Beijing National Grand Theater (NCPA) tickets 23 October 2024 - Peking Opera "Fragrance of Plum Blossom" in Commemoration of the 130th Anniversary of MEI Lanfang's Birth | GoComGo.com

Peking Opera "Fragrance of Plum Blossom" in Commemoration of the 130th Anniversary of MEI Lanfang's Birth

Beijing National Grand Theater (NCPA), Theatre, Beijing, China
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7:30 PM
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US$ 157

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera Chinese
City: Beijing, China
Starts at: 19:30

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

2024 marks the 130th anniversary of the birth of Mr. Mei Lanfang, the master of Peking Opera and the founder of Mei School, and the 90th anniversary of the birth of Mr. Mei Baojiu, the son of Mr. Mei Lanfang, the successor of Mei School and the former head of the Mei Lanfang Peking Opera Troupe of Beijing Peking Opera Theater. In order to commemorate the outstanding contributions made by two generations of Peking Opera masters to Chinese opera art, Beijing Peking Opera Theater has gathered contemporary Mei School art masters and newcomers from all over the country to grandly hold the "Mei Yun Liu Fang" national tour in 2024 to commemorate the 130th anniversary of the birth of Mr. Mei Lanfang and the 90th anniversary of the birth of Mr. Mei Baojiu. This is a concentrated display of Peking Opera Mei School art in the contemporary era, and it is also a practical action of Beijing Peking Opera Theater to actively implement General Secretary Xi Jinping's proposal of "focusing on continuing the Chinese cultural heritage and promoting the creative transformation and innovative development of China's excellent traditional culture".
The national tour of the "Mei Yun Liu Fang" project will be held in Beijing, Tianjin, Shanghai, Harbin, Nanjing, Wuhan, Jinan, Taizhou, Suzhou and other places throughout 2024, with a scale of more than 70 performances. At the same time, brother troupes from Tianjin, Shanghai, Nanjing, Hubei and other places were invited to perform together, and they received strong support from theaters such as the National Grand Theater, Chang'an Grand Theater, Shanghai Tianchan Yifu Stage, Tianjin Binhu Theater, and Jixiang Grand Theater.
The first performance of the national tour was grandly opened at Peking University on March 16. So far, 39 performances have been performed in Beijing, Tianjin, Shanghai, Nanjing and other places. The Mei style of Peking Opera is dedicated to the audiences of all regions, which has aroused strong heated discussions and achieved good social, economic and artistic benefits.

"Heavenly Girl Scattering Flowers"
Based on the "Vimalakirti Sutra", Vimalakirti layman fell ill, and the Buddha ordered the Bodhisattvas and disciples to visit him, and sent the Flower Scattering Girl to scatter flowers in the ward. In the play, Mr. Mei Lanfang pioneered the ribbon dance, beautified and enriched the dance routines in the Peking Opera female roles, and sang and danced to express the joy of the goddess leaving the fairyland and riding the wind.

Celestial maiden——Mana

"Daiyu buries flowers"
Based on the 26th and 27th chapters of "A Dream of Red Mansions". Lin Daiyu visits Baoyu at night, but the maid mistakenly refuses her. Daiyu suspects that Baoyu is unfaithful to her. The next day, she goes to the garden with a hoe and sees fallen flowers with no owner, so she composes a poem to bury the flowers. Baoyu arrives and expresses his feelings, and they reconcile.

Lin Daiyu——Bai Jin

"Anti-Jin Soldiers"
Anti-Jin Soldiers is a traditional Peking Opera repertoire. The plot of this play is: Jin Wushu invades Song, Han Shizhong guards Runzhou, and discusses anti-Jin with Liang Hongyu. Fighting on Jinshan River, Liang Hongyu beats drums to help, and Han Shizhong and his two sons join forces to defeat the Jin soldiers. Later, Wushu is lured into Huangtian Dang, and Han and Liang surround him.

Liang Hongyu——Li Hongyan

Farewell My Concubine

In 1921, Mr. Mei Lanfang performed Farewell My Concubine based on the legend of Qian Jin Ji by Shen Cai in the Ming Dynasty and the performance of Chu-Han Struggle by Mr. Yang Xiaolou and Shang Xiaoyun. This play describes the tragic love story of Xiang Yu being trapped by Liu Bang at Gaixia. When Xiang Yu was surrounded by enemies and his 8,000 soldiers were scattered, his concubine Yu Ji suppressed her grief and relieved the worries of the king. In the end, she committed suicide to avoid implicating Xiang Yu.

