Beijing National Grand Theater (NCPA) 22 August 2023 - China Broadcasting Chinese Orchestra | GoComGo.com

China Broadcasting Chinese Orchestra

Beijing National Grand Theater (NCPA), Concert Hall, Beijing, China
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7:30 PM
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Important Info
Type: Classical Concert
City: Beijing, China
Starts at: 19:30

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Programme
Overview

Poem: BAI Juyi, Tang Dynasty

“Whispering with each other at midnight of the seventh day of the seventh lunar month, the Tang Emperor and his lover Imperial Concubine YANG pledged their eternal love at Palace of Eternal Life. They wished to be inseparable birds flying in the Heaven and on earth becomes two trees in company with branches interlocked forever”—Everlasting Regret

Music: WANG Tianming

Chinese Orchestral Work Double Stars

 

Poem: YUAN Haowen, Jin Dynasty

“I keep asking the world what love really is; Why will it make me pay my whole life for it?”—Tune of Moyuer • Lament for Tomb of Wild Goose

Music: WANG Danhong

Chinese Orchestral Work Affection (from Chinese Symphonic Music and Painting Work Sun Tzu’s Art of War · Echo)

 

Poem: XU Shen, Han Dynasty

Mei refers to the beautiful stone, and gui refers to the shining pearl”—Shuo Wen Jie Zi

Music: ZOU Zhengxiao

Arr.: ZHANG Lie

Chinese Orchestral Work Nine Hundred and Ninety-Nine Roses

 

Poem: Anonymous, Tang Dynasty

“You go to the remote Weihe Plain so that I have no any interest in playing orchestral instruments. I watch the moon at home alone, but I keep the frontier clouds in mind”—Poem Inscribed on Copper Guan Kiln Porcelain

Music: ZENG Yongqing

Dizi and Orchestra Love on the Weihe Plain

 Dizi Artist: HOU Changqing

 

Poem: WENG Sizai

“I only love one person during my lifetime, and the king is crazily infatuated in love. I find it hard to waste up her natural beauty. The song Everlasting Regret is a secret through the ages”—Ode to Pear Blossoms

Music: YANG Nailin

Beijing Opera and Orchestra Ode to Pear Blossoms

 Artist: HU Wenge

 

——Intermission——

 

Poem: QIN Guan, Song Dynasty

“Eternal love between us two, shall with stand the time apart” —Tune of Queqiaoxian

Music: ZHAO Jiping

Arr.: JING Jianshu

Theme Music Suite Qiao Family Courtyard

 III. Erhu and Orchestra Love

  Erhu Artist: ZHOU Tingting

 VI. Vocal Music and Orchestra Affection in the Distance

  Soloist: YUE Lu

Poem: LI Bai, Tang Dynasty

“I think of her silver clothing at the sight of drifting clouds and her stunning appearance at the sight of flowers. The spring wind flows across the corridor while the peonies are set off by the glittering dews” —Qingping Tune · Part I

Music: WANG Danhong

Pipa Concerto Clouds and Flowers in Imagination

 Pipa Artist: CHEN Yin

Poem: MAO Zedong

“Heaven would have grown old were it sentient, and the proper way on earth is full of ups and downs”—The People's Liberation Army in Nanjing in the Style of Eight-line Chinese Poem with Seven Characters to a Line

Music: LIU Changyuan

Chinese Orchestral Work Dragon Leaps in the Orient

Venue Info

Beijing National Grand Theater (NCPA) - Beijing
Location   2 W Chang'an Ave

The National Centre for the Performing Arts (NCPA) is an arts centre containing an opera house in Beijing, People's Republic of China. The Centre, an ellipsoid dome of titanium and glass surrounded by an artificial lake, seats 5,452 people in three halls and is almost 12,000 m² in size. It was designed by French architect Paul Andreu. Construction started in December 2001 and the inaugural concert was held in December 2007.

The exterior of the theater is a titanium-accented glass dome that is completely surrounded by a man-made lake. It is said to look like an egg floating on water, or a water drop. It was designed as an iconic feature, something that would be immediately recognizable.

The dome measures 212 meters in east–west direction, 144 meters in north–south direction, and is 46 meters high. The main entrance is at the north side. Guests arrive in the building after walking through a hallway that goes underneath the lake. The titanium shell is broken by a glass curtain in north–south direction that gradually widens from top to bottom.

The location, immediately to the west of Tiananmen Square and the Great Hall of the People, and near the Forbidden City, combined with the theatre's futuristic design, created considerable controversy. Paul Andreu countered that although there is indeed value in ancient traditional Chinese architecture, Beijing must also include modern architecture, as the capital of the country and an international city of great importance. His design, with large open space, water, trees, was specially designed to complement the red walls of ancient buildings and the Great Hall of the People, in order to melt into the surroundings as opposed to standing out against them.

Internally, there are three major performance halls:

The Opera Hall is used for operas, ballet, and dances and seats 2,416 people.
The Music Hall is used for concerts and recitals and seats 2,017 people.
The Theatre Hall is used for plays and the Beijing opera. It has 1,040 seats.
The NCPA also distributes filmed and recorded performances of its concerts, plays and operas through the in-house label NCPA Classics, established in 2016.

The initial planned cost of the theatre was 2.688 billion yuan. When the construction had completed, the total cost rose to more than CNY3.2 billion. The major cause of the cost increase was a delay for reevaluation and subsequent minor changes as a precaution after a Paris airport terminal building collapsed. The cost has been a major source of controversy because many believed that it is nearly impossible to recover the investment. When the cost is averaged out, each seat is worth about half a million CNY. The Chinese government answered that the theater is not a for profit venture.

The government sanctioned study completed in 2004 by the Research Academy of Economic & Social Development of the Dongbei University of Finance and Economics, of the upkeep costs of the building were publicized in domestic Chinese media:

The water and electricity bills and the cleaning cost for the external surface would be at least tens of millions CNY, and with another maintenance cost, the total could easily exceed one billion CNY. Therefore, at least 80 percent of the annual operational costs must be subsidized by the government for at least the first three years after the opening, and for the rest of its operational life, at least 60 percent of the annual operational cost must be subsidized by the government.

The director of the art committee of the National Centre for the Performing Arts and the standing committee member of the Standing Committee of the Chinese People's Political Consultative Conference, Mr Wu Zuqiang (吴祖强) and the publicist / deputy director of the National Centre for the Performing Arts Mr Deng (邓一江) have announced that 70 percent of the tickets would be sold at low price for ordinary citizens, while 10% of the tickets would be sold at relatively expensive prices for separate market segments, and the 60% of annual operating cost needed to be subsidized by the government would be divided between the central government and the Beijing municipal government.

Important Info
Type: Classical Concert
City: Beijing, China
Starts at: 19:30
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