New York City Ballet (David H. Koch Theater): Masters At Work II Tickets | Event Dates & Schedule | GoComGo.com

Masters At Work II Tickets

New York City Ballet (David H. Koch Theater), New York, USA
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Available Dates: 23 - 27 Jan, 2026 (5 events)
Important Info
Type: Ballet
City: New York, USA
Acts: 4

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Choose the date to see the peformers
Creators
Choreographer: Jerome Robbins
Composer: Alexander Glazunov
Composer: Claude Debussy
Composer: Claude Debussy
Composer: Maurice Ravel
Composer: Maurice Ravel
Composer: Paul Hindemith
Composer: Paul Hindemith
Choreographer: George Balanchine
Choreographer: George Balanchine
Choreographer: George Balanchine
Choreographer: George Balanchine
Librettist: Ivan Vsevolozhskiy
Choreography: Jerome Robinns
Author: Lidiya Pashkova
Choreography: Marius Petipa
Librettist: Marius Petipa
Overview

Three contrasting Balanchine works are joined by the return of a lyrical Jerome Robbins ballet. One of only two dances Balanchine choreographed to the dissonant music of modernist composer Paul Hindemith, the endearingly novel Kammermusik No. 2 features two leading couples supported by a rare all-male corps de ballet. Le Tombeau de Couperin, originally created for the 1975 Ravel Festival, is marked by a courtly grace, while Raymonda Variations presents a dazzling suite of dances set to music by Glazounov to which Balanchine returned more than once. In Antique Epigraphs, Robbins transmuted the resonant beauty of classical Greek art into a refined dance for an ensemble of women.

History
Premiere of this production: 26 January 1978, New York State Theater, New York

A ballet requiring great energy, speed, and precision, Kammermusik No. 2 has a complex structure which echoes that of the music; one of the dancers in the original cast likens it to a computer. The ballet is performed by two couples and an eight-man ensemble. The men, with their jagged lines and stylized gestures, dance to the music of the orchestra. The soloists, dancing to the complex passages for piano, are in counterpoint to the ensemble. There are pas de deux for the couples, duets for the women, and a fast duet for the male soloists. The score is one of seven kammermusik pieces — the word “kammermusik” is German for “chamber music” — written by Hindemith between 1923 and 1933, when the composer turned to a neoclassical style evoking the Baroque.

Premiere of this production: 19 January 1898, Imperial Mariinsky Theatre, Saint Petersburg, Russia

Raymonda  is a ballet in three acts, four scenes with an apotheosis, choreographed by Marius Petipa to music by Alexander Glazunov, his Opus 57. First presented by the Imperial Ballet at the Imperial Mariinsky Theatre on 19 January [O.S. 7 January] 1898 in Saint Petersburg, Russia. The ballet was created especially for the benefit performance of the Italian ballerina Pierina Legnani, who created the title role. Among the ballet's most celebrated passages is the Pas classique hongrois (a.k.a. Raymonda Pas de dix) from the third act, which is often performed independently.

Venue Info

New York City Ballet (David H. Koch Theater) - New York
Location   20 Lincoln Center Plaza

The David H. Koch Theater is the major theater for ballet, modern, and other forms of dance, part of the Lincoln Center, at the intersection of Columbus Avenue and 63rd Street in the Lincoln Square neighborhood of Manhattan in New York City. Originally named the New York State Theater, the venue has been home to the New York City Ballet since its opening in 1964, the secondary venue for the American Ballet Theatre in the fall, and served as home to the New York City Opera from 1964 to 2011.

The New York State Theater was built with funds from the State of New York as part of New York State's cultural participation in the 1964–1965 World's Fair. The theater was designed by architects Philip Johnson and John Burgee, and opened on April 23, 1964. After the Fair, the State transferred ownership of the theater to the City of New York.

Along with the opera and ballet companies, another early tenant of the theater was the now defunct Music Theater of Lincoln Center whose president was composer Richard Rodgers. In the mid-1960s, the company produced fully staged revivals of classic Broadway musicals. These included The King and I; Carousel (with original star, John Raitt); Annie Get Your Gun (revised in 1966 by Irving Berlin for its original star, Ethel Merman); Show Boat; and South Pacific.

The theater seats 2,586 and features broad seating on the orchestra level, four main “Rings” (balconies), and a small Fifth Ring, faced with jewel-like lights and a large spherical chandelier in the center of the gold latticed ceiling.

The lobby areas of the theater feature many works of modern art, including pieces by Jasper Johns, Lee Bontecou, and Reuben Nakian.

Important Info
Type: Ballet
City: New York, USA
Acts: 4

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

From
$ 73
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