Moulin Rouge! The Musical (Al Hirschfeld Theatre) tickets 20 February 2026 - Moulin Rouge! The Musical | GoComGo.com

Moulin Rouge! The Musical

Moulin Rouge! The Musical (Al Hirschfeld Theatre), New York, USA
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US$ 163

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Musical
City: New York, USA
Starts at: 19:00
Duration: 2h 35min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Creators
Choreographer: Sonya Tayeh
Playwright: John Logan
Musical Supervisor: Justin Levine
Overview

Moulin Rouge is a world-famous cabaret in Paris, located in the Montmartre district. It was opened in 1889 and quickly became a symbol of Parisian nightlife and entertainment. The cabaret is easily recognized by its large red windmill on the roof. Inside, visitors enjoy glamorous performances, music, dance, and the traditional French cancan. Moulin Rouge has inspired many artists, writers, and filmmakers, and it remains one of the most popular tourist attractions in Paris.

Set in the Montmartre Quarter of Paris, France at the turn of the century, a world of indulgent beauty. Enter a world of splendor and romance, of eye-popping excess, of glitz, grandeur and glory! A world where Bohemians and aristocrats rub elbows and revel in electrifying enchantment. Pop the champagne and prepare for the spectacular spectacular…Welcome to Moulin Rouge! The Musical!

In 2001 Baz and his creative (and life) partner, Catherine “CM” Martin, created one of the most revolutionary moments in cinema history. With the arrival of Moulin Rouge! the movie-musical was reborn, our ears were immersed in a new style of mashing existing songs together to create new gems, whilst our eyes tried to keep up with the now-iconic flicks and zooms of Baz’s mind-blowing direction.

Bringing Moulin Rouge! The Musical to the stage was a decade-long journey, spanning 3 continents, encompassing 75 songs credited to 165 songwriters, administered by 31 publishers, representing over 160 years of music.

If you’re a fan of the Moulin Rouge! movie, you’ll remember how Christian and Satine fell in love against a soaring soundtrack of Your Song, Come What May and Elephant Love Medley.

Moulin Rouge! The Musical features many of the iconic songs from the 2001 movie as well as new additions from Music Supervisor, Orchestrator, and Arranger, Justin Levine. Combining over 70 songs from Adele, Katy Perry, Sia, Rihanna, Beyoncé, and more to create a pop score that’s unique in musical theatre while still firmly rooted in character and storytelling. The result is a musical extravaganza unlike anything else.

History
Premiere of this production: 10 July 2018, Colonial Theatre, Boston

Moulin Rouge! The Musical is a jukebox musical with a book by John Logan. The musical is based on the 2001 film Moulin Rouge! directed by Baz Luhrmann and written by Luhrmann and Craig Pearce. At the 74th Tony Awards, Moulin Rouge! received a total of 14 nominations and won 10 awards (the most for the evening), including Best Musical.

Synopsis

Moulin Rouge! is set in the Montmartre Quarter of Paris, France, during the Belle Epoque at the turn of the 20th century. The musical relates the story of Christian, a young composer, who falls in love with cabaret actress Satine, who is the star of the Moulin Rouge. Similar to the movie, the musical's score weaves together original songs with popular music, "including songs that have been written in the 17 years since the film's premiere."

Act I
The Moulin Rouge cabaret club, "where all your dreams come true," is in full swing under the direction of Harold Zidler, flanked by four dancers: Nini, Babydoll, Arabia, and La Chocolat. Christian arrives at the Moulin Rouge with fellow Bohemians, Henri de Toulouse-Lautrec and Santiago, the Argentinean. At the same time, the money-motivated Duke of Monroth is introduced as well ("Welcome to the Moulin Rouge"). Right before Zidler introduces the Moulin Rouge's Sparkling Diamond, Christian interrupts to start a story "about love," about a woman named Satine.

The musical flashes back to Christian's arrival in 1899 to the Montmartre district of Paris from England, where he meets Toulouse-Lautrec and Santiago, who are attempting to create a play with songs in it. The two are impressed by Christian's musical and songwriting talents and ask for help to get their work produced at the Moulin Rouge. The trio celebrates the Bohemian ideals of truth, beauty, freedom, and love ("Truth, Beauty, Freedom, Love").

Back at the Moulin Rouge, Zidler introduces Satine ("The Sparkling Diamond"). After Satine performs for the club, Zidler prepares for her to meet and impress the Duke of Monroth, who might invest in the Moulin Rouge and save it from financial ruin. However, Satine mistakes Christian for the Duke. Toulouse-Lautrec and Santiago distract Zidler from seeing Satine and Christian interact. While dancing and still thinking she is speaking with the Duke, Satine invites Christian to come to her dressing room in "the Elephant" outside of the club ("Shut Up and Raise Your Glass").

