Dutch National Opera: Generation Dance: works by Hans van Manen, William Forsythe, Ted Brandsen and Rena Butler Tickets | Event Dates & Schedule | GoComGo.com

Generation Dance: works by Hans van Manen, William Forsythe, Ted Brandsen and Rena Butler Tickets

Dutch National Opera, Amsterdam, Netherlands
Important Info
Type: Modern Ballet
City: Amsterdam, Netherlands

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Choose the date to see the peformers
Overview

Four generations, four dance sensations. From the mid-thirties to early nineties: the four choreographers in Generation Dance may vary widely in age, yet they are linked by their exuberant celebration of the power of dance, which they each express in their own distinct way. The youngest, rising star Rena Butler, is making her Dutch debut in this programme, in combination with two recent hit productions by Ted Brandsen and William Forsythe, and an all-time favourite by Hans van Manen.

The American-based Rena Butler is not only a strikingly athletic and explosive dancer – “she eats up space”, in the words of one critic – but also a very talented choreographer. Although her roots are in the modern dance scene, she has now created her first works for ballet companies, including a very earthy, virtuoso pointework piece for The National Ballet of Canada, which caught the eye of artistic director Ted Brandsen.

From deliciously languid to sparklingly upbeat

Alongside Butler’s new creation, Generation Dance presents two highly acclaimed premieres from recent ballet seasons. In his swinging Blake Works I, William Forsythe creates an infectious ‘visualisation’ of seven numbers by singer-songwriter James Blake. In line with the songs, Forsythe varies the tempos and moods, ranging from deliciously languid to sparklingly upbeat. Ted Brandsen also chose for a pure music ballet when creating his Classical Symphony. The driving force of Prokofiev’s Symphony No. 1 inspired him to make an exciting ode to the male dancer, with a dazzling array of high jumps and dizzying turns.

Van Manen: beautiful and timeless

The ‘godfather’ of Dutch dance, Hans van Manen, closes the Generation Dance programme with his contemporary classic Four Schumann Pieces. This beautiful, timeless ballet to Schumann’s String Quartet No. 3 is not only Van Manen’s most romantic work, but also one of his most frequently performed ballets worldwide. The challenging main role has previously been performed by such famous dancers as Anthony Dowell, Rudolf Nureyev and Han Ebbelaar.

Credits

Classical Symphony 
Choreography  Ted Brandsen 
Music  Sergej Prokofjev

World premiere
Choreography  Rena Butler 
Music  TBA

Four Schumann Pieces 
Choreography  Hans van Manen
Music   Robert Schumann

Blake Works I 
Choreography  William Forsythe 
Music  James Blake

Venue Info

Dutch National Opera - Amsterdam
Location   Amstel 3

The Dutch National Opera is the largest theatre production house in the Netherlands. Situated in the heart of Amsterdam, the iconic theatre of Dutch National Opera & Ballet offers a magnificent view of the River Amstel and the famous Magere Brug (Skinny Bridge). The various spaces form an inspiring backdrop for a whole range of special events.

Dutch National Opera & Ballet is a young theatre with a long history. The plans for building a new theatre ran parallel to the plans for a new city hall. The first discussions held by the Amsterdam city council about building a new city hall and opera house go back to 1915. At that time, the plans were specifically for an opera house, since ballet was a relatively unknown art form back then.

Ideas for the site of the new city hall and opera house were continually changing, and the idea that both buildings could form a single complex only emerged much later. Sites considered for the new city hall were initially the Dam, followed by the Frederiksplein, and finally the Waterlooplein.

In 1955, the city council commissioned the firm of architects Berghoef and Vegter to draft a design for a city hall on the Waterlooplein. The draft was approved, but in 1964 the council ended the association with the architects, as the final design was nothing like the original plans they had been shown. In 1967, a competition was held for a new design, with the Viennese architect Wilhelm Holzbauer emerging as the winner. Amsterdam's financial problems, however, meant that the plans for the new city hall were put on hold for several years.

DNO has its own choir of sixty singers and technical staff of 260. DNO historically has not had its own resident orchestra, and so various orchestras of the Netherlands, including the Netherlands Philharmonic Orchestra (NPO), the Netherlands Chamber Orchestra (NKO), the Royal Concertgebouw Orchestra, the Rotterdam Philharmonic Orchestra, the Radio Filharmonisch Orkest and the Asko/Schönberg ensemble have provided the orchestral forces for DNO productions.

DNO produces on average eleven productions per year. While most performances are in the Dutch National Opera & Ballet building, the company has also performed in the Stadsschouwburg, at the Carré Theatre, and on the Westergasfabriek industrial site in Amsterdam. For many years, the June production has been organized as part of the Holland Festival and includes the participation of the Royal Concertgebouw Orchestra. DNO has lent its productions to foreign companies, such as the Metropolitan Opera, the Brooklyn Academy of Music, the Lincoln Center Festival in New York, as well as the Adelaide Festival in Australia.

Since 1988, the French-Lebanese theatre director Pierre Audi has been the artistic director of DNO. Audi is scheduled to conclude his DNO tenure in 2018. In April 2017, DNO announced the appointment of Sophie de Lint as the company's next artistic director, effective 1 September 2018.

Hartmut Haenchen was chief conductor from 1986 to 1999, in parallel with holding the title of chief conductor of the NPO. He subsequently held the title of principal guest conductor with DNO. Subsequent chief conductors have been Edo de Waart (1999-2004) and Ingo Metzmacher (2005-2008). In March 2009, DNO announced the appointment of Marc Albrecht as the orchestra's next chief conductor, with the 2011-2012 season, for an initial contract of four years. This return to a single chief conductor at both DNO and the NPO/NKO allows for the NPO to become the principal opera orchestra for DNO. Albrecht is scheduled to stand down as chief conductor of DNO at the end of the 2019-2020 season.

Important Info
Type: Modern Ballet
City: Amsterdam, Netherlands

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Top of page