Michel Carré Tickets | 2025-2026 Tour & Event Dates | GoComGo.com

Michel Carré Tickets

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Opera
27 Apr 2025, Sun
Composer: Georges Bizet
Cast: Staatskapelle Berlin , Giedrė Šlekytė , .... + 5
View Tickets from 111 US$

In high demand – less than 13 of 1300 tickets left!

Opera
1 May 2025, Thu
Cast: Staatskapelle Berlin , Giedrė Šlekytė , .... + 5
View Tickets from 123 US$

In high demand – less than 19 of 1300 tickets left!

Opera
3 May 2025, Sat
Composer: Charles Gounod
View Tickets from 111 US$

Less than 15 of 1300 tickets left!

Booked 5 times today

Opera
3 May 2025, Sat
Cast: Staatskapelle Berlin , Giedrė Šlekytė , .... + 5
View Tickets from 142 US$

In high demand – less than 17 of 1300 tickets left!

Opera
6 May 2025, Tue
View Tickets from 108 US$

In high demand – less than 20 of 1300 tickets left!

Opera
Save3%
7 May 2025, Wed
Cast: Staatskapelle Berlin , Giedrė Šlekytė , .... + 5
View Tickets from 119 US$

In high demand!

Opera
Save3%
9 May 2025, Fri
View Tickets from 139 US$

In high demand – less than 12 of 1300 tickets left!

Latest booking: 4 minutes ago

Opera
Opera
Save3%
13 May 2025, Tue
Last-Minute Tickets Only from 314 US$

In high demand!

12 people looking at this moment

Opera
Save3%
16 May 2025, Fri
View Tickets from 139 US$

Booked 9 times today

Opera
Save4%
24 May 2025, Sat
Cast: Staatskapelle Berlin , Stefano Montanari , .... + 5
Opera
Save4%
27 May 2025, Tue
Cast: Staatskapelle Berlin , Stefano Montanari , .... + 5
View Tickets from 118 US$

Latest booking: 2 hours ago

About

Michel Carré was a prolific French librettist.

He went to Paris in 1840 intending to become a painter but took up writing instead. He wrote verse and plays before turning to writing libretti. He wrote the text for Charles Gounod's Mireille (1864) on his own, and collaborated with Eugène Cormon on Bizet's Les pêcheurs de perles. However, the majority of his libretti were completed in tandem with Jules Barbier, with whom he wrote the libretti for numerous operas, including Camille Saint-Saëns's Le timbre d'argent (libretto written in 1864, first performed in 1877), Gounod's Faust (1859), Roméo et Juliette (1867), and Offenbach's Les contes d'Hoffmann (1881). As with the other libretti by Barbier and himself, these were adaptations of existing literary masterworks.

His son, Michel-Antoine (1865–1945), followed in his father's footsteps, also writing libretti, and later directing silent films. His nephew Albert Carré (1852–1938) also wrote libretti.

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