Beijing National Grand Theater (NCPA) tickets 15 March 2025 - Shanghai Kunqu Opera Troupe: The Peony Pavilion | GoComGo.com

Shanghai Kunqu Opera Troupe: The Peony Pavilion

Beijing National Grand Theater (NCPA), Theatre, Beijing, China
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7:30 PM
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US$ 107

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera Chinese
City: Beijing, China
Starts at: 19:30
Duration: 2h 20min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

Hailed as the Shakespeare of China, Ming-dynasty playwright Tang Xianzu is arguably the most seminal figure in the history of Chinese theatre.

His magnum opus The Peony Pavilion tells the epic, death-transcending romance between a governor’s daughter and a young scholar. Written more than four centuries ago, this sprawling classic has stood the test of time and still remains the epitome of kun opera. Due to the work’s sheer scope, nowadays it is mostly presented on the kun opera stage in the form of excerpts.

In its 46-year history, Shanghai Kunqu Opera Troupe has staged The Peony Pavilion around a dozen times, and each rendition was met with critical and popular acclaim. The new adaptation, however, does something entirely different: Directed by acclaimed theatre director Guo Xiaonan and comprising all of the original play’s 55 scenes, it is making its debut on the Hong Kong stage following its highly successful premiere in November 2022 in Shanghai, offering an unmissable opportunity to witness this masterpiece in its full glory. 

The Peony Pavilion is based on an abridged 35-scene version by the late dramatist Wang Renjie, while also returning the 20 scenes to the opera. By presenting the entire story as Tang Xianzu originally intended, it is able to showcase the complexities of the characters and the greater social landscape around them to a wider extent without taking away from the central plotline. Instead of a pure romantic drama, as it has been traditionally perceived, the complete version is given room to further emphasise the clash between love and societal norms, idealistic dreams and the harsh reality of the times, thus delivering more nuances and a profound, more complete story arc. 

Complete with innovative stage and costume designs, which create an ethereal, poetic atmosphere and an interesting blend of old and new, the production boasts a refreshing artistic texture that immerses the audience in a romantic dreamscape.

Making The Peony Pavilion (complete version) was an expansive, years-long endeavor undertaken by an elite group of multi-generation artists from the Shanghai Kunqu Opera Troupe. Some of the most renowned veteran performers of the genre, including Yue Meiti, Cai Zhengren, Zhang Jingxian and Li Xiaoping, served as special consultants and instructors, while onstage, top young artists take the limelight. The female lead is played by Luo Chenxue, a National Class One performer who recently won the prestigious Plum Blossom Award for Chinese Theatre for this role in June 2023. Meanwhile, Hu Weilu, a new recipient of the Shanghai Magnolia Stage Performance Award for her cross-gender portrayal of the male lead, takes on a major career challenge and delivers an outstanding performance.

Shanghai Kunqu Opera Troupe

Founded in 1978, the Shanghai Kunqu Opera Troupe is a key professional art performance troupe supported by the state. The first head of the troupe is YU Zhenfei, a great artist of the Peking and Kunqu Opera, and the incumbent head is Kunqu Opera artist GU Haohao.

The Shanghai Kunqu Opera Troupe remains committed to protecting traditional Kunqu Opera art. Since its establishment, the troupe has revived and performed nearly 300 excellent traditional opera highlights, including Caught AliveLI Bai Writes DrunkenStopping the Horse and The Funny Court Verdict, and nearly 60 full-scale operas, such as PEI Shaojun and LI QianjinPeony Pavilion, The Palace of Eternal YouthThe Handan DreamThe Lanke MountainThe Purple Hairpin, Dream Under the Southern Bough. Besides, on the basis of artistic inheritance, the troupe has promoted the creation of new operas, winning high praise from domestic and foreign audiences with the following opera commissions and adaptations: SIMA XiangruPeony PavilionThe Palace of Eternal YouthBloody HandBAN ZhaoPeach Blossoms and The Bell Tolls for a Dynasty. The troupe won the Ministry of Culture National Project to the Distillation of the Stage Art and the Chinese Opera Society Award for three times, and other national art awards, such as the "Five-One” Project Award, Wenhua Award, Wenhua New Drama Award, China Theatre Award and Chinese Kunqu Opera Art Festival Excellent Drama Award by the Publicity Department of the CPC, Ministry of Culture, China Theatre Association and Chinese Opera Society.

The Shanghai Kunqu Opera Troupe’s famous Kunqu Opera artists such as WANG Zhiquan, FANG Yang, JI Zhenhua, LIU Yilong, ZHANG Xunpeng, ZHANG Mingrong, ZHANG Jingxian, YUE Meiti, LIANG Guyin and CAI Zhengren. A-list artists GU Haohao is a winner of the Plum Blossom Prize, Wenhua Award for Performance and leading talent of Shanghai City. The Troupe includes winners of the Plum Blossom Prize, such as LI An, WU Shuang, SHEN Yili, young and middle-aged national class-A artists, such as MIAO Bin, NI Hong and YU Bin; excellent young and middle-aged artists, such as HU Gang, DING Yun, HOU Zhe, JI Yunfeng, ZHAO Lei, CHEN Li, SUN Jinghua, LUO Chenxue and HU Weilu. Eleven artists have own the Plum Blossom Prize for twelve times. The troupe has A-list artists that can play all kinds of roles. In 1986, the troupe won first prize for Kunqu Opera Revitalization from the Ministry of Culture, lauded as “a first-class troupe with first-class artists that can perform first-class operas with first-class skills”.

