Beijing National Grand Theater (NCPA) 17 March 2024 - Anne-Sophie Mutter Violin Recital | GoComGo.com

Anne-Sophie Mutter Violin Recital

Beijing National Grand Theater (NCPA), Concert Hall, Beijing, China
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7:30 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Classical Concert
City: Beijing, China
Starts at: 19:30

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Programme
Wolfgang Amadeus Mozart: Violin Sonata in G major, K301 (K293a)
Franz Schubert: Fantasy for violin and piano in C major, D.934
Clara Schumann: Three Romances for violin and piano Op.22
Ottorino Respighi: Sonata for Violin and Piano in B Minor
Overview

Anne-Sophie Mutter is a musical phenomenon: for 48 years the virtuoso has now been a fixture in all the world’s major concert halls, making her mark on the classical music scene as a soloist, mentor and visionary. The four-time Grammy® Award winner is equally committed to the performance of traditional composers as to the future of music.

So far she has given world premieres of 31 works – Thomas Adès, Unsuk Chin, Sebastian Currier, Henri Dutilleux, Sofia Gubaidulina, Witold Lutosławski, Norbert Moret, Krzysztof Penderecki, Sir André Previn, Wolfgang Rihm, Jörg Widmann and John Williams have all composed for Anne-Sophie Mutter. She dedicates herself to supporting tomorrow’s musical elite and numerous benefit projects. Furthermore, the board of trustees of the German cancer charity “Deutsche Krebshilfe” elected her the new president of the non-profit organization in 2021. Since January 2022, she joins the foundation board of the Lucerne Festival. In the autumn of 1997 she founded the “Freundeskreis Anne-Sophie Mutter Stiftung e.V.”, to which the Anne-Sophie Mutter Foundation was added in 2008. These two charitable institutions provide support for the scholarship recipients, which is tailored to the fellows’ individual needs. Since 2011, Anne-Sophie Mutter has regularly shared the spotlight on stage with her ensemble of fellows, “Mutter’s Virtuosi”.

Anne-Sophie Mutter’s concert calendar in 2024 features performances in Asia, Europe and North America, once again reflecting the musical versatility of the violinist and her unprecedented standing in the world of classical music. Numerous compositions dedicated to her will be part of these concerts; in many countries, they will be performed for the first time.

At the beginning of the year, Mutter gave the British premiere of the Violin Concerto No. 2, which John Williams dedicated to her, as well as the Hollywood legend’s film scores in London. Her musical partners were the London Philharmonic Orchestra and conductor Jonathon Hayward.

The end of this January will feature concerts in Los Angeles, where she will play the Brahms Double Concerto with cellist Pablo Ferrández, a fellow of her Foundation, as well as the Los Angeles Philharmonic under Gustavo Dudamel’s baton.

She will appear at the Mozart Week in Salzburg with two programmes: the Sinfonia Concertante will be performed with violist Michael Barenboim; Lahav Shani will conduct the Vienna Philharmonic. For the four Piano Trios, she will join forces with pianist Lauma Skride and cellist Maximilian Hornung, an alumnus of her Foundation.

In March, Mutter will tour Asia, where she will ring in the 36th year of her musical collaboration with pianist Lambert Orkis. The programme will include works by Mozart, Respighi, Schubert and Clara Schumann. The two exceptional musicians will also perform this programme in Europe during the second half of the year.

Williams’ Violin Concerto No. 2 will also have its first performance in Israel: in April in Haifa and Tel Aviv; in both cities, Mutter will also perform Beethoven’s Violin Concerto.

Commemorating the 30th anniversary of Witold Lutosławski’s death, in Warsaw Mutter will perform the orchestral version of the Partita, a work dedicated to her, as well as the Polish composer’s Chain 2 and Interlude. Andrzej Boreyko will conduct the Warsaw Philharmonic Orchestra.

Lutosławski’s Partita will also be performed in Leipzig and in London, where it will be combined with Tomas Adès’ Air – Homage to Sibelius, which the composer dedicated to the violinist and which will have its German and British premieres. In Leipzig, Andris Nelsons will conduct the Gewandhaus Orchestra; in the British metropolis, Thomas Adès will conduct the London Symphony Orchestra.

During her June tour of Europe, Williams’ Violin Concerto No. 2 will once more be the focus of attention, and Mutter will perform it with the Dallas Symphony Orchestra under the baton of Fabio Luisi.

She will also perform film themes by Williams during the “Klassik am Odeonsplatz” event in Munich – with the Munich Philharmonic under the baton of Lahav Shani.

The Brahms Violin Concerto will be on the programme during the second half of the year in Europe with the West-Eastern Divan Orchestra. During another European tour, Mutter will play the Mendelssohn Violin Concerto together with the Pittsburgh Symphony Orchestra and its music director Manfred Honeck.

Mutter is going to conclude her 2024 concert year with Williams’ Violin Concerto No. 2 as well as selected film themes – together with the Hollywood legend at the helm of the Chicago Symphony Orchestra.

