Auditorium Theatre 12 March 2020 - Mixed Repertory Program | GoComGo.com

Mixed Repertory Program

Auditorium Theatre, Chicago, USA
All photos (10)
Thursday 12 March 2020
7:30 PM
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Important Info
Type: Ballet
City: Chicago, USA
Starts at: 19:30

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

American Ballet Theatre (ABT) returns to Chicago as an Auditorium Theatre Visiting Resident Company! Experience the full breadth of ABT’s acclaimed artists in this mixed repertory program, featuring both classical and contemporary ballet. ABT performs the Chicago premiere of A Gathering of Ghosts, a brand-new work by celebrated choreographer Twyla Tharp created for Principal Dancer Herman Cornejo as he celebrates his 20th anniversary with the company. The program opens with the breathtaking “Kingdom of the Shades” from the second act of Natalia Makarova’s landmark production of Marius Petipa’s La Bayadère, “one of the most famous and poetic expressions in all of classical ballet” (The Washington Post), and also features Antony Tudor’s one-act ballet Jardin aux Lilas, considered “a masterwork of contemporary ballet” (The New York Times).

 

Act II of La Bayadère features the famed vision of the “Kingdom of the Shades” showcasing the corps de ballet in gossamer white tutus, filling the stage in perfect unison, as sublime as angels arriving from heaven.

In 1980 Makarova staged her own version of the full-length work for the company, based largely on the Ponomarev/Chabukiani version she danced during her career with the Kirov Ballet. Makarova's production premiered on May 21, 1980 at the Metropolitan Opera House, and was shown live on PBS during the Live from Lincoln Center broadcast. Makarova danced the role of Nikiya herself, but was replaced by Marianna Tcherkassky due to an injury during the first act. The principal roles included Anthony Dowell as Solor, Cynthia Harvey as Gamzatti, Alexander Minz as the High Brahmin and Victor Barbee as the Rajah. The décor was designed by Pier Luigi Samaritani, with costumes by Theoni V. Aldredge. The premiere was a triumph for American Ballet Theatre, and the company has performed it consistently ever since.

Amid a farewell party in an Edwardian garden, this tale brims with tension as young lovers are torn apart by a bride’s marriage of convenience to a monied, older gentleman. Performed to Chausson’s Poème for Violin and Orchestra, Antony Tudor’s choreography reveals vagaries of the human heart through furtive meetings, whispered secrets and gestures of unfulfilled yearning.

This brand new work by Twyla Tharp will be her first World Premiere for American Ballet Theatre in 10 years — celebrating Principal Dancer Herman Cornejo’s 20th anniversary with ABT.

History
Premiere of this production: 23 January 1877, Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia

La Bayadère (en. The Temple Dancer) is a ballet, originally staged in four acts and seven tableaux by French choreographer Marius Petipa to the music of Ludwig Minkus. The ballet was staged especially for the benefit performance of the Russian Prima ballerina Ekaterina Vazem, who created the principal role of Nikiya.

Synopsis

Act II, The Tent of Solor:  Solor, grief‑stricken and under the influence of opium, dreams of being reunited with Nikiya in the Kingdom of the Shades.  Awakening, he realizes that he must prepare to marry Gamzatti.

Set in the Royal India of the past, La Bayadère is a story of eternal love, mystery, fate, vengeance, and justice.  The ballet relates the drama of a temple dancer (bayadère), Nikiya, who is loved by Solor, a noble warrior.  She is also loved by the High Brahmin, but does not love him in return, as she does Solor.

Act I

Scene I, Outside Temple in the Sacred Forest.

The High Brahmin, priests, and temple dancers are celebrating the Indian Ritual of Fire.  Nikiya, the most beautiful of the bayadères, has been chosen to be consecrated the lead temple dancer.  The High Brahmin declares his love for Nikiya, but is rejected by her.  Nikiya meets secretly with Solor later that evening.  They dance together and swear eternal love over the Sacred Fire, but are discovered by the jealous High Brahmin, who vows to kill Solor.

Scene II, A Room in the Palace.