Arabia, Babydoll, and La Chocolat share their worries with Satine backstage about the Moulin Rouge's financial future. Nini expresses cynicism about its future, while Satine tries to maintain the group's morale. Afterward, Zidler expresses the dire straits that the club is in and stresses the importance of Satine impressing the Duke. Satine, who is concealing her worsening consumption from her colleagues, resolves to stay strong for them ("Firework").

Christian arrives in the Elephant hoping to impress Satine with his musical talent, whereas Satine is prepared to seduce him, under the impression that he is the Duke. Christian's true identity is revealed ("Your Song"). The Duke interrupts them; Christian and Satine claim they were practicing lines for a new show, Bohemian Rhapsody. With Zidler's help, Christian, Satine, Toulouse-Lautrec, and Santiago pitch the show to the Duke with an improvised plot about an evil gangster attempting to woo an ingenue who loves a poor sailor ("So Exciting! (The Pitch Song)"). The Duke decides to back the show. Zidler reminds Satine that her duty is to keep the Duke happy for the sake of the Moulin Rouge. She dismisses Christian from the Elephant. The Duke returns, and he and Satine spend the evening together ("Sympathy For The Duke").

In Montmarte, Toulouse-Lautrec shares with Christian that he fell in love with Satine many years ago, when she was living on the streets. He was impressed by her spirit but was too self-conscious to ever share his love for her over the years. He urges Christian to return to Satine and confess his love for her, insisting to him, "The greatest thing you'll ever learn is just to love and be loved in return" ("Nature Boy"). Christian goes back to Satine to convince her that they should be together. Though she initially finds this ridiculous, she eventually falls for him ("Elephant Love Medley").

Act II
Two months later, rehearsals are underway for Bohemian Rhapsody. Christian and Satine continue seeing each other behind the scenes, and Santiago falls in love with Nini ("Backstage Romance"). As the company rehearses, tensions rise between Toulouse-Lautrec and the controlling Duke. Backstage, Nini tells Satine that she needs to be careful about her relationship with Christian and keep the Duke happy, as he once threw a vial of acid in the face of another woman who betrayed him. Satine tells Christian that their relationship endangers the show and the Moulin Rouge, but he counters by writing a secret love song to affirm their love ("Come What May").

In the Champs-Élysées neighborhood, the Duke tells Satine that he wants every part of her, including her heart. Despite Satine's protests that she does not "fit in" with the upper-class society of Paris that he inhabits, he remodels her image accordingly against her wishes ("Only Girl In A Material World"). Back in rehearsals, the Duke continues to involve himself in the show's creative aspects, to the frustration of Toulouse-Lautrec. It becomes clear that Bohemian Rhapsody is a metaphor for Christian, Satine, and the Duke, resulting in an outburst by Christian. The Duke, enraged, threatens to reconsider his investment entirely. Zidler reminds Satine that she alone can fix the dilemma with the Duke. Satine's illness worsens, but she urges her colleagues not to share that she is ill; she wants to fight to keep the Moulin Rouge alive and for the play to go on.

Toulouse-Lautrec and Santiago tell Christian he needs to forget about Satine and move on with his life. Christian retreats in frustration and drinks absinthe with them in excess, at one point, imagining Satine as The Green Fairy ("Chandelier"). Christian expresses jealousy and disgust that Satine is with the Duke instead of him, ignoring Zidler's warning that falling in love with a prostitute "always ends badly" ("El Tango de Roxanne"). At his castle, the Duke threatens Satine from being with Christian ever again, saying that he will have Christian killed if she chooses him. Christian interrupts their conversation to try to save Satine, singing their secret song. Knowing that Christian would be killed if she says otherwise, Satine tells Christian that she does not love him. Christian leaves.

Christian decides that without Satine's love, he will load a prop gun with real bullets and commit suicide on stage during the opening night of the play. Meanwhile, Satine's illness dramatically worsens. Together, she and Toulouse-Lautrec stand up to the Duke, who leaves the Moulin Rouge before the performance begins ("Crazy Rolling"). As Satine performs her part, Christian enters and asks her to face him as he turns the gun his way. Before he pulls the trigger, Satine sings their secret song, all at once saving his life and revealing to him that she loved him the entire time. After a final song together in which the two affirm their love one last time, Satine tells Christian to "tell our story," and subsequently dies in his arms ("Your Song (Reprise)"). Over a year later, Bohemian Rhapsody turns out to be a success, and Zidler regains control of the Moulin Rouge. Christian affirms that his and Satine's story will forever be told ("Come What May (Reprise)").

