Beijing National Grand Theater (NCPA) 7 January 2023 - TAO Dance Theater’s “Series of numbers” | GoComGo.com

TAO Dance Theater’s “Series of numbers”

Beijing National Grand Theater (NCPA), Theatre, Beijing, China
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7:30 PM
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Important Info
Type: Show
City: Beijing, China
Starts at: 19:30

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If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

The TAO Dance Theater’s “Series of numbers” has taken the movements of the body as an important method for artistic exploration. The dancers distil a unique aesthetic and training system by rationalizing and analyzing the movements of the body, unleashing its vitality in the repetitive and restriction-laden process.

The “Series of Numbers” currently consists of 11 works, 2 (2011), Weight X 3 (2008), 4 (2012), 5 (2013), 6 (2013), 7 (2014), 8 (2015), 9 (2017), 10 (2020), 11 (2021) and 12 (2019).

With its minimalist concept, the series has received attention and invitations from world-renowned theatres and festivals and has been involved in diverse explorations and collaborations. It has been presented in various locations and occasions such as the ruins of the Amphitheatre of El Djem, Paris Fashion Week and Singapore ArtScience Museum.

Work 13
Choreographer: TAO Ye
Music: Xiaohe

13 is the 12th number-titled work to be created by choreographer TAO Ye,which corresponds to the number 13 as a concept of trinity, i.e., solo dance, duo dance, and group dance. The three modes of body connection constitute the composition.

In the work 13, the dancers compose a whole, which gets gradually broken down into different shapes, with the dance steps changing in movement, opening up a complex physical world, where collision, insertion, falling, bouncing and pulling occur in an endless manner. Flowing water, mountain rocks and all things appear around the body at slow, intermediate and fast rhythms. Accordingly, the body serves as a medium, showing the unpredictable change of imagination.

The concepts of one-dimension, two-dimension and multi-dimension form a law. The choreographer TAO Ye creates a chaotic whole out of three changes in the body, space and time, responding to different states of concreteness and impermanence in the rigorous and open idea of choreography.

Work 14
Choreographer: TAO Ye
Music Conception: TAO Ye

Rhythm is the way that all living things interact with one another.

14 is the 13th number-titled work to be created by choreographer TAO Ye. He explores rhythm and change in the work. To challenge the new context of the body, he will break the previous creative method featuring repeated circulation, and create ever-changing movements to deduce space-time possibilities between what is mobile and what is immobile.

Single and simple equal temperament is applied boldly to music composition, with the ever-changing body movement, a complex dynamic dancing scene, presented in the form of a progressive hour pointer. The circular movement system of the TAO Dance Theater is extended to the extreme of vocabulary through an audio-visual relationship that is known as less is more.

The cutting and folding of points, lines and planes in space, including the agitation and swaying of the body in equilibrium, let the work return to pure body movement, with all possibilities to unfold in the changing and unchanging rhythm.

Venue Info

Beijing National Grand Theater (NCPA) - Beijing
Location   2 W Chang'an Ave

The National Centre for the Performing Arts (NCPA) is an arts centre containing an opera house in Beijing, People's Republic of China. The Centre, an ellipsoid dome of titanium and glass surrounded by an artificial lake, seats 5,452 people in three halls and is almost 12,000 m² in size. It was designed by French architect Paul Andreu. Construction started in December 2001 and the inaugural concert was held in December 2007.

The exterior of the theater is a titanium-accented glass dome that is completely surrounded by a man-made lake. It is said to look like an egg floating on water, or a water drop. It was designed as an iconic feature, something that would be immediately recognizable.

The dome measures 212 meters in east–west direction, 144 meters in north–south direction, and is 46 meters high. The main entrance is at the north side. Guests arrive in the building after walking through a hallway that goes underneath the lake. The titanium shell is broken by a glass curtain in north–south direction that gradually widens from top to bottom.

The location, immediately to the west of Tiananmen Square and the Great Hall of the People, and near the Forbidden City, combined with the theatre's futuristic design, created considerable controversy. Paul Andreu countered that although there is indeed value in ancient traditional Chinese architecture, Beijing must also include modern architecture, as the capital of the country and an international city of great importance. His design, with large open space, water, trees, was specially designed to complement the red walls of ancient buildings and the Great Hall of the People, in order to melt into the surroundings as opposed to standing out against them.

Internally, there are three major performance halls:

The Opera Hall is used for operas, ballet, and dances and seats 2,416 people.
The Music Hall is used for concerts and recitals and seats 2,017 people.
The Theatre Hall is used for plays and the Beijing opera. It has 1,040 seats.
The NCPA also distributes filmed and recorded performances of its concerts, plays and operas through the in-house label NCPA Classics, established in 2016.

The initial planned cost of the theatre was 2.688 billion yuan. When the construction had completed, the total cost rose to more than CNY3.2 billion. The major cause of the cost increase was a delay for reevaluation and subsequent minor changes as a precaution after a Paris airport terminal building collapsed. The cost has been a major source of controversy because many believed that it is nearly impossible to recover the investment. When the cost is averaged out, each seat is worth about half a million CNY. The Chinese government answered that the theater is not a for profit venture.

The government sanctioned study completed in 2004 by the Research Academy of Economic & Social Development of the Dongbei University of Finance and Economics, of the upkeep costs of the building were publicized in domestic Chinese media:

The water and electricity bills and the cleaning cost for the external surface would be at least tens of millions CNY, and with another maintenance cost, the total could easily exceed one billion CNY. Therefore, at least 80 percent of the annual operational costs must be subsidized by the government for at least the first three years after the opening, and for the rest of its operational life, at least 60 percent of the annual operational cost must be subsidized by the government.

The director of the art committee of the National Centre for the Performing Arts and the standing committee member of the Standing Committee of the Chinese People's Political Consultative Conference, Mr Wu Zuqiang (吴祖强) and the publicist / deputy director of the National Centre for the Performing Arts Mr Deng (邓一江) have announced that 70 percent of the tickets would be sold at low price for ordinary citizens, while 10% of the tickets would be sold at relatively expensive prices for separate market segments, and the 60% of annual operating cost needed to be subsidized by the government would be divided between the central government and the Beijing municipal government.

Important Info
Type: Show
City: Beijing, China
Starts at: 19:30
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