Bolshoi Theatre tickets 10 May 2025 - Mariinsky Theatre presents: Shurale | GoComGo.com

Mariinsky Theatre presents: Shurale

Bolshoi Theatre, Historic Stage, Moscow, Russia
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7 PM
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Important Info
Type: Ballet
City: Moscow, Russia
Starts at: 19:00
Acts: 3
Intervals: 2
Duration: 2h 45min

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Cast
Performers
Orchestra: Mariinsky Orchestra
Ballet company: Mariinsky Ballett
Creators
Composer: Farid Yarullin
Librettist: Ahmed Faizi
Choreography: Leonid Yakobson
Overview

Leonid Yakobson’s Shurale is a colourful ballet fairytale.

The music, full of ethnic intonations, was written by the Tatar composer Farid Yarullin, while the libretto is loosely based on wise Tatar fairytales. On stage, birds magically turn into beautiful maidens, while the dense forest is crawling with all kinds of evil spirits – genies, shaitans, and witches – who entertain the evil master of the woods, Shurale, with dances. Meanwhile, the nearby Tatar village is hosting a grand wedding celebration…All the characters speak different choreographic languages: the world of Shurale and his monstrous subordinates in the forest kingdom is expressed through grotesque elements, the fantasy world of the bird-maidens is based on classical dance, while the folk scenes are mostly told using the expressive means of character dance. As the tradition of folk fairytales goes, goodness and love win over evil in Shurale. The evil and cunning master of the woods, Shurale, is defeated by the young, handsome, and righteous Ali-Batyr, who is fighting for justice and love. However, Shurale turned out to be victorious in the historic battle for having the ballet named after him. In fact, the original production staged in Kazan was later transferred to the Leningrad stage in 1950. The name of the production was changed from Shurale to Ali-Batyr as it was considered improper to name a Soviet ballet after an evil spirit. Nevertheless, the historical justice triumphed in the end and today the name of the evil spirit graces the Mariinsky Theatre playbill, inviting the public to see the impressive production with diverse dances and entertaining storyline.

Second production 1950 - ballet in 3 acts 4 scenes called "Ali-Batyr". New instrumentation and editing of music by V. A. Vlasov and V. G. Fere, choreographer Leonid Yakobson, production designers Alexander Ptushko, Lev Milchin, Ivan Ivanov-Vano, conductor Pavel Feldt.

History
Premiere of this production: 12 March 1945, Tatar State Opera House, Kazan

“Shurale”, “Ali-Batyr” - ballet in 3 acts by Farid Yarullin. The basis of the libretto comes from Tatar folk fairytales and the classical Tatar poet Gabdulla Tukai’s Shurale about the bird-maiden Syuimbike, the intrepid hunter Ali-Batyr and the evil Shurale (in Tatar mythology he is an evil wood spirit in the guise of a man with a horn on his forehead and long fingers.

Synopsis

Act I
Ali-Batyr, a young hunter, appears in the dense forest. Seeing a bird fly past, he sets off after the bird. The evil master of the woods Shurale emerges from the trunk of a tree. Genies, witches and evil spirits entertain their master with dances. As the sun begins to rise, the evil spirits hide. A flock of birds comes down on the clearing. They transform into young maidens. The last to abandon her wings, the beautiful Syuimbike follows them into the woods. Shurale, keeping an eye on her from behind a tree, steals her wings. The girls perform merry round dances in the clearing. When it’s time to start off, the girls pick up their wings and, transformed into birds, take to the skies. Only Syuimbike is left to wander around, having been unable to find her wings. Suddenly terrible Shurale appears before her and orders the evil spirits to surround the girl. She is a prisoner and terrified. Shurale is prepared to celebrate his victory, but Ali-Batyr rushes out from the forest and hurries to Syuimbike’s assistance. He begins a fight with Shurale. The youth knocks the monster down to the ground with one powerful blow. In vain, Syuimbike and her saviour look for the wings everywhere. Tired of the fruitless search, in torment Syuimbike falls asleep. Ali-Batyr carefully picks up the sleeping maiden and leaves with her. The defeated Shurale threatens Ali-Batyr with a pitiless revenge for having kidnapped the bird-maiden from him.

