Bach + Brahms
Select date and time
E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.
You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).
E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.
You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).
Brahms Revealed, the season-long Brahms festival, continues with a psychological profile of the composer. Music Director Nathalie Stutzmann kicks it off with a splendorous orchestral suite by Brahms’s hero, Johann Sebastian Bach. She follows the suite with something of a joke. When the officials at the University of Breslau awarded Brahms an honorary degree, they hoped that he would write them a symphony. Ever bullheaded and often a tease, Brahms instead gave them the Academic Festival Overture, a rollicking piece packed with student drinking songs.
In 1881, Brahms poured that same free spirit into his Piano Concerto No. 2. It’s an absolute charmer for audiences, but a bear for the pianist. A concerto with the grandeur of a symphony, it is athletic, turbulent, tender, and fiery, and a perfect showcase for the talents of pianist and ASO Artist-in-Residence, Anna Geniushene.