New York City Ballet (David H. Koch Theater) tickets 1 March 2025 - Swan Lake | GoComGo.com

Swan Lake

New York City Ballet (David H. Koch Theater), Main Stage, New York, USA
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2 PM 7:30 PM
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US$ 107

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Ballet
City: New York, USA
Starts at: 14:00
Acts: 2
Duration: 2h 34min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Ballet company: New York City Ballet
Creators
Composer: Pyotr Tchaikovsky
Choreographer: George Balanchine
Choreographer: Lev Ivanov
Choreography: Marius Petipa
Choreography: Peter Martins
Overview

A stunning romantic tragedy, this seminal ballet is shaped by Tschaikovsky’s heartbreakingly beautiful score and the central role of Odette/Odile, an interpretation that is both technically and emotionally demanding. 

In 1996 the Royal Danish Ballet presented Peter Martins’ new full-length version of Swan Lake, the last of the enduring 19th-century Russian ballets. Although it was also the last of the famed Tschaikovsky-Petipa classics, Swan Lake was actually the composer's first ballet score. It was commissioned in 1875 by the Moscow Imperial Theater, now the Bolshoi Theatre. Tschaikovsky, who thought that ballet was "the most innocent, the most moral of the arts," suggested the libretto. Years earlier, as a family entertainment, he had composed a short ballet based on a German fairy tale about a wicked sorcerer who turns young girls into birds.

Amazingly, the choreographer of the 1877 Moscow premiere (not Petipa) was not inspired by Tschaikovsky's glorious music, the conductor didn't like the score either, and the ballerina declared it too difficult to dance to and substituted her favorite music and choreography from other ballets. The composer blamed himself for the failure and would not write another ballet score for 12 years. When he resumed, it was to compose The Sleeping Beauty in 1890 and The Nutcracker in 1892. Tschaikovsky died the following year. As a memorial, the Imperial Theater in St. Petersburg mounted a production of just the first lakeside scene, Tschaikovsky's second act, where the Prince meets the Swan Queen. Czar Nicholas II was so impressed by the new choreography of Petipa's assistant Lev Ivanov that he ordered the entire ballet be produced, with Petipa staging the first and third acts. It is this 1885 St. Petersburg production with the dual role of Odette and Odile that is the basis for the classic ballet we see today.

While retaining the well-known set pieces from the traditional version by Petipa and Ivanov, Mr. Martins has imbued his production of Swan Lake with the speed and clarity that New York City Ballet is known for. The lakeside scenes are based on the choreography of Balanchine's one-act version. For the divertissements of the "Black Swan" scene, Martins has created a sensuous Russian dance intended as an homage to the exoticism of the early 20th-century Russian artist Leon Bakst. Martins has also set a pas de quatre for three ballerinas and a danseur with complex step combinations and intricate partnering unheard of in the 19th century.

For this production Martins invited Denmark's leading artist, Per Kirkeby, to design the scenery and décor. Kirkeby's paintings, sculpture, and graphic art have been exhibited at the Royal Museum of Fine Arts in Copenhagen, the Venice Biennale, New York's Museum of Modern Art, Prague's National Gallery, the Dallas Museum of Fine Art, London's Barbican Center, and the Musée d'Art Moderne de la Ville de Paris, as well as numerous galleries throughout the world, including the Michael Werner Gallery in New York. Kirkeby is also a writer, geologist, filmmaker, and performance artist who has published more than 60 books of poetry, novels, and essays. Kirkeby's costumes for New York City Ballet's Swan Lake are based on the original costumes he designed in collaboration with Kirsten Lund Nielsen for the Royal Danish Ballet production. The evocative lighting design is by Mark Stanley.

History
Premiere of this production: 04 March 1877, Bolshoi Theatre, Moscow

Swan Lake is a ballet composed by Pyotr Ilyich Tchaikovsky in 1875–76. Despite its initial failure, it is now one of the most popular of all ballets. Swan Lake is the ballet which embodies the soul of Russian art. The combination of brilliant music and choreography creates a special kind of magic; what the great 20th century choreographer George Balanchine had in mind when he famously said, “One should call every ballet Swan Lake because then people would come.”

Synopsis

Swan Lake is generally presented in either four acts, four scenes (primarily outside Russia and Eastern Europe) or three acts, four scenes (primarily in Russia and Eastern Europe). The biggest difference of productions all over the world is that the ending, originally tragic, is now sometimes altered to a happy ending.

Prologue
Some productions include a prologue that shows how Odette first meets Rothbart, who turns Odette into a swan.