The Shanghai Kunqu Opera Troupe gave performances in the U.S., Japan, the U.K., France, Germany, Spain, Denmark, Sweden, the Netherlands, Singapore, Malaysia as well as some regions such as Hong Kong, Macao and Taiwan. On the strength of wonderful operas performed with exquisite skills, it has won many accolades and a warm welcome from audiences at home and abroad, enjoying much popularity.

Synopsis

Part 1
Du Liniang is the daughter of Du Bao, a county governor in the Song dynasty. On a spring day, after taking a stroll in the garden, she falls asleep and dreams of falling in love with young scholar Liu Mengmei. Upon waking up, a lovelorn Du Liniang falls into a deep depression and dies from a broken heart. When Du Bao receives an order to lead the military against a foreign invasion, he buries his daughter’s body in the garden before reporting for duty.

Featuring a number of the opera’s most beloved scenes, Part One is centred on the life of Du Liniang, whose burning pursuit of love and freedom is the driving spirit of the story.

Part 2
In the nether realm, the God of the underworld, moved by Liniang’s story and her all-consuming devotion to love, grants her spirit permission to wander the earth in search of her dream lover. At the same time, Liu Mengmei stumbles across a portrait of Du Liniang and brings it back. Hearing him calling her name, Du Liniang’s spirit appears in front of Liu Mengmei, and the pair consummate their passion. Later Liu Mengmei exhumes Du Liniang’s body and resurrects her.

Part Two puts Luo Chenxue and Hu Weilu’s award-winning performances front and centre, with the pair showcasing their exceptional acting skills and onstage chemistry as the two leads.

Part 3
In the chaos of war, Du Bao gets separated from his wife and their family maid, and hears a false rumour that the two women have been killed. Though devastated, Du Bao leads his troops to break the enemy siege. Meanwhile, Liu Mengmei travels to visit Du Bao to tell him about Du Liniang’s resurrection and their marriage, but is mistaken as a grave robber. When Du Bao’s daughter and wife show up, he believes them to be ghosts, but an examination proves they are alive and the Du family is reunited.

Part Three contains many scenes that have rarely been seen on stage before. Their inclusion not only provides a broader social context to the story, but also serves to flesh out Liu Mengmei as a fully fledged character by highlighting his personality and strengths.

Venue Info

Beijing National Grand Theater (NCPA) - Beijing
Location   2 W Chang'an Ave

The National Centre for the Performing Arts (NCPA) is an arts centre containing an opera house in Beijing, People's Republic of China. The Centre, an ellipsoid dome of titanium and glass surrounded by an artificial lake, seats 5,452 people in three halls and is almost 12,000 m² in size. It was designed by French architect Paul Andreu. Construction started in December 2001 and the inaugural concert was held in December 2007.

The exterior of the theater is a titanium-accented glass dome that is completely surrounded by a man-made lake. It is said to look like an egg floating on water, or a water drop. It was designed as an iconic feature, something that would be immediately recognizable.

The dome measures 212 meters in east–west direction, 144 meters in north–south direction, and is 46 meters high. The main entrance is at the north side. Guests arrive in the building after walking through a hallway that goes underneath the lake. The titanium shell is broken by a glass curtain in north–south direction that gradually widens from top to bottom.

The location, immediately to the west of Tiananmen Square and the Great Hall of the People, and near the Forbidden City, combined with the theatre's futuristic design, created considerable controversy. Paul Andreu countered that although there is indeed value in ancient traditional Chinese architecture, Beijing must also include modern architecture, as the capital of the country and an international city of great importance. His design, with large open space, water, trees, was specially designed to complement the red walls of ancient buildings and the Great Hall of the People, in order to melt into the surroundings as opposed to standing out against them.

Internally, there are three major performance halls:

The Opera Hall is used for operas, ballet, and dances and seats 2,416 people.
The Music Hall is used for concerts and recitals and seats 2,017 people.
The Theatre Hall is used for plays and the Beijing opera. It has 1,040 seats.
The NCPA also distributes filmed and recorded performances of its concerts, plays and operas through the in-house label NCPA Classics, established in 2016.

The initial planned cost of the theatre was 2.688 billion yuan. When the construction had completed, the total cost rose to more than CNY3.2 billion. The major cause of the cost increase was a delay for reevaluation and subsequent minor changes as a precaution after a Paris airport terminal building collapsed. The cost has been a major source of controversy because many believed that it is nearly impossible to recover the investment. When the cost is averaged out, each seat is worth about half a million CNY. The Chinese government answered that the theater is not a for profit venture.

The government sanctioned study completed in 2004 by the Research Academy of Economic & Social Development of the Dongbei University of Finance and Economics, of the upkeep costs of the building were publicized in domestic Chinese media:

The water and electricity bills and the cleaning cost for the external surface would be at least tens of millions CNY, and with another maintenance cost, the total could easily exceed one billion CNY. Therefore, at least 80 percent of the annual operational costs must be subsidized by the government for at least the first three years after the opening, and for the rest of its operational life, at least 60 percent of the annual operational cost must be subsidized by the government.

The director of the art committee of the National Centre for the Performing Arts and the standing committee member of the Standing Committee of the Chinese People's Political Consultative Conference, Mr Wu Zuqiang (吴祖强) and the publicist / deputy director of the National Centre for the Performing Arts Mr Deng (邓一江) have announced that 70 percent of the tickets would be sold at low price for ordinary citizens, while 10% of the tickets would be sold at relatively expensive prices for separate market segments, and the 60% of annual operating cost needed to be subsidized by the government would be divided between the central government and the Beijing municipal government.

Important Info
Type: Opera Chinese
City: Beijing, China
Starts at: 19:30
Duration: 2h 20min
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