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About
The Sydney Symphony Orchestra (SSO) is an Australian symphony orchestra that was initially formed in 1908. Since its opening in 1973, the Sydney Opera House has been its home concert hall. The orchestra's current chief conductor is David Robertson.
Venues and programming
The Sydney Symphony performs around 150 concerts a year to a combined annual audience of more than 350,000. The regular subscription concert series are mostly performed at the Sydney Opera House, but other venues around Sydney are used as well, including the City Recital Hall at Angel Place and the Sydney Town Hall. The Town Hall was the home of the orchestra until the opening of the Opera House in 1973. Since then, most concerts have been taking place in the Opera House's Concert Hall (capacity: 2,679 seats). A major annual event for the orchestra is Symphony in the Domain, a free evening outdoor picnic concert held in the summer month of January in the large city park known as The Domain. This event draws audiences of over 80,000 and is a long-established part of the Sydney summer cultural calendar.
History
The first concert by a group calling themselves the Sydney Symphony Orchestra was held on 30 September 1905. Sponsored by the Musicians Union, this group was formed from musicians who had come together to form an orchestra to accompany the pianist Ignacy Jan Paderewski's Sydney concerts when he toured Australia in 1904. A more sustained effort to establish an orchestra began in 1908 when an alliance between musicians, their union and leading business and legal figures organised regular subscription concerts. Between 1908 and 1917, a total of 47 concerts was held by a group calling themselves the Sydney Symphony Orchestra. These concerts included many Sydney premieres of key works of the classical repertoire including Schumann's Symphony No. 1 in B-flat, Brahms' Symphony No. 1 in C minor, and in 1910, Berlioz's Symphonie Fantastique as well as a number of quite recent, even modernist works including, in 1910, Richard Strauss's tone-poem Don Juan; in 1911, Debussy's Prélude à l'après-midi d'un faune; in 1912, Elgar's Enigma Variations; in 1913, Rimsky-Korsakov's Scheherazade; in 1914, Borodin's In the Steppes of Central Asia; and in 1917, Borodin's Symphony in B minor and Glazunov's Symphony in C minor. This initiative folded when most of the orchestra's members were recruited by the New South Wales State Conservatorium of Music's orchestra, then conducted by its founding director, Henri Verbrugghen.
Verbrugghen resigned from the Conservatorium in 1922 amidst controversy regarding funding for his orchestra. The Conservatorium student orchestra, supplemented by teachers continued to give concerts throughout the 1920s. Although there were regular calls for the government to provide funding for a permanent full-time professional orchestra, no such orchestra had been established in Sydney when the ABC began operation in 1932. Despite expectations, according to Fraser, the ABC's initial intervention was quite modest. It simply adopted the 20 piece orchestra already engaged in the Sydney studio by the ABC's predecessor, the privately run Australian Broadcasting Company. Within the year, this orchestra was expanded to a 24-player concert orchestra used primarily for the purposes of broadcasting. However it sometimes combined for concerts with the NSW State Conservatorium under different names including the ABC Symphony Orchestra and the NSW State Symphony Orchestra. It was not until 1936 that the ABC sponsored a new series of orchestra concerts in Sydney under the name of the "Sydney Symphony Orchestra". At this time the orchestra was increased to 45 players, and sometimes augmented to 70 players for public performances. It also again inaugurated annual concert seasons in that year. In 1937, the ABC purchased the name "Sydney Symphony Orchestra" from George Plummer who had been instrumental in establishing the initial Sydney Symphony Orchestra in 1908.
Because of the political instability in Europe in the 1930s, many leading artists spent large amounts of time in Australia. Performances were given under the direction of Antal Doráti and Sir Thomas Beecham. Soloists appearing with the orchestra included Arthur Rubinstein, Bronisław Huberman, Artur Schnabel and Jascha Spivakovsky.
At the end of World War II, the ABC reached agreement with the Sydney City Council and the New South Wales state government to jointly fund the orchestra. The new 80-member Sydney Symphony Orchestra gave its first concert in January 1946.
Eugene Goossens joined the orchestra as its first chief conductor in 1947. Goossens introduced outdoor concerts and conducted Australian premieres of contemporary music. In 1948, he uttered the prophetic words, "Sydney must have an opera house!". Goossens was knighted in 1955, the year before his term was due to end. His tenure was abruptly cut short in March 1956 under personal circumstances deemed 'scandalous' at the time, and he was forced to return to England in disgrace.
Sir Eugene Goossens was succeeded by Nikolai Malko, Dean Dixon, Moshe Atzmon and Willem van Otterloo. Under van Otterloo, the orchestra made an eight-week European tour in 1974 which culminated in two concerts in Amsterdam and The Hague. Also under van Otterloo, the orchestra established the Concert Hall of the Sydney Opera House as its home base for most of its concerts.
In 1982, Sir Charles Mackerras, a former oboist with the orchestra, became the first Australian to be appointed its chief conductor. His term ended in 1985, although illness prevented him from conducting some later concerts. Zdeněk Mácal was initially appointed on a three-year contract from 1986 until 1988, which was reduced to one year, at his request; he nevertheless left abruptly in the first season. The young Australian conductor Stuart Challender, who had taken over some of Mackerras's commitments in 1985, became the orchestra's chief conductor in 1987. In Australia's bicentennial year (1988), Challender led the orchestra in a successful tour of the United States. He remained as chief conductor until his death in December 1991.
In 1994, the orchestra received increased support from the federal government, enabling it to raise the number of players to 110, increase touring and recording ventures, and improve orchestral salaries. That year, it also appointed Edo de Waart as the orchestra's chief conductor and artistic director; he held the post until 2003.
Since de Waart's tenure, the Sydney Opera House has been the orchestra's full-time home, with all rehearsals taking place in the Opera House Concert Hall. Highlights of his tenure in Sydney included Wagner's Ring Cycle in concert, a focus on the works of his personal favourite Mahler and tours of Europe (1995), Japan (1996) and the United States (1998).
Gianluigi Gelmetti was chief conductor 2004–2008, succeeded by Vladimir Ashkenazy (2009–2013). In May 2012, David Robertson was named as the SSO's next chief conductor, with an initial contract from 2014 to 2018. In July 2017, the SSO announced the extension of Robertson's contract by one year, through to the end of 2019.