Beijing National Grand Theater (NCPA) 5 January 2024 - Multimedia Performance - The Nutcracker and I | GoComGo.com

Multimedia Performance - The Nutcracker and I

Beijing National Grand Theater (NCPA), Multi-functional Theatre, Beijing, China
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7:30 PM
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Important Info
Type: Classical Concert
City: Beijing, China
Starts at: 19:30

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

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If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Programme
Overview

The Nutcracker for the 21st century with a pianist, a ballerina, state-of-the-art animation and digital effects to retell this seasonal classic like it’s never been told before, creating a fantastical world so real that you might even start to believe in sugar plum fairies! A visual and musical treat for all ages.

The Nutcracker and I by Alexandra Dariescu is a ground-breaking multimedia performance for piano solo with dance and digital animation, which Dariescu created and produced out of a personal responsibility to reach out to younger audiences and build bridges for those perhaps new to classical music.

Alexandra inspires audiences by telling her own story as Clara: from little girl to concert pianist. On stage, Dariescu is at the piano joined by the ballerina behind a see-through gauze screen, whilst exquisite, hand drawn digital animations are projected onto the gauze, bringing the magical story to life. The music contains 15 virtuosic movements of the original Tchaikovsky score arranged by Mikhail Pletnev, Stepan Esipoff, Percy Grainger and three brand new adaptations by Gavin Sutherland.

The Nutcracker and I was premiered at Barbican's Milton Court in December 2017, and has since then enjoyed international critical acclaim on tour across Europe, Australia, China, the Emirates and the United States with more than 75 performances in venues such as the Wiener Konzerthaus, Laeiszhalle Hamburg, Philharmonie Luxembourg, Auditorium de Lyon, Verbier Festival, Konserthuset Gothenburg, King’s Place London, Melbourne Recital Hall, Sydney City Recital Hall, Royal Liverpool Philharmonic, Dubai Opera House and Las Vegas Summerlin Library. So far, The Nutcracker and I reached more than 70,000 people worldwide through the live performances and a newly released audio book, narrated by BBC Blue Peter presenter and BAFTA winner, Lindsey Russell. In 2019, The Nutcracker and I was shortlisted for one of the most prestigious German Awards, Opus Klassik, as one of the 9 nominees including projects by Daniel Barenboim, Lang Lang and Anne-Sophie Mutter.

 

Performed and produced by Alexandra Dariescu

Director: Nick Hillel

Art & Animation Director: Adam Smith

Choreographer: Jenna Lee

Ballerina: Imogen Ash

Technical Producer: Sander Loonen

Video Design: Yeast Culture

Venue Info

Beijing National Grand Theater (NCPA) - Beijing
Location   2 W Chang'an Ave

The National Centre for the Performing Arts (NCPA) is an arts centre containing an opera house in Beijing, People's Republic of China. The Centre, an ellipsoid dome of titanium and glass surrounded by an artificial lake, seats 5,452 people in three halls and is almost 12,000 m² in size. It was designed by French architect Paul Andreu. Construction started in December 2001 and the inaugural concert was held in December 2007.

The exterior of the theater is a titanium-accented glass dome that is completely surrounded by a man-made lake. It is said to look like an egg floating on water, or a water drop. It was designed as an iconic feature, something that would be immediately recognizable.

The dome measures 212 meters in east–west direction, 144 meters in north–south direction, and is 46 meters high. The main entrance is at the north side. Guests arrive in the building after walking through a hallway that goes underneath the lake. The titanium shell is broken by a glass curtain in north–south direction that gradually widens from top to bottom.

The location, immediately to the west of Tiananmen Square and the Great Hall of the People, and near the Forbidden City, combined with the theatre's futuristic design, created considerable controversy. Paul Andreu countered that although there is indeed value in ancient traditional Chinese architecture, Beijing must also include modern architecture, as the capital of the country and an international city of great importance. His design, with large open space, water, trees, was specially designed to complement the red walls of ancient buildings and the Great Hall of the People, in order to melt into the surroundings as opposed to standing out against them.

Internally, there are three major performance halls:

The Opera Hall is used for operas, ballet, and dances and seats 2,416 people.
The Music Hall is used for concerts and recitals and seats 2,017 people.
The Theatre Hall is used for plays and the Beijing opera. It has 1,040 seats.
The NCPA also distributes filmed and recorded performances of its concerts, plays and operas through the in-house label NCPA Classics, established in 2016.

The initial planned cost of the theatre was 2.688 billion yuan. When the construction had completed, the total cost rose to more than CNY3.2 billion. The major cause of the cost increase was a delay for reevaluation and subsequent minor changes as a precaution after a Paris airport terminal building collapsed. The cost has been a major source of controversy because many believed that it is nearly impossible to recover the investment. When the cost is averaged out, each seat is worth about half a million CNY. The Chinese government answered that the theater is not a for profit venture.

The government sanctioned study completed in 2004 by the Research Academy of Economic & Social Development of the Dongbei University of Finance and Economics, of the upkeep costs of the building were publicized in domestic Chinese media:

The water and electricity bills and the cleaning cost for the external surface would be at least tens of millions CNY, and with another maintenance cost, the total could easily exceed one billion CNY. Therefore, at least 80 percent of the annual operational costs must be subsidized by the government for at least the first three years after the opening, and for the rest of its operational life, at least 60 percent of the annual operational cost must be subsidized by the government.

The director of the art committee of the National Centre for the Performing Arts and the standing committee member of the Standing Committee of the Chinese People's Political Consultative Conference, Mr Wu Zuqiang (吴祖强) and the publicist / deputy director of the National Centre for the Performing Arts Mr Deng (邓一江) have announced that 70 percent of the tickets would be sold at low price for ordinary citizens, while 10% of the tickets would be sold at relatively expensive prices for separate market segments, and the 60% of annual operating cost needed to be subsidized by the government would be divided between the central government and the Beijing municipal government.

Important Info
Type: Classical Concert
City: Beijing, China
Starts at: 19:30
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