Yu Ji——Wang Yi
Xiang Yu——Chen Junjie

Drunken Concubine

Xuanzong made an appointment with Yang Guifei the day before and ordered her to set up a banquet at Baihua Pavilion to enjoy the flowers and drink together. On the next day, Yang Guifei went to Baihua Pavilion first and prepared the imperial banquet to wait for the emperor. However, after a while, Emperor Xuanzong did not arrive. It was delayed for a long time. Suddenly, it was reported that the emperor had visited Concubine Jiang's palace. Upon hearing the news, Concubine Yang was so upset that she wanted to die. As a result, she had a myriad of emotions that were difficult to dispel for a while, and she added wine to her sorrow. Three cups of wine made her drunk, and her passion suddenly became intense, and she could not help herself.

Yang Yuhuan - Zhang Huifang
Gao Lishi - Huang Baixue
Pei Lishi - Xia Kai

Drummer: Bai Long
Musician: Shu Jian, Liu Nan
Stage Manager: Xu Shuaishuai

Venue Info

Beijing National Grand Theater (NCPA) - Beijing
Location   2 W Chang'an Ave

The National Centre for the Performing Arts (NCPA) is an arts centre containing an opera house in Beijing, People's Republic of China. The Centre, an ellipsoid dome of titanium and glass surrounded by an artificial lake, seats 5,452 people in three halls and is almost 12,000 m² in size. It was designed by French architect Paul Andreu. Construction started in December 2001 and the inaugural concert was held in December 2007.

The exterior of the theater is a titanium-accented glass dome that is completely surrounded by a man-made lake. It is said to look like an egg floating on water, or a water drop. It was designed as an iconic feature, something that would be immediately recognizable.

The dome measures 212 meters in east–west direction, 144 meters in north–south direction, and is 46 meters high. The main entrance is at the north side. Guests arrive in the building after walking through a hallway that goes underneath the lake. The titanium shell is broken by a glass curtain in north–south direction that gradually widens from top to bottom.

The location, immediately to the west of Tiananmen Square and the Great Hall of the People, and near the Forbidden City, combined with the theatre's futuristic design, created considerable controversy. Paul Andreu countered that although there is indeed value in ancient traditional Chinese architecture, Beijing must also include modern architecture, as the capital of the country and an international city of great importance. His design, with large open space, water, trees, was specially designed to complement the red walls of ancient buildings and the Great Hall of the People, in order to melt into the surroundings as opposed to standing out against them.

Internally, there are three major performance halls:

The Opera Hall is used for operas, ballet, and dances and seats 2,416 people.
The Music Hall is used for concerts and recitals and seats 2,017 people.
The Theatre Hall is used for plays and the Beijing opera. It has 1,040 seats.
The NCPA also distributes filmed and recorded performances of its concerts, plays and operas through the in-house label NCPA Classics, established in 2016.

The initial planned cost of the theatre was 2.688 billion yuan. When the construction had completed, the total cost rose to more than CNY3.2 billion. The major cause of the cost increase was a delay for reevaluation and subsequent minor changes as a precaution after a Paris airport terminal building collapsed. The cost has been a major source of controversy because many believed that it is nearly impossible to recover the investment. When the cost is averaged out, each seat is worth about half a million CNY. The Chinese government answered that the theater is not a for profit venture.

The government sanctioned study completed in 2004 by the Research Academy of Economic & Social Development of the Dongbei University of Finance and Economics, of the upkeep costs of the building were publicized in domestic Chinese media:

The water and electricity bills and the cleaning cost for the external surface would be at least tens of millions CNY, and with another maintenance cost, the total could easily exceed one billion CNY. Therefore, at least 80 percent of the annual operational costs must be subsidized by the government for at least the first three years after the opening, and for the rest of its operational life, at least 60 percent of the annual operational cost must be subsidized by the government.

The director of the art committee of the National Centre for the Performing Arts and the standing committee member of the Standing Committee of the Chinese People's Political Consultative Conference, Mr Wu Zuqiang (吴祖强) and the publicist / deputy director of the National Centre for the Performing Arts Mr Deng (邓一江) have announced that 70 percent of the tickets would be sold at low price for ordinary citizens, while 10% of the tickets would be sold at relatively expensive prices for separate market segments, and the 60% of annual operating cost needed to be subsidized by the government would be divided between the central government and the Beijing municipal government.

Important Info
Type: Opera Chinese
City: Beijing, China
Starts at: 19:30
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