Beijing National Grand Theater (NCPA) 28 October 2023 - Daniele Gatti and China NCPA Orchestra | GoComGo.com

Daniele Gatti and China NCPA Orchestra

Beijing National Grand Theater (NCPA), Concert Hall, Beijing, China
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7:30 PM
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Important Info
Type: Classical Concert
City: Beijing, China
Starts at: 19:30

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Programme
Johannes Brahms: Tragische Ouverture - Tragic Overture for Orchestra, Op.81
Johannes Brahms: Variations on a Theme by Haydn in B flat major, Op.56a
Johannes Brahms: Symphony no. 3 in F major, Op.90
Overview

“…Gatti is a conductor who make us thinking what it really is, must be or may be the interpretation in our time” - NRC Mischa Spel

Daniele Gatti graduated as a composer and orchestra conductor at the Conservatorio Giuseppe Verdi in Milan. He has been Chief Conductor of the Royal Concertgebouw Orchestra (RCO) in Amsterdam since September 2016 and Artistic Advisor of the Mahler Chamber Orchestra. He has held prestigious roles at important musical institutions like the Accademia Nazionale di Santa Cecilia, the Royal Philharmonic Orchestra, the Orchestre national de France, the Royal Opera House of London, the Teatro Comunale di Bologna, and Zurich’s Opernhaus. The Berliner Philharmoniker, the Wiener Philharmoniker, the Symphonieorchester des Bayerischen Rundfunks, and the Orchestra Filarmonica della Scala are just a few of the renowned symphonic institutions he regularly works with.

Some of the numerous and important new productions he has conducted include the Falstaff staged by Robert Carsen (in London, Milan, and Amsterdam); the Parsifal staged by Stefan Herheim opening the 2008 Bayreuther Festspiele (one of the very few Italian conductors to have been invited to the Wagnerian festival); the Parsifal staged by François Girard at the Metropolitan Opera in New York; four operas at the Salzburger Festspiele (ElektraLa bohèmeDie Meistersinger von Nürnberg, Il Trovatore).

To celebrate Verdi’s anniversary, in 2013 he conducted La traviata at the season opening of the Teatro alla Scala, where he also opened the 2008 season with Don Carlo, and performed other titles including LohengrinLuluDie Meistersinger von NürnbergFalstaff, and Wozzeck.

Some of his most recent engagements include Pelléas et Mélisande at the Maggio Musicale Fiorentino, Tristan und Isolde at the Théâtre des Champs-Élysées in Paris, and the opening of the Teatro dell’Opera di Roma where he conducted the same Wagnerian opera.

The year 2016 saw the beginning of a three-year concert cycle named “RCO meets Europe”. It involves 28 member states of the European Union and it includes the project “Side by Side”, a project allowing musicians from local youth orchestra to perform the first musical number of the programme next to the members of the Royal Concertgebouw Orchestra conducted by Maestro Gatti, thus fostering an incredibly fruitful human and musical exchange. The Italian appointment took place in Turin at the Auditorium of the Lingotto building.

In June 2017, he conducted the RCO in an opera production, for the first time since his appointment as its Chief Conductor: Salome at the Nationale Opera of Amsterdam.

The 2017/2018 Season saw him conducting the Berliner Philharmoniker at the Philharmonie Berlin, the Orchestra and Chorus of the Teatro alla Scala in Milan interpreting Mahler’s Second Symphony, the Royal Concertgebouw Orchestra in Europe, South Korea, Japan, and at the Carnegie Hall in New York, all events adding to Amsterdam’s traditional season. Other engagements included the opening of the new season of the Teatro dell’Opera di Roma with La damnation de Faust, a tour with the Mahler Chamber Orchestra, and more performances with the Accademia Nazionale di Santa Cecilila in Rome, the Symphonieorchester des Bayerischen Rundfunks in Munich, and the Philharmonia Orchestra in London.

