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The Young Lady and the Hooligan Tickets

Mariinsky Theatre, Saint Petersburg, Russia
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Available Dates: 6 - 7 May, 2025 (2 events)
Important Info
Type: Ballet
City: Saint Petersburg, Russia
Duration: 45min
Acts: 1

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Choose the date to see the peformers
Creators
Composer: Dmitri Shostakovich
Composer: Dmitri Shostakovich
Choreographer: Igor Belsky
Choreographer: Konstantin Boyarsky
Overview

This ballet is something of an "adopted child" at the Mariinsky Theatre: created in 1962 at Leningrad's Maly Opera and Ballet Theatre and having been performed at numerous theatres in the Soviet Union, it was only in 2001 that it entered the Mariinsky Theatre's repertoire. The pre-history of this once incredibly popular production about post-revolutionary hard times is as follows; in 1918 Russian cinemas screened the art film The Young Lady and the Hooligan, staged after a scenario by Vladimir Mayakovsky. The plot was based on Italian writer Edmondo De Amicis' story La maestrina degli operai (The Workers' Young Schoolmistress). The protagonist is the Hooligan as depicted by Mayakovsky, who sees the new schoolmistress on the street and falls in love with her at first sight. Soon he begins to attend her class. One day, however, when protecting the teacher (the Young Lady), the Hooligan is fatally wounded in a brawl and dies before his beloved's eyes. In the early 1960s after motifs of the film, Alexander Belinsky produced the libretto for the eponymous ballet, while the choreographer of the Maly Theatre Konstantin Boyarsky created the choreography. The music was taken from three unfortunate ballets by Dmitry Shostakovich – The Bolt, The Golden Age and The Limpid Brook, the score also featuring highlights from Shostakovich's music for films. The premiere of the ballet The Young Lady and the Hooligan took place in 1962. Soviet audiences, who over the years of the reign of "drama-ballet" on the stage had become used to ballet plays, were transfixed by the story-in-dance about the Hooligan's moral transformation under the influence of the emotion of love which he had not known before. The ballet remained in the repertoire of the Maly Theatre as late as 1987. One of the last Hooligans there, Yevgeny Myasishchev – together with his theatre colleague Yekaterina Pavlova and Sergei Savkov who dazzled as the Hooligan at the Novosibirsk Opera and Ballet Theatre – brought Boyarsky's ballet back to life at the Mariinsky Theatre in 2001.

Olga Makarova

History
Premiere of this production: 28 December 1962, Maly Opera Theatre, Leningrad

The Young Lady and the Hooligant is something of an "adopted child" at the Mariinsky Theatre: created in 1962 at Leningrad's Maly Opera and Ballet Theatre and having been performed at numerous theatres in the Soviet Union, it was only in 2001 that it entered the Mariinsky Theatre's repertoire. The pre-history of this once incredibly popular production about post-revolutionary hard times is as follows; in 1918 Russian cinemas screened the art film The Young Lady and the Hooligan, staged after a scenario by Vladimir Mayakovsky. The plot was based on Italian writer Edmondo De Amicis' story La maestrina degli operai (The Workers' Young Schoolmistress). 

Synopsis

Episode 1. A workers’ district. The street is ruled by the young Hooligan.
The Young Lady makes a tremendous impression on him.

Episode 2. At school. The Hooligan recognises the new pupil as the Young Lady.
She stops the «unbridled» Hooligan.

Episode 3. A park. The Hooligan wishes to tell the Young Lady of his love.
She runs away.

Episode 4. The Hooligan is in a restaurant.
The Young Lady appears to him as a vision. He runs to her.
The Leader tries to restrain him.

Episode 5. The Hooligan at the Young Lady’s house.

Episode 6. A park. Drunken youths are scaring the people walking there.
The Hooligan defends the Young Lady and her friends.
The Hooligan’s former friends take their revenge.
Fatally wounded, he heads for the Young Lady’s house.

Episode 7. The street. The Hooligan dies in the Young Lady’s arms.

Venue Info

Mariinsky Theatre - Saint Petersburg
Location   1 Theatre Square

The Mariinsky Theatre is a historic theatre of opera and ballet in Saint Petersburg, Russia. Opened in 1860, it became the preeminent music theatre of late 19th-century Russia, where many of the stage masterpieces of Tchaikovsky, Mussorgsky, and Rimsky-Korsakov received their premieres. Through most of the Soviet era, it was known as the Kirov Theatre. Today, the Mariinsky Theatre is home to the Mariinsky Ballet, Mariinsky Opera and Mariinsky Orchestra. Since Yuri Temirkanov's retirement in 1988, the conductor Valery Gergiev has served as the theatre's general director.

The theatre is named after Empress Maria Alexandrovna, wife of Tsar Alexander II. There is a bust of the Empress in the main entrance foyer. The theatre's name has changed throughout its history, reflecting the political climate of the time.

The theatre building is commonly called the Mariinsky Theatre. The companies that operate within it have for brand recognition purposes retained the Kirov name, acquired during the Soviet era to commemorate the assassinated Leningrad Communist Party leader Sergey Kirov (1886–1934).

The Imperial drama, opera and ballet troupe in Saint Petersburg was established in 1783, at the behest of Catherine the Great, although an Italian ballet troupe had performed at the Russian court since the early 18th century. Originally, the ballet and opera performances were given in the wooden Karl Knipper Theatre on Tsaritsa Meadow, near the present-day Tripartite Bridge (also known as the Little Theatre or the Maly Theatre). The Hermitage Theatre, next door to the Winter Palace, was used to host performances for an elite audience of aristocratic guests invited by the Empress.

A permanent theatre building for the new company of opera and ballet artists was designed by Antonio Rinaldi and opened in 1783. Known as the Imperial Bolshoi Kamenny Theatre the structure was situated on Carousel Square, which was renamed Theatre Square in honour of the building. Both names – "Kamenny" (Russian word for "stone") and "Bolshoi" (Russian word for "big") – were coined to distinguish it from the wooden Little Theatre. In 1836, the Bolshoi Kamenny Theatre was renovated to a design by Albert Cavos (son of Catterino Cavos, an opera composer), and served as the principal theatre of the Imperial Ballet and opera.

On 29 January 1849, the Equestrian circus (Конный цирк) opened on Theatre Square. This was also the work of the architect Cavos. The building was designed to double as a theatre. It was a wooden structure in the then-fashionable neo-Byzantine style. Ten years later, when this circus burnt down, Albert Cavos rebuilt it as an opera and ballet house with the largest stage in the world. With a seating capacity of 1,625 and a U-shaped Italian-style auditorium, the theatre opened on 2 October 1860, with a performance of A Life for the Tsar. The new theatre was named Mariinsky after its imperial patroness, Empress Maria Alexandrovna.

Under Yuri Temirkanov, Principal Conductor from 1976 to 1988, the Opera Company continued to stage innovative productions of both modern and classic Russian operas. Although functioning separately from the Theatre’s Ballet Company, since 1988 both companies have been under the artistic leadership of Valery Gergiev as Artistic Director of the entire Theatre.

The Opera Company has entered a new era of artistic excellence and creativity. Since 1993, Gergiev’s impact on opera there has been enormous. Firstly, he reorganized the company’s operations and established links with many of the world's great opera houses, including the Royal Opera House, Covent Garden, the Metropolitan Opera, the Opéra Bastille, La Scala, La Fenice, the Israeli Opera, the Washington National Opera and the San Francisco Opera. Today, the Opera Company regularly tours to most of these cities.

Gergiev has also been innovative as far as Russian opera is concerned: in 1989, there was an all-Mussorgsky festival featuring the composer’s entire operatic output. Similarly, many of Prokofiev’s operas were presented from the late 1990s. Operas by non-Russian composers began to be performed in their original languages, which helped the Opera Company to incorporate world trends. The annual international "Stars of the White Nights Festival" in Saint Petersburg, started by Gergiev in 1993, has also put the Mariinsky on the world’s cultural map. That year, as a salute to the imperial origins of the Mariinsky, Verdi's La forza del destino, which received its premiere in Saint Petersburg in 1862, was produced with its original sets, costumes and scenery. Since then, it has become a characteristic of the "White Nights Festival" to present the premieres from the company’s upcoming season during this magical period, when the hours of darkness practically disappear as the summer solstice approaches.

Presently, the Company lists on its roster 22 sopranos (of whom Anna Netrebko may be the best known); 13 mezzo-sopranos (with Olga Borodina familiar to US and European audiences); 23 tenors; eight baritones; and 14 basses. With Gergiev in charge overall, there is a Head of Stage Administration, a Stage Director, Stage Managers and Assistants, along with 14 accompanists.

Important Info
Type: Ballet
City: Saint Petersburg, Russia
Duration: 45min
Acts: 1

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

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