New York City Ballet (David H. Koch Theater) tickets 27 February 2027 - Contemporary Choreography III | GoComGo.com

Contemporary Choreography III

New York City Ballet (David H. Koch Theater), Main Stage, New York, USA
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7:30 PM
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US$ 73

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Ballet
City: New York, USA
Starts at: 19:30
Duration: 24min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Ballet company: New York City Ballet
Creators
Composer: Dan Deacon
Composer: Francis Poulenc
Composer: Jean Françaix
Choreographer: Alexei Ratmansky
Choreographer: Justin Peck
Choreographer: Tiler Peck
Light: Mark Stanley
Sets & costumes designer: Santo Loquasto
Costume designer: Zac Posen
Overview

One of the most buzzed about premieres of 2017, The Times Are Racing is a sneaker ballet that sees its dancers in streetwear designed by Opening Ceremony, drawing inspiration from a variety of dance styles while matching Dan Deacon’s electronic score with youthful impulse and vigor.

Justin Peck’s The Times Are Racing is set to the last four tracks of Dan Deacon’s expansive 2012 album, America. The ballet for 20 dancers is Peck’s second collaboration with fashion designer Humberto Leon of Opening Ceremony, following New Blood, which premiered at NYCB’s 2015 Fall Gala. The lighting is by Peck’s frequent collaborator Brandon Stirling Baker.

Described by The New York Times as “a physical manifestation of musical notes,” Principal Dancer Tiler Peck unleashes a vibrant, fast-moving work in which dancers are set free within a whirlwind of choreography. The ballet is set to a luminous score by Francis Poulenc and features light, elegantly airy costumes that enhance its buoyant spirit.

 

Renowned for her keen musicality, Peck creates her first commission for New York City Ballet, following a wide range of choreographic projects for Boston Ballet, the Vail Dance Festival, and her self-curated Turn It Out with Tiler Peck & Friends at New York City Center, among many others.

Alexei Ratmansky brings a beloved folktale vividly to life in The Naked King, combining a large, colorful cast with buoyant, athletic choreography and whimsically eccentric costumes.

Created by Artist in Residence Alexei Ratmansky, The Naked King is his ninth ballet for New York City Ballet and marks the company’s 500th commission. The work is set to Le Roi Nu by French neoclassical composer Jean Françaix, inspired by Hans Christian Andersen’s tale The Emperor’s New Clothes.

Venue Info

New York City Ballet (David H. Koch Theater) - New York
Location   20 Lincoln Center Plaza

The David H. Koch Theater is the major theater for ballet, modern, and other forms of dance, part of the Lincoln Center, at the intersection of Columbus Avenue and 63rd Street in the Lincoln Square neighborhood of Manhattan in New York City. Originally named the New York State Theater, the venue has been home to the New York City Ballet since its opening in 1964, the secondary venue for the American Ballet Theatre in the fall, and served as home to the New York City Opera from 1964 to 2011.

The New York State Theater was built with funds from the State of New York as part of New York State's cultural participation in the 1964–1965 World's Fair. The theater was designed by architects Philip Johnson and John Burgee, and opened on April 23, 1964. After the Fair, the State transferred ownership of the theater to the City of New York.

Along with the opera and ballet companies, another early tenant of the theater was the now defunct Music Theater of Lincoln Center whose president was composer Richard Rodgers. In the mid-1960s, the company produced fully staged revivals of classic Broadway musicals. These included The King and I; Carousel (with original star, John Raitt); Annie Get Your Gun (revised in 1966 by Irving Berlin for its original star, Ethel Merman); Show Boat; and South Pacific.

The theater seats 2,586 and features broad seating on the orchestra level, four main “Rings” (balconies), and a small Fifth Ring, faced with jewel-like lights and a large spherical chandelier in the center of the gold latticed ceiling.

The lobby areas of the theater feature many works of modern art, including pieces by Jasper Johns, Lee Bontecou, and Reuben Nakian.

Important Info
Type: Ballet
City: New York, USA
Starts at: 19:30
Duration: 24min
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