Act 1

A magnificent park before a palace

[Scène: Allegro giusto] Prince Siegfried is celebrating his birthday with his tutor, friends and peasants [Waltz]. The revelries are interrupted by Siegfried's mother, the Queen [Scène: Allegro moderato], who is concerned about her son's carefree lifestyle. She tells him that he must choose a bride at the royal ball the following evening (some productions include the presentation of some possible candidates). Siegfried is upset that he cannot marry for love. His friend Benno and the tutor try to lift his troubled mood. As evening falls [Sujet], Benno sees a flock of swans flying overhead and suggests they go on a hunt [Finale I]. Siegfried and his friends take their crossbows and set off in pursuit of the swans.

Act 2

A lakeside clearing in a forest by the ruins of a chapel. A moonlit night.

The "Valse des cygnes" from act 2 of the Ivanov/Petipa edition of Swan Lake
Siegfried has become separated from his friends. He arrives at the lakeside clearing, just as a flock of swans land [Scène. Moderato]. He aims his crossbow [Scène. Allegro moderato], but freezes when one of them transforms into a beautiful maiden, Odette [Scène. Moderato]. At first, she is terrified of Siegfried. When he promises not to harm her, she explains she and her companions are victims of a spell cast by the evil owl-like sorcerer Rothbart. By day they are turned into swans and only at night, by the side of the enchanted lake – created from the tears of Odette's mother – do they return to human form. The spell can only be broken if one who has never loved before swears to love Odette forever. Rothbart suddenly appears [Scène. Allegro vivo]. Siegfried threatens to kill him but Odette intercedes – if Rothbart dies before the spell is broken, it can never be undone.

As Rothbart disappears, the swan maidens fill the clearing [Scène: Allegro, Moderato assai quasi andante]. Siegfried breaks his crossbow, and sets about winning Odette's trust as the two fall in love. But as dawn arrives, the evil spell draws Odette and her companions back to the lake and they are turned into swans again.

Act 3

An opulent hall in the palace

Guests arrive at the palace for a costume ball. Six princesses are presented to the prince [Entrance of the Guests and Waltz], as candidates for marriage. Rothbart arrives in disguise [Scène: Allegro, Allegro giusto] with his daughter, Odile, who is transformed to look like Odette. Though the princesses try to attract the prince with their dances [Pas de six], Siegfried has eyes only for Odile. [Scène: Allegro, Tempo di valse, Allegro vivo] Odette appears (usually at the castle window) and attempts to warn Siegfried, but he does not see her. He then proclaims to the court that he will marry "Odette" (Odile) before Rothbart shows him a magical vision of Odette. Grief-stricken and realizing his mistake, Siegfried hurries back to the lake.

Act 4

By the lakeside

Odette is distraught. The swan-maidens try to comfort her. Siegfried returns to the lake and makes a passionate apology. She forgives him, but his betrayal cannot be undone. Rather than remain a swan forever, Odette chooses to die. Siegfried chooses to die with her and they leap into the lake. This breaks Rothbart's spell over the swan maidens, causing him to lose his power over them and he dies. In an apotheosis, the swan maidens watch as Siegfried and Odette ascend into the Heavens together, forever united in love.

Venue Info

New York City Ballet (David H. Koch Theater) - New York
Location   20 Lincoln Center Plaza

The David H. Koch Theater is the major theater for ballet, modern, and other forms of dance, part of the Lincoln Center, at the intersection of Columbus Avenue and 63rd Street in the Lincoln Square neighborhood of Manhattan in New York City. Originally named the New York State Theater, the venue has been home to the New York City Ballet since its opening in 1964, the secondary venue for the American Ballet Theatre in the fall, and served as home to the New York City Opera from 1964 to 2011.

The New York State Theater was built with funds from the State of New York as part of New York State's cultural participation in the 1964–1965 World's Fair. The theater was designed by architects Philip Johnson and John Burgee, and opened on April 23, 1964. After the Fair, the State transferred ownership of the theater to the City of New York.

Along with the opera and ballet companies, another early tenant of the theater was the now defunct Music Theater of Lincoln Center whose president was composer Richard Rodgers. In the mid-1960s, the company produced fully staged revivals of classic Broadway musicals. These included The King and I; Carousel (with original star, John Raitt); Annie Get Your Gun (revised in 1966 by Irving Berlin for its original star, Ethel Merman); Show Boat; and South Pacific.

The theater seats 2,586 and features broad seating on the orchestra level, four main “Rings” (balconies), and a small Fifth Ring, faced with jewel-like lights and a large spherical chandelier in the center of the gold latticed ceiling.

The lobby areas of the theater feature many works of modern art, including pieces by Jasper Johns, Lee Bontecou, and Reuben Nakian.

Important Info
Type: Ballet
City: New York, USA
Starts at: 14:00
Acts: 2
Duration: 2h 34min
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