The Rajah has decided to reward Solor’s valor and decrees that the warrior will marry his daughter, Gamzatti.  Gamzatti falls in love with Solor’s portrait, and when they meet, he is overwhelmed by her beauty.  Even though he has sworn eternal love to Nikiya, he cannot defy the wishes of the Rajah and agrees to marry Gamzatti.  The High Brahmin informs the Rajah of Nikiya and Solor’s secret love, hoping that the Rajah will do away with Solor.  Instead, the Rajah decides to kill Nikiya.

This conversation is overhead by Gamzatti, who summons Nikiya to her rooms and attempts to bribe Nikiya to give up Solor.  Refusing, Nikiya frantically attempts to kill  Gamzatti.  Nikiya flees and Gamzatti swears to destroy her.

Scene III, The Garden of the Palace.

At the betrothal of Solor and Gamzatti, Nikiya is commanded to dance.  Gamzatti presents her with a basket of flowers that Nikiya believes to be from Solor, and which conceals a deadly snake.  Nikiya is bitten, and when Solor leaves with Gamzatti, she refuses the proffered antidote and dies.

Act II. The Tent of Solor.

Solor, grief‑stricken and under the influence of opium, dreams of being reunited with Nikiya in the Kingdom of the Shades.  Awakening, he realizes that he must prepare to marry Gamzatti.

Act III. The Temple.

The vision of Nikiya remains with Solor as the wedding ceremony begins at the Sacred Temple.  As Solor and Gamzatti say their vows and are blessed by the High Brahmin, the vengeance of the gods is unleashed, and the temple and all the celebrants are destroyed.  Nikiya and Solor are once again united in eternal love.

Caroline, about to enter upon a marriage of convenience, attends a farewell party to precede the ceremony. Among the guests are the man she really loves and the woman who, unknown to her, has been her fiancé’s mistress. Quick meetings and interrupted confidences culminate with Caroline leaving on the arm of her betrothed, never having satisfied the desperate longing for the final kiss.

Venue Info

Auditorium Theatre - Chicago
Location   50 E Ida B Wells Dr

The Auditorium Theatre, an Illinois not-for-profit organization, is committed to presenting the finest in international, cultural, community, and educational programming to Chicago and to the continued restoration and preservation of the National Historic Landmark Auditorium Theatre.

The Auditorium Theatre is a music and performance venue located inside the Auditorium Building at 50 Ida B. Wells Drive in Chicago, Illinois. Inspired by the Richardsonian Romanesque Style of architect Henry Hobson Richardson, the building was designed by Dankmar Adler and Louis Sullivan and completed in 1889. The Chicago Symphony Orchestra performed in the theatre until 1904 as well as the Chicago Grand Opera Company and its successors the Chicago Opera Association and Chicago Civic Opera until its relocation to the Civic Opera House in 1929. The theatre currently hosts performances by the Joffrey Ballet, in addition to a variety of concerts, musicals, performances and events. Since the 1940s, it has been owned by Roosevelt University and since the 1960s refurbished and managed by an independent non-profit arts organization.

Today, the Auditorium Theatre continues to maintain and restore the Adler & Sullivan building. Recent innovations include the introduction of the theatre's first public elevator as well as the Katten/Landau Studio housed in the Roosevelt University Wabash Building. Typically, more than 200 performances and events, ranging from dance and theater to music, educational programs, and more, attract over a quarter of a million people every year. The venue presents a wide array of international, national and Chicago-based dance and music programming. The signature program of the Auditorium's Creative Engagement department is "Hearts to Art,"  a summer camp that utilizes the performing arts of music, theatre and dance to provide healing opportunities for children who have experienced the death of a parent. Winner of State Farm Insurance's 2009 "Embrace Life" award, the camp helps the children gain self-confidence, learn to express themselves and fosters emotional growth through interaction with other campers and caring adults who have experienced the same loss.

On October 2, 2014, it was announced that the 2015 NFL Draft would be held at the Auditorium Theatre, making the first selection meeting outside New York City in fifty years. The first round of the draft took place there on April 30, 2015. The draft ended after 7 rounds and 256 selections on May 2, 2015. The venue hosted the NFL Draft again in 2016.

The Auditorium has been the home of the Joffrey Ballet since 1998.

Important Info
Type: Ballet
City: Chicago, USA
Starts at: 19:30
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