 25 standing places.

Between the summers of 2010 and 2011 festival, the roof was renewed: The new design added 700 square metres (7,500 sq ft) of floor space for equipment and rehearsal rooms. The new pitched roof consists of three mobile segment surfaces and is on five telescopic arms and can be extended and retracted in six minutes. Suspension points on telescopic supports for stage equipment (hoists), improved sound and heat insulation, and two lighting bridges optimize the action on stage. The Felsenreitschule shares its foyer with the Kleines Festspielhaus (House for Mozart).

In popular culture
The Felsenreitschule was used as a location for the 1965 film version of The Sound of Music. It appears as the site of the Salzburg music festival from which the von Trapp family disappear.

Important Info
Type: Opera
City: Salzburg, Austria
Starts at: 19:00
Acts: 2
Sung in: Italian
Titles in: German,English
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