Daniele Gatti was awarded the Premio Franco Abbiati from Italian music critics as “Best Conductor” in 2015, and in 2016 he was awarded the Chevalier de la Légion d’honneur from the French Republic for his work as Musical Director of the Orchestre national de France.

Under Sony Classical, he has recorded works by Debussy and Stravinsky with the Orchestre national de France and a DVD of the Parsifal staged at the Metropolitan Opera in New York. Under the label RCO Live, he has recently recorded Berioz’s Symphonie fantastique.

Venue Info

Beijing National Grand Theater (NCPA) - Beijing
Location   2 W Chang'an Ave

The National Centre for the Performing Arts (NCPA) is an arts centre containing an opera house in Beijing, People's Republic of China. The Centre, an ellipsoid dome of titanium and glass surrounded by an artificial lake, seats 5,452 people in three halls and is almost 12,000 m² in size. It was designed by French architect Paul Andreu. Construction started in December 2001 and the inaugural concert was held in December 2007.

The exterior of the theater is a titanium-accented glass dome that is completely surrounded by a man-made lake. It is said to look like an egg floating on water, or a water drop. It was designed as an iconic feature, something that would be immediately recognizable.

The dome measures 212 meters in east–west direction, 144 meters in north–south direction, and is 46 meters high. The main entrance is at the north side. Guests arrive in the building after walking through a hallway that goes underneath the lake. The titanium shell is broken by a glass curtain in north–south direction that gradually widens from top to bottom.

The location, immediately to the west of Tiananmen Square and the Great Hall of the People, and near the Forbidden City, combined with the theatre's futuristic design, created considerable controversy. Paul Andreu countered that although there is indeed value in ancient traditional Chinese architecture, Beijing must also include modern architecture, as the capital of the country and an international city of great importance. His design, with large open space, water, trees, was specially designed to complement the red walls of ancient buildings and the Great Hall of the People, in order to melt into the surroundings as opposed to standing out against them.

Internally, there are three major performance halls:

The Opera Hall is used for operas, ballet, and dances and seats 2,416 people.
The Music Hall is used for concerts and recitals and seats 2,017 people.
The Theatre Hall is used for plays and the Beijing opera. It has 1,040 seats.
The NCPA also distributes filmed and recorded performances of its concerts, plays and operas through the in-house label NCPA Classics, established in 2016.

The initial planned cost of the theatre was 2.688 billion yuan. When the construction had completed, the total cost rose to more than CNY3.2 billion. The major cause of the cost increase was a delay for reevaluation and subsequent minor changes as a precaution after a Paris airport terminal building collapsed. The cost has been a major source of controversy because many believed that it is nearly impossible to recover the investment. When the cost is averaged out, each seat is worth about half a million CNY. The Chinese government answered that the theater is not a for profit venture.

The government sanctioned study completed in 2004 by the Research Academy of Economic & Social Development of the Dongbei University of Finance and Economics, of the upkeep costs of the building were publicized in domestic Chinese media:

The water and electricity bills and the cleaning cost for the external surface would be at least tens of millions CNY, and with another maintenance cost, the total could easily exceed one billion CNY. Therefore, at least 80 percent of the annual operational costs must be subsidized by the government for at least the first three years after the opening, and for the rest of its operational life, at least 60 percent of the annual operational cost must be subsidized by the government.

The director of the art committee of the National Centre for the Performing Arts and the standing committee member of the Standing Committee of the Chinese People's Political Consultative Conference, Mr Wu Zuqiang (吴祖强) and the publicist / deputy director of the National Centre for the Performing Arts Mr Deng (邓一江) have announced that 70 percent of the tickets would be sold at low price for ordinary citizens, while 10% of the tickets would be sold at relatively expensive prices for separate market segments, and the 60% of annual operating cost needed to be subsidized by the government would be divided between the central government and the Beijing municipal government.

Important Info
Type: Classical Concert
City: Beijing, China
Starts at: 19:30
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