In June 2023, Anne-Sophie Mutter received the Prize of the Ruhr Piano Festival, and the Royal Philharmonic Society honoured her with its Gold Medal. The Krzysztof Penderecki Music Academy in Cracow bestowed an honorary doctorate on her in March 2022. In 2019, Anne-Sophie Mutter was honoured to receive the Praemium Imperiale in the music category; in June she received the Polar Music Prize. Poland awarded the Gloria Artis Medal for Merit to Culture to Anne-Sophie Mutter in 2018, making her the first German artist to receive such an honour. In February 2018 the violinist was named an honorary member of the Accademia Nazionale di Santa Cecilia. Romania awarded the Order of Cultural Merit in the rank of a Grand Officer to Anne-Sophie Mutter in 2017; during the same month France honoured her by presenting her with the insignia of a Commander of the French Order of the Arts and Literature. In 2016, the Spanish Ministry of Education, Culture and Sports awarded her the “Medalla de oro al Mérito en las Bellas Artes” (Gold Medal for Merits in the Fine Arts). In 2015 Anne-Sophie Mutter was named an Honorary Fellow of Keble College at the University of Oxford. In 2013 she became a Foreign Honorary Member of the American Academy of Arts and Sciences, after winning the medal of the Lutosławski Society (Warsaw) in January. In 2012 the Atlantic Council bestowed the Distinguished Artistic Leadership Award upon her. In 2011 she received the Brahms Prize, the Erich Fromm Prize and the Gustav Adolf Prize for her social activism. In 2010 the Technical-Scientific University of Norway in Trondheim bestowed an honorary doctorate upon her; in 2009 she won the Premio Europeo St. Ulrich as well as the Cristóbal Gabarrón Award. In 2008 Anne-Sophie Mutter was the recipient of the International Ernst von Siemens Music Prize as well as the Leipzig Mendelssohn Prize.

The violinist has been awarded the Grand Cross Order of Merit of the Federal Republic of Germany, the French Medal of the Legion of Honour, the Bavarian Order of Merit, the Decoration of Honour for Services to the Republic of Austria, and numerous other honours.

Venue Info

Beijing National Grand Theater (NCPA) - Beijing
Location   2 W Chang'an Ave

The National Centre for the Performing Arts (NCPA) is an arts centre containing an opera house in Beijing, People's Republic of China. The Centre, an ellipsoid dome of titanium and glass surrounded by an artificial lake, seats 5,452 people in three halls and is almost 12,000 m² in size. It was designed by French architect Paul Andreu. Construction started in December 2001 and the inaugural concert was held in December 2007.

The exterior of the theater is a titanium-accented glass dome that is completely surrounded by a man-made lake. It is said to look like an egg floating on water, or a water drop. It was designed as an iconic feature, something that would be immediately recognizable.

The dome measures 212 meters in east–west direction, 144 meters in north–south direction, and is 46 meters high. The main entrance is at the north side. Guests arrive in the building after walking through a hallway that goes underneath the lake. The titanium shell is broken by a glass curtain in north–south direction that gradually widens from top to bottom.

The location, immediately to the west of Tiananmen Square and the Great Hall of the People, and near the Forbidden City, combined with the theatre's futuristic design, created considerable controversy. Paul Andreu countered that although there is indeed value in ancient traditional Chinese architecture, Beijing must also include modern architecture, as the capital of the country and an international city of great importance. His design, with large open space, water, trees, was specially designed to complement the red walls of ancient buildings and the Great Hall of the People, in order to melt into the surroundings as opposed to standing out against them.

Internally, there are three major performance halls:

The Opera Hall is used for operas, ballet, and dances and seats 2,416 people.
The Music Hall is used for concerts and recitals and seats 2,017 people.
The Theatre Hall is used for plays and the Beijing opera. It has 1,040 seats.
The NCPA also distributes filmed and recorded performances of its concerts, plays and operas through the in-house label NCPA Classics, established in 2016.

The initial planned cost of the theatre was 2.688 billion yuan. When the construction had completed, the total cost rose to more than CNY3.2 billion. The major cause of the cost increase was a delay for reevaluation and subsequent minor changes as a precaution after a Paris airport terminal building collapsed. The cost has been a major source of controversy because many believed that it is nearly impossible to recover the investment. When the cost is averaged out, each seat is worth about half a million CNY. The Chinese government answered that the theater is not a for profit venture.

The government sanctioned study completed in 2004 by the Research Academy of Economic & Social Development of the Dongbei University of Finance and Economics, of the upkeep costs of the building were publicized in domestic Chinese media:

The water and electricity bills and the cleaning cost for the external surface would be at least tens of millions CNY, and with another maintenance cost, the total could easily exceed one billion CNY. Therefore, at least 80 percent of the annual operational costs must be subsidized by the government for at least the first three years after the opening, and for the rest of its operational life, at least 60 percent of the annual operational cost must be subsidized by the government.

The director of the art committee of the National Centre for the Performing Arts and the standing committee member of the Standing Committee of the Chinese People's Political Consultative Conference, Mr Wu Zuqiang (吴祖强) and the publicist / deputy director of the National Centre for the Performing Arts Mr Deng (邓一江) have announced that 70 percent of the tickets would be sold at low price for ordinary citizens, while 10% of the tickets would be sold at relatively expensive prices for separate market segments, and the 60% of annual operating cost needed to be subsidized by the government would be divided between the central government and the Beijing municipal government.

Important Info
Type: Classical Concert
City: Beijing, China
Starts at: 19:30
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