Beijing National Grand Theater (NCPA) 18 June 2023 - Ivo Pogorelich Piano Recital | GoComGo.com

Ivo Pogorelich Piano Recital

Beijing National Grand Theater (NCPA), Beijing, China
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7:30 PM
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Important Info
Type: Classical Concert
City: Beijing, China
Starts at: 19:30

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Programme
Overview

NCPA Piano Virtuosos 2023

Ivo Pogorelich was born in Belgrade in 1958 as son of a musician. He received his first piano lessons at the age of seven and went to Moscow at the age of 12 to study at the Central Special Music School and then at the Tchaikowsky Conservatory. In 1976 he began intensive studies with the renowned pianist and teacher Aliza Kezeradze, with whom he was married from 1980 until her untimely death in 1996. Mme. Kezeradze was able to transmit the spirit and matter of the school of Beethoven and Liszt, originated in Vienna and than carried through to the Conservatory of St. Petersburg, flourishing towards the end of the 19th and the beginning of the 20th century. Ivo Pogorelich won the first prize at the Alessandro Casagrande Competition at Terni (Italy) in 1978 and the first prize at the Montreal International Music Competition in 1980. In October of the same year, he entered the International Chopin Competition in Warsaw where, when prevented from participating in the final contest as a soloist with the orchestra, a fierce controversy resulted in the renowned Argentinian pianist Martha Argerich, a member of the jury, protesting and leaving the competition, joined by other members of the jury panel, with the words “He is a genius”. This event drew the attention of the whole musical world to the young pianist.

Ever since his debut recital in New York’s Carnegie Hall in 1981, Ivo Pogorelich has created a sensation with his performances in all the great concert halls throughout the world; starting in the U.S. and followed by performances on all four continents. He has received invitations to play with numerous major orchestras such as the Berlin and Vienna Philharmonic Orchestras, all the London Orchestras, the Chicago, Philadelphia, Boston, Los Angeles, New York Philharmonic Orchestras of the U.S. and major orchestras elsewhere. Wherever and whenever he plays, his stunning interpretations of the music confirm the originality of his talent and intellect. The New York Times once wrote “He played each note exactly, with such a feeling, such expression, he was an entire orchestra – it was as if he played 200 years ahead of our time”. In this spirit Ivo Pogorelich is known today as a poet of the instrument.

In the recent season 2014/2015, Ivo Pogorelich has given triumphal recitals and concerts in Germany, Switzerland, France, Belgium, the Netherlands, Denmark, Great Britain, Lithuania, Croatia, Spain, Turkey, Japan as well as in China. In 2015/16, Ivo Pogorelich appeared in Warsaw, Dubrovnik, Montreux, Oxford, Cologne, Stuttgart, Munich, Paris and other European cities.

Besides his extensive concert performances, Ivo Pogorelich has offered a lot to the community by supporting young musicians. In 1986, he established a foundation in Croatia to raise funds for scholarships for young artists to further their studies abroad. At the german spa town of Bad Wörishofen, Ivo Pogorelich created a festival, which went on for a decade, with the aim of supporting promising young musicians at the very beginning of their careers by giving them the opportunity of performing in company with their well-known colleagues. In 1993, the Ivo Pogorelich Piano Competition was held in the californian city of Pasadena. A bianual performance is offered in the city of Lugano, where Ivo Pogorelich lives, with the aim of promoting and helping young musicians.

In 1994, the pianist set up a foundation in Sarajevo to raise money to rebuild a maternity hospital in the city. Ivo Pogorelich gives charity concerts in support of, for example the Red Cross or the fight against illnesses, such as cancer and multiple sclerosis, among other projects. One of such is to offer his advise to young artists by occasionally giving masterclasses. In 1987 he received the honour of being named an “Ambassador of Goodwill” by UNESCO.

Ivo Pogorelich has recorded an impressive number of CDs with Deutsche Grammophon Gesellschaft, with a repertory ranging from Baroque to Classic, to Romantic and the music of the 20th century. The cumulative effect of this recorded material has confirmed his status which many see as being legendary. In March 2015 Deutsche Grammophon has released a single box set Pogorelich Complete Recordings with 14 extraordinary albums which has been awarded with the French Diapason d’Or.

Venue Info

Beijing National Grand Theater (NCPA) - Beijing
Location   2 W Chang'an Ave

The National Centre for the Performing Arts (NCPA) is an arts centre containing an opera house in Beijing, People's Republic of China. The Centre, an ellipsoid dome of titanium and glass surrounded by an artificial lake, seats 5,452 people in three halls and is almost 12,000 m² in size. It was designed by French architect Paul Andreu. Construction started in December 2001 and the inaugural concert was held in December 2007.

The exterior of the theater is a titanium-accented glass dome that is completely surrounded by a man-made lake. It is said to look like an egg floating on water, or a water drop. It was designed as an iconic feature, something that would be immediately recognizable.

The dome measures 212 meters in east–west direction, 144 meters in north–south direction, and is 46 meters high. The main entrance is at the north side. Guests arrive in the building after walking through a hallway that goes underneath the lake. The titanium shell is broken by a glass curtain in north–south direction that gradually widens from top to bottom.

The location, immediately to the west of Tiananmen Square and the Great Hall of the People, and near the Forbidden City, combined with the theatre's futuristic design, created considerable controversy. Paul Andreu countered that although there is indeed value in ancient traditional Chinese architecture, Beijing must also include modern architecture, as the capital of the country and an international city of great importance. His design, with large open space, water, trees, was specially designed to complement the red walls of ancient buildings and the Great Hall of the People, in order to melt into the surroundings as opposed to standing out against them.

Internally, there are three major performance halls:

The Opera Hall is used for operas, ballet, and dances and seats 2,416 people.
The Music Hall is used for concerts and recitals and seats 2,017 people.
The Theatre Hall is used for plays and the Beijing opera. It has 1,040 seats.
The NCPA also distributes filmed and recorded performances of its concerts, plays and operas through the in-house label NCPA Classics, established in 2016.

The initial planned cost of the theatre was 2.688 billion yuan. When the construction had completed, the total cost rose to more than CNY3.2 billion. The major cause of the cost increase was a delay for reevaluation and subsequent minor changes as a precaution after a Paris airport terminal building collapsed. The cost has been a major source of controversy because many believed that it is nearly impossible to recover the investment. When the cost is averaged out, each seat is worth about half a million CNY. The Chinese government answered that the theater is not a for profit venture.

The government sanctioned study completed in 2004 by the Research Academy of Economic & Social Development of the Dongbei University of Finance and Economics, of the upkeep costs of the building were publicized in domestic Chinese media:

The water and electricity bills and the cleaning cost for the external surface would be at least tens of millions CNY, and with another maintenance cost, the total could easily exceed one billion CNY. Therefore, at least 80 percent of the annual operational costs must be subsidized by the government for at least the first three years after the opening, and for the rest of its operational life, at least 60 percent of the annual operational cost must be subsidized by the government.

The director of the art committee of the National Centre for the Performing Arts and the standing committee member of the Standing Committee of the Chinese People's Political Consultative Conference, Mr Wu Zuqiang (吴祖强) and the publicist / deputy director of the National Centre for the Performing Arts Mr Deng (邓一江) have announced that 70 percent of the tickets would be sold at low price for ordinary citizens, while 10% of the tickets would be sold at relatively expensive prices for separate market segments, and the 60% of annual operating cost needed to be subsidized by the government would be divided between the central government and the Beijing municipal government.

Important Info
Type: Classical Concert
City: Beijing, China
Starts at: 19:30
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