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About
The stage and costume designer Carl Friedrich Oberle, born in Winnenden, Baden-Württemberg, studied at the Academy of fine arts in Munich and was a lecturer and Designer, Consultant at the Loeb Drama Center, Harvard University, USA.
Since 1972 he has worked in the fields of drama and opera at numerous stages in Europe, the USA and Australia. First Engagements led him to the south-eastern Bavarian city theatre in Landshut and Passau, followed by Ingolstadt, Mannheim, Gelsenkirchen and Tübingen.
Since 1978 he has worked as a freelance artist, including at the Welsh National Opera, where he provided the "Ring des Nibelungen", "Die Zauberflöte", "Un ballo in maschera", "Der Rosenkavalier" and most recently in 2006 "Don Carlos". In addition, he worked for the Musiktheater im Wärts, Gelsenkirchen and the Staatstheater Wiesbaden, as well as in Sweden for the Royal Opera, the dramatist in Stockholm and the Schlosstheater Drottningholm.
Carl Friedrich Oberle was employed at the operas in Stuttgart, Helsinki, Copenhagen, Geneva and Amsterdam as well as at the Aalto-Theater Essen. He designed the furnishings for "Le nozze di Figaro" in Prague, "Radamisto" at the Handel festival in Halle, "The demon" for the Bregenz festival and the Zurich Opera house, as well as "Billy Budd" at the English National Opera and the Canadian National Opera in Toronto. He was also responsible for the costumes of the production "La bohème" at the Staatsoper Unter den Linden Berlin.
In the USA Carl Friedrich Oberle designed equipment for "Don Giovanni", "Così fan tutte", "Figaro", "Idomeneo", "Billy Budd" at the Houston Grand Opera as well as for "Elektra", "The Silent Woman", "Intermezzo", "Feuersnot", "Friedenstag", "Daphne" and "Figaro" at the Santa Fe Opera.
In Australia, he created numerous stage designs and costumes for the Opera Australia in Sydney, including the productions of "Die Zauberflöte", "Don Giovanni", "Così fan tutte", "La clemenza di Tito", "Idomeneo", "L'incoronazione di Poppea", "Der Rosenkavalier", "the cause Makropulos" and "Billy Budd". In Adelaide, "a dream game" and "Parsifal" emerged as the Australian premiere.
Since 1993, Carl Friedrich Oberle has been working closely with Rosamund Gilmore, from which productions such as "English trilogy", "ghosts", "from Germany" at the Staatstheater Wiesbaden, as well as "Bremer Freiheit", "West Side Story", "Molière or the hangmen of comedians", "Der Rosenkavalier", "Greek Passion", "Noach", "fall of the patriarch" and "no silence except that of the wind" have emerged in Bremen. They staged together" Eugen Onegin"," Wolf cub Village"," die Blinden"," L'incoronazione di Poppea "and" Un re in ascolto " at the Frankfurt Opera. In Darmstadt they created "Orlando" and "Rodelinda", in Gelsenkirchen "Turandot", "Parsifal", "Il trovatore"and" Don Giovanni". He also equips Rosamund Gilmore's "Tannhäuser" and "Die Liebe zu den drei oranges" in Kassel, "Der Spiegel des großes Kaisers" in Gelsenkirchen and Münster and "Sugar" in Konstanz. In Nuremberg they appeared with "Tannhäuser", in Munich they followed " Die Schöne und das Biest "and" Die Zauberflöte "at the Staatstheater am Gärtnerplatz and" Tri Sestri " at the Prinzregententheater.