Venue Info

Moulin Rouge! The Musical (Al Hirschfeld Theatre) - New York
Location   302 West 45th Street

The Al Hirschfeld Theatre is a Broadway theatre located at 302 West 45th Street in Midtown Manhattan. The theatre has a seating capacity of 1,424. Since 2019, the Al Hirschfeld Theatre stage has been hosting the Moulin Rouge! musical. Moulin Rouge! achieved the box office record for the Al Hirschfeld Theatre, grossing $2,716,892 over nine performances for the week ending December 29, 2019. The theater closed on March 12, 2020, due to the COVID-19 pandemic. It reopened on September 24, 2021, with Moulin Rouge! returning.

Designed by architect G. Albert Lansburgh for vaudeville promoter Martin Beck, the theatre opened as the Martin Beck Theatre with a production of Madame Pompadour on November 11, 1924. It was the only theatre in New York that was owned outright without a mortgage. It was designed to be the most opulent theatre of its time and has dressing rooms for 200 actors.

Famous appearances include Basil Rathbone as Romeo with Katharine Cornell as Juliet in December 1934; Burgess Meredith as Mio in Winterset in 1935; Richard Gere in Bent; Frank Langella in Dracula; Elizabeth Taylor in The Little Foxes; Christina Applegate as the title role in Sweet Charity; David Hyde Pierce as Lt. Coffi in the musical Curtains; and Daniel Radcliffe in the latest revival of How to Succeed in Business Without Really Trying.

Initially owned by the Beck Family, the theatre was purchased in 1965 by William L. McKnight of Jujamcyn Theaters. On June 21, 2003, it was renamed the Al Hirschfeld Theatre in honor of the caricaturist famous for his drawings of Broadway celebrities, and reopened on November 23, 2003, with a revival of the musical Wonderful Town.

In 2004, longtime president and producer of Jujamcyn, Rocco Landesman announced his plans to buy the five playhouses. In 2005, Jordan Roth joined Jujuamcyn as a resident producer, and in 2009 he acquired a 50% stake in the company. In 2009, Roth took over full operations when Landesman joined the National Endowments of the Arts. The Hirshfield is one of five theatres owned and operated by Jujamcyn Theaters.

The theatre has been closed as of March 12, 2020 due to the COVID-19 pandemic. It does not plan on opening until January 3, 2021.

Lansburgh designed the Hirschfeld in a Byzantine and Moorish architectural style. A large arcaded street front spanning the length of the facade reminiscent of a movie palace and a large marquee on the roof gives the theatre a distinctive look on the quieter, west of Eighth Avenue side of 45th Street. The auditorium seats the 1,424 patrons over two levels, with an extended sloping orchestra and mezzanine, all under an elaborate, colorful Moorish painted dome. Distinctive details such as single boxes, the large proscenium arch and ornate stained glass doors in the rear of the auditorium give the room character, leading to both the interior and exterior of the theatre designated New York City landmarks in 1987.

In late 2002, Jujamcyn Theaters announced that the Martin Beck Theatre would be renamed in June 2003 in honor of illustrator Al Hirschfeld, as Hirschfeld approached his 100th birthday. Jujamcyn President Rocco Landesman described the renaming as "an important event for the history and heritage of Broadway". Landesman stated that "No one working in our world is more deserving than Al Hirschfeld." Notably, Hirschfeld has become the only visual artist to have a Broadway theatre named after him. James H. Binger, Chairman of Jujamcyn, explained that because Hirschfeld "started working in New York only two years after the Martin Beck Theatre was built, it seems wholly appropriate that the building bears his name – they have shared the street during Broadway's golden age and beyond." To reflect how Hirschfeld's career spanned Martin Beck's years of operation, a gallery was installed in the mezzanine that features 22 reproductions of the artist's drawings portraying plays and actors who appeared at the theatre.

Although Hirschfeld died before the official renaming on June 23, 2003, he knew that he would be receiving the honor. A celebration and tribute to Hirschfeld were held on the evening of the renaming, featuring performers such as Carol Channing, Matthew Broderick, Barbara Cook, playwright Arthur Miller, and many other figures drawn by Hirschfeld during their careers. Hirschfeld's traditional aisle seat was left vacant in his honor during the presentation. The tribute opened with a screen projection of Hirschfeld's Self-Portrait As An Inkwell, in which the artist portrays himself in his creative process and showcases his distinctive use of crow quill pen and Higgins India Ink in his drawings.

The theatre constructed a new marquee to mark its renaming, featuring an illuminated version of Hirschfeld's Self-Portrait as an Inkwell. West 45th Street between Eighth and Ninth Avenues was closed to traffic for the unveiling of the new marquee. The marquee was initially installed with red neon representing the "ink", but blue neon was later substituted because some perceived the red as "macabre".

Important Info
Type: Musical
City: New York, USA
Starts at: 19:00
Duration: 2h 35min
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