Following his acclaimed Winter 2024 ballet Solitude, NYCB Artist in Residence Alexei Ratmansky choreographs his eighth ballet for the Company, set to music by Léon Minkus.

The epic Everywhere We Go features 25 dancers in a nine-part exploration of Sufjan Stevens' cinematic score, the indie-pop icon's first NYCB commission, with each section accented by a multi-layered and shifting geometric backdrop.

Featuring a commissioned score by American singer-songwriter Sufjan Stevens and a cast of 25 dancers, Everywhere We Go was NYCB Resident Choreographer and Artistic Advisor Justin Peck’s sixth ballet for the Company. It was also Peck’s second collaboration with Stevens, following 2012’s Year of the Rabbit; the nine-movement score was Stevens’ first commission from the Company. With costumes by former NYCB Principal Dancer Janie Taylor, sets by Brooklyn-based artist and architect Karl Jensen, and lighting by Peck’s frequent collaborator Brandon Stirling Baker, Everywhere We Go premiered at NYCB’s 2014 Spring Gala.

Dig the Say is a sharp, energetic duet choreographed by Justin Peck for New York City Ballet, set to vibrant, jazz-infused music by Vijay Iyer. The ballet captures the pulse of modern life — athletic, playful, and full of rhythm — as two dancers challenge and inspire each other in movement. What begins as a lighthearted game quickly evolves into a powerful dialogue of motion, blending competition with connection. With its sleek design and electric choreography, Dig the Say celebrates the vitality of contemporary dance and the joy of artistic exchange.

Signs is a contemporary ballet choreographed by Gianna Reisen, set to the hypnotic and rhythmic music of Philip Glass. Originally created for the School of American Ballet’s workshop performances, it was later added to New York City Ballet’s official repertory, where it has captivated audiences with its fluid movement and ensemble energy.

Signs stands out for its elegant simplicity and modern sensibility. It highlights the strength of contemporary ballet, balancing athleticism and artistry, and offering a fresh perspective on how dancers can communicate both individually and as a group. Audiences are drawn into its rhythmic patterns, subtle gestures, and the sense of unity that builds throughout the piece.