Beijing National Grand Theater (NCPA) 3 May 2024 - Sumi Jo and I Musici | GoComGo.com

Sumi Jo and I Musici

Beijing National Grand Theater (NCPA), Concert Hall, Beijing, China
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E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Classical Concert
City: Beijing, China
Starts at: 19:30

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Programme
Overview

NCPA May Festival 2024

Sumi Jo 

Praised for the remarkable agility, precision and warmth of her voice, and for her outstanding musicianship, Sumi Jo has established herself as one of her generation's most sought-after sopranos. She has been consistently greeted with exceptional accolades, by public and press alike, for her performances in the most important opera houses and concert halls throughout the world.

As a world class coloratura soprano, she has actively extended her role is various opera productions in the world opera stages. New additions to her repertoire in recent years have been Delibes' Lakeme, Meyerbeer's Dinorah and Giulietta in I Capuleti ed i Montecchi, which she sang for the Minnesota Opera; Madame Mao of Adam's opera Nixon in China at Theatre du Chatelet, Russia Recital, Beijing Music Festival, Australia Tour concerts, Concert at Teatro Colon and Japan tour concerts.

Many recitals and concerts made her travel all over the world. Her Asian Tour Concerts with AAM (Academy of Ancient Music), six Japanese City Tour concerts, Mahler Festival in Shanghai are few of many concerts she performed. She plans to release new album based on Bach's composition in early 2013 and excited to tour Asia, Japan and Australia. She has also enlightened public with her crossover stages in many places ever since her first Broadway Songs concert in Carnegie Hall accompanied by The Orchestra of St. Luke's in 2001. She sold more than 1,200,000 copies of her first crossover album Only Love worldwide, adding to her list of best-selling recordings.

Her 2013 started with her year performances by sing for Korea's new presidential inauguration ceremony which are followed by Korea tour concerts, Russia piano recital, Shanghai recital, China Philharmonic Invitation concerts and singing in Vatican in November.

Her 2014 engagements are Asia Four Country tour concerts, Singing in the Closing Ceremony in Sochi 2014 Winter Olympics Games, Korea Tour Concerts, Russia, Kazakhstan, Paris Recital in May at Palais Royal, Role of Fiakermilli in Strauss' opera Arabella at Hamburg, Donizetti's opera Le convenienze ed inconvenienze Teatrali in Frenze in June through July in the first half of the year.

Ms. Jo currently has over 50 recordings to her credit, which include ten solo albums for Universal Music and Warner Music. Among them are a Grammy-winning Die Frau ohne Schatten with Sir Georg Solti for London/Decca and Un Ballo in Maschera for Deutsche Grammophon under Herbert von Karajan. She has also recorded The Magic Flute and an album of arias under the baton of Maestro Solti.

Ms. Jo has won many prestigious awards including first prizes at international competitions in Seoul, Naples, Enna, Barcelona and Pretoria. In August 1986 she was unanimously awarded first prize in the Carlo Alberto Cappelli International Competition at Verona, one of the world's most important contests, open only to first prize-winners of other major competitions. She was elected as "Artist for Peace" of UNESCO in 2003 and received "The Puccini Award". Ms. Jo makes her home in Rome.

 

I Musici

The story of I Musici is extraordinary and unrepeatable. Founded in 1951, I Musici is the oldest active chamber group, who has made the path for all over the world to the knowledge of the eighteenth century Italian music, of Vivaldi and the Four Seasons, who recorded for the first time ever Vivaldi's masterpiece and sold the astonishing number of more than 25 million copies in various editions, making it one of the most famous pieces in the musical repertoire. New elements have been added since 1951, and they continue the process that has always been present with the ensemble, namely renewing itself without forgetting its roots. Like good wine that improves with age; like a plant that is continually renewed with new branches and new leaves, so I Musici has lived through notable decades of contemporary music history, and has become the only chamber music group among many ever to have reached such a remarkable milestone. Thanks to the unwavering support of the public throughout its history, I Musici is now embarking on a new decade, with new challenges, seeking new repertoire as well as forgotten music, and building new connections with renewed enthusiasm and determination.

Venue Info

Beijing National Grand Theater (NCPA) - Beijing
Location   2 W Chang'an Ave

The National Centre for the Performing Arts (NCPA) is an arts centre containing an opera house in Beijing, People's Republic of China. The Centre, an ellipsoid dome of titanium and glass surrounded by an artificial lake, seats 5,452 people in three halls and is almost 12,000 m² in size. It was designed by French architect Paul Andreu. Construction started in December 2001 and the inaugural concert was held in December 2007.

The exterior of the theater is a titanium-accented glass dome that is completely surrounded by a man-made lake. It is said to look like an egg floating on water, or a water drop. It was designed as an iconic feature, something that would be immediately recognizable.

The dome measures 212 meters in east–west direction, 144 meters in north–south direction, and is 46 meters high. The main entrance is at the north side. Guests arrive in the building after walking through a hallway that goes underneath the lake. The titanium shell is broken by a glass curtain in north–south direction that gradually widens from top to bottom.

The location, immediately to the west of Tiananmen Square and the Great Hall of the People, and near the Forbidden City, combined with the theatre's futuristic design, created considerable controversy. Paul Andreu countered that although there is indeed value in ancient traditional Chinese architecture, Beijing must also include modern architecture, as the capital of the country and an international city of great importance. His design, with large open space, water, trees, was specially designed to complement the red walls of ancient buildings and the Great Hall of the People, in order to melt into the surroundings as opposed to standing out against them.

Internally, there are three major performance halls:

The Opera Hall is used for operas, ballet, and dances and seats 2,416 people.
The Music Hall is used for concerts and recitals and seats 2,017 people.
The Theatre Hall is used for plays and the Beijing opera. It has 1,040 seats.
The NCPA also distributes filmed and recorded performances of its concerts, plays and operas through the in-house label NCPA Classics, established in 2016.

The initial planned cost of the theatre was 2.688 billion yuan. When the construction had completed, the total cost rose to more than CNY3.2 billion. The major cause of the cost increase was a delay for reevaluation and subsequent minor changes as a precaution after a Paris airport terminal building collapsed. The cost has been a major source of controversy because many believed that it is nearly impossible to recover the investment. When the cost is averaged out, each seat is worth about half a million CNY. The Chinese government answered that the theater is not a for profit venture.

The government sanctioned study completed in 2004 by the Research Academy of Economic & Social Development of the Dongbei University of Finance and Economics, of the upkeep costs of the building were publicized in domestic Chinese media:

The water and electricity bills and the cleaning cost for the external surface would be at least tens of millions CNY, and with another maintenance cost, the total could easily exceed one billion CNY. Therefore, at least 80 percent of the annual operational costs must be subsidized by the government for at least the first three years after the opening, and for the rest of its operational life, at least 60 percent of the annual operational cost must be subsidized by the government.

The director of the art committee of the National Centre for the Performing Arts and the standing committee member of the Standing Committee of the Chinese People's Political Consultative Conference, Mr Wu Zuqiang (吴祖强) and the publicist / deputy director of the National Centre for the Performing Arts Mr Deng (邓一江) have announced that 70 percent of the tickets would be sold at low price for ordinary citizens, while 10% of the tickets would be sold at relatively expensive prices for separate market segments, and the 60% of annual operating cost needed to be subsidized by the government would be divided between the central government and the Beijing municipal government.

Important Info
Type: Classical Concert
City: Beijing, China
Starts at: 19:30
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