New York City Ballet (David H. Koch Theater) tickets 17 May 2025 - Eclectic NYCB | GoComGo.com

Eclectic NYCB

New York City Ballet (David H. Koch Theater), Main Stage, New York, USA
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2 PM
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US$ 128

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Modern Ballet
City: New York, USA
Starts at: 14:00
Duration: 25min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Ballet company: New York City Ballet
Creators
Composer: Igor Stravinsky
Composer: Francesco Geminiani
Composer: Jason Moran
Composer: Leonid Desyatnikov
Composer: Morton Feldman
Composer: Nico Muhly
Choreographer: Alexei Ratmansky
Choreographer: George Balanchine
Choreographer: Kyle Abraham
Choreographer: Lynne Taylor-Corbett
Author: Hans Christian Andersen
Overview

Four distinct works form a singularly compelling dance offering.

A program distinguished by its variety opens with Balanchine’s Divertimento from ‘Le Baiser de la Fée,’ choreographed to a Stravinsky symphonic suite. Kyle Abraham’s When We Fell was originally filmed and streamed during the pandemic, and here makes its live debut. Lynne Taylor-Corbett’s Chiaroscuro, a ballet for six dancers from 1994, evokes the artistic term of its title through the interaction of light and shadow as well as diverging tempos, while Alexei Ratmansky’s Odesa features three couples, their interplay infused with hints of drama, and a corps de ballet, and is set to incidental music from the Russian film Sketches to Sunset that alternates between the ruminative and the rambunctious.

An abstraction of a Hans Christian Andersen fairytale, Stravinsky’s colorfully playful yet foreboding divertimento sets the stage for Balanchine’s fleet-footed choreography.

In 1937 Balanchine choreographed the full-length ballet for his American Ballet at the Metropolitan Opera House entitled The Fairy’s Kiss (also known as Le Baiser de la Fée), and set to Stravinsky’s score.  For the 1972 Stravinsky Festival Balanchine created an entirely new work that used excerpts from the concert suite Stravinsky created in 1934. In 1974 Balanchine added a final movement to the ballet which is the version performed today as Divertimento from 'Le Baiser de la Fée.'

Originally created as a dance film in 2021, Kyle Abraham’s movingly contemplative When We Fell embodies a collective sense of isolation in a seamless blend of classical and contemporary choreography set to distinct piano works by American composers Nico Muhly, Morton Feldman, and Jason Moran.

Chiaroscuro locates its six cast members between light and shadow as their weaving patterns unfold in complex interactions.

Lynne Taylor-Corbett’s Chiaroscuro was made for the Diamond Project in 1994. In visual art, the term “chiaroscuro” refers to the play of light and shadow to give the illusion of three dimensions. The ballet for six dancers is also a work of light and shadow in its alternating fast and slow movements, the concerto grosso by the Baroque composer Francesco Geminiani La Follia. Taylor-Corbett’s second work for NYCB, Chiaroscuro features onstage artwork by American artist Michael Zansky, costumes by Holly Hynes, and lighting by Mark Stanley.

Ratmansky’s fifth NYCB work is set to a collection of pieces that includes a mix of tango and klezmer music.

The music for Odesa, Leonid Desyatnikov’s “Sketches to Sunset,” is a collection of incidental music from the 1990  film Sunset, based on Isaac Babel’s tales of Jewish gangsters in Odesa after the Russian Revolution. The ballet for 18 dancers features costumes by Keso Dekker and lighting by Mark Stanley.

History
Premiere of this production: 27 November 1928, Paris

Le Baiser de la fée (The Fairy's Kiss) is a ballet in one act and four scenes composed by Igor Stravinsky in 1928 and revised in 1950 for George Balanchine and the New York City Ballet. Based on Hans Christian Andersen's short story Isjomfruen (English: The Ice-Maiden), the work is an homage to Pyotr Ilyich Tchaikovsky, for the 35th anniversary of the composer's death.

Venue Info

New York City Ballet (David H. Koch Theater) - New York
Location   20 Lincoln Center Plaza

The David H. Koch Theater is the major theater for ballet, modern, and other forms of dance, part of the Lincoln Center, at the intersection of Columbus Avenue and 63rd Street in the Lincoln Square neighborhood of Manhattan in New York City. Originally named the New York State Theater, the venue has been home to the New York City Ballet since its opening in 1964, the secondary venue for the American Ballet Theatre in the fall, and served as home to the New York City Opera from 1964 to 2011.

The New York State Theater was built with funds from the State of New York as part of New York State's cultural participation in the 1964–1965 World's Fair. The theater was designed by architects Philip Johnson and John Burgee, and opened on April 23, 1964. After the Fair, the State transferred ownership of the theater to the City of New York.

Along with the opera and ballet companies, another early tenant of the theater was the now defunct Music Theater of Lincoln Center whose president was composer Richard Rodgers. In the mid-1960s, the company produced fully staged revivals of classic Broadway musicals. These included The King and I; Carousel (with original star, John Raitt); Annie Get Your Gun (revised in 1966 by Irving Berlin for its original star, Ethel Merman); Show Boat; and South Pacific.

The theater seats 2,586 and features broad seating on the orchestra level, four main “Rings” (balconies), and a small Fifth Ring, faced with jewel-like lights and a large spherical chandelier in the center of the gold latticed ceiling.

The lobby areas of the theater feature many works of modern art, including pieces by Jasper Johns, Lee Bontecou, and Reuben Nakian.

Important Info
Type: Modern Ballet
City: New York, USA
Starts at: 14:00
Duration: 25min
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