Act II
All the fellow-villagers have come to Ali-Batyr’s courtyard to a banquet in honour of Ali-Batyr and the beautiful Syuimbike. А beautiful bride is on the luxurious carpet. The matchmakers hide her, and, in accordance with custom, the groom must find her. The guests make merry and the children romp around. The bride alone is sad. Syuimbike is unable to forget her lost wings. The celebration ends. The guests depart. Unnoticed by anyone, Shurale slips into the courtyard. Seizing a suitable moment, he throws Syuimbike her wings. In delight, the girl hugs them to her breast and wants to fly off, but in indecision she stops: she would be saddened to abandon her saviour. But the desire to take to the skies is stronger. Syuimbike takes to the air in flight. Immediately she is surrounded by a flock of carrion crows sent by Shurale. They force her to fly towards the lair of their master. Ali-Batyr sees the white bird flying away in the sky, beating her wings inside the circle of black crows. Seizing an incandescent torch, Ali-Batyr follows in pursuit.

Act III
In Shurale’s lair the bird-maiden is languishing in captivity. The girl rebuffs Shurale’s advances. Ali-Batyr runs onto the clearing. At Shurale’s demand, the witches, genies and Shurale’s minions attack the youth. Ali-Batyr sets light to Shurale’s lair. All its inhabitants perish in the fiery flames. Ali-Batyr and Syuimbike are alone amidst the storming inferno. Ali-Batyr hands the maiden her wings – the only way to salvation. But Syuimbike does not wish to abandon her beloved: she throws her wings into the flames. Then the forest fire suddenly dies away. Ali-Batyr and Syuimbike return to the village. Ali-Batyr’s parents, friends and the matchmakers wish happiness to the groom and his bride.

Venue Info

Bolshoi Theatre - Moscow
Location   Teatralnaya Square 1

The Bolshoi Theatre is a historic theatre in Moscow, Russia, originally designed by architect Joseph Bové, which holds ballet and opera performances. Before the October Revolution it was a part of the Imperial Theatres of the Russian Empire along with Maly Theatre (Small Theatre) in Moscow and a few theatres in Saint Petersburg (Hermitage Theatre, Bolshoi (Kamenny) Theatre, later Mariinsky Theatre and others).

The Bolshoi Ballet and Bolshoi Opera are amongst the oldest and most renowned ballet and opera companies in the world. It is by far the world's biggest ballet company, with more than 200 dancers. The theatre is the parent company of The Bolshoi Ballet Academy, a world-famous leading school of ballet. It has a branch at the Bolshoi Theater School in Joinville, Brazil.

The main building of the theatre, rebuilt and renovated several times during its history, is a landmark of Moscow and Russia (its iconic neoclassical façade is depicted on the Russian 100-ruble banknote). On 28 October 2011, the Bolshoi re-opened after an extensive six-year renovation. The official cost of the renovation is 21 billion rubles ($688 million). However, other Russian authorities and other people connected to it claimed much more public money was spent. The renovation included restoring acoustics to the original quality (which had been lost during the Soviet Era), as well as restoring the original Imperial decor of the Bolshoi.

The company was founded on 28 March [O.S. 17 March] 1776, when Catherine II granted Prince Peter Ouroussoff a licence to organise theatrical performances, balls and other forms of entertainment. Ouroussoff set up the theatre in collaboration with English tightrope walker Michael Maddox. Initially, it held performances in a private home, but it acquired the Petrovka Theatre and on 30 December 1780, it began producing plays and operas, thus establishing what would become the Bolshoi Theatre. Fire destroyed the Petrovka Theatre on 8 October 1805, and the New Arbat Imperial Theatre replaced it on 13 April 1808, however it also succumbed to fire during the French invasion of Moscow in 1812.

The first instance of the theatre was built between 1821 and 1824, designed and supervised to completion by architect Joseph Bové based upon an initial competition-winning design created by Petersburg-based Russian architect Andrei Mikhailov that was deemed too costly to complete. Bové also concurrently designed the nearby Maly Theatre and the surrounding Theater Square, The new building opened on 18 January 1825 as the Bolshoi Petrovsky Theatre with a performance of Fernando Sor's ballet, Cendrillon. Initially, it presented only Russian works, but foreign composers entered the repertoire around 1840.

Important Info
Type: Ballet
City: Moscow, Russia
Starts at: 19:00
Acts: 3
Intervals: 2
Duration: 